ELECTRIC LIGHT ORCHESTRA SELF-TITLED 1st ALBUM RARE ORIG'72 U/A LP w/INSERT MINT

$

34

WE CURRENTLY HAVE  NEARLY 200  LISTED ITEMS

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·       ELECTRIC LIGHT ORCHESTRA – SAME-TITLED FIRST ALBUM ("ELECTRIC LIGHT ORCHESTRA'), ALSO KNOWN AS ‘NO ANSWER’ (THE TITLE NOTED ON THE LABELS) – ORIGINAL 1972 UNITED ARTISTS STEREO LP UAS-5573

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BEIGE UNITED ARTISTS LABEL WITH A DARK BROWN “UA” LOGO (EARLY 70’s STYLE)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       ORIGINAL "TEXTURED" (CRUDE FINISH) COVER.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Electric Light Orchestra's debut album is an astonishing creation in its own right, but neophyte listeners should be aware that it bears very little resemblance to the sound for which ELO would become known on its subsequent records. No Answer, as it ended up being called in America through a miscommunication with ELO's U.S. label, is a minimalist work by comparison with anything on the band's later albums. The core trio of Roy Wood, Jeff Lynne, and Bev Bevan, augmented by one horn player and a violinist, approaches the music alternately like a hard rock band attacking a song and a string ensemble playing a chamber piece. Filled with surprisingly loose playing and sounds throughout, and with a psychedelic aura hovering over most of the music, No Answer is unique in ELO's output. Written and sung by Lynne, "10538 Overture" is the opener and the best song on the album. Wood's "Look at Me Now," by comparison, plays like a sweet, melodic follow-up to "Beautiful Daughter" from the Move's Shazam, with some digressions on the oboe and a cello and violin subbing for the guitars. The rest moves from period-style popular songs to strangely cinematic conceptual pieces, on which the rock elements almost disappear in favor of quasi-classical playing by all concerned. A beautiful acoustic guitar workout by Wood, "1st Movement" also features the song's composer on the oboe, while "Mr. Radio," an exercise in 1920s nostalgia written and sung by Lynne, digresses for a moment into 1940s-style classical piano pyrotechnics. His "Whisper in the Night" ends the album with a lean and textured acoustic sound that, ironically, disappeared from ELO's repertory when he exited the lineup following these sessions.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The album comes with the original insert/lyrics sheet

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS (WEAK) NEAR MINT !

The following flaws or imperfections are noted on the cover:

-         Front cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover has a slight warp along the front "leg" of the gatefold (nothing significant); this has absolutely no effect on the record.

-         Minor shelf wear noted on the seams (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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