CHROME The Visitation US LP Post Punk Psych Damon Edge
£
64
$
84
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Description
** RECORD COLLECTOR **
CHROME
The Visitation
Original US LP released on Siren Records in 1976. Includes one insert (folded).
The initial pressings had a plain looking white label with black text. Omitted from the label was "Siren Records", which was subsequently added with a rubber stamp. The second pressing incorporated "Siren Records" pre-printed on the label. Later pressings used an entirely re-designed label featuring silver hand-written text on a black background. From this information I deduce that this is from the second pressing.
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Under the innocuous name of Chrome, two San Franciscans — Damon Edge (vocals, synths, etc.) and Helios Creed (vocals, guitar, etc.), with part-time rhythm-section assistance by the Stench brothers of Pearl Harbor's band — created an often awesome series of pre-industrial LPs that explore a dark state of mind only hinted at by '60s psychedelia. Taking cues from Suicide, Can, Pink Floyd, Jimi Hendrix, the Residents, the Stooges and anyone who ever made home tapes in their bedroom, the pair's dense, chaotic science-fiction epics are vivid vinyl nightmares — a thick blend of mechanical noises, filtered, twisted voices and fantastic, bizarre lyrics — that flesh out a frightening world both absorbing and repellent. Though conventional song structures are preserved to the point where tracks can be distinguished, Chrome's strength is its ability to create sounds of horrible beauty that transcend discrete musical units. If not as conceptually out there or as ear-splitting as the noisemongers that followed the duo, Chrome's sonic intensity is still something to behold.
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Exhibiting a truly gone sense of rock and roll -- even without Creed, who wouldn't join until the following album -- Chrome here aren't quite the monster industrial/punk forebears of legend, but the original quartet still has something weird and wigged going for it. Edge tries some odd percussion here and there, sometimes approaching Can's level of avant-garde groove. Guitarist Lambdin throws in a fair amount of soloing as well throughout, squelchy and heavily flanged guitar being the result when not offering up basic rhythm.
The opening song -- with a sudden musical rush building to the a capella title line, "How many years too soon?!" delivered in shrill, squealed nerd harmonies -- is hardly the Doobie Brothers. Strange electronic burps and shades and random drop-ins colour the often sci-fi-tinged songs, so things are off in general, just not quite as frenetically so as later albums, with the exception of the thoroughly fried "My Time to Live."
The higher vocals generally stay a bit calmer after the opening -- whichever singer it is, Lambdin or bassist Spain, has nowhere near as nails-on-chalkboard screechy warbling as, say, Geddy Lee, just possessed of a higher register and with reasonable control. The other lead singer sounds like a breathless Jagger imitator, which like the guitar playing is reasonable without being too distinct. In general, the four members sound like they want to do more than what the end result turned out to be, but the seeds were being sown nonetheless.
Tracks Are :-
Side One
How Many Years Too Soon?
Raider
Return To Zanzibar
Caroline
Side Two
Riding You
Kinky Lover
Sun Control
My Time To Live
Memory Cords Over The Bay
Released on 'Siren Records' in 1976
Catalogue No. DE-1000
Disc is in EX+ condition
Sleeve is in EX++ condition
Please contact me via Ebay Messages with any questions I will try my best to get back to you as quickly as possible.
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CD's £2.50 FOR THE FIRST THEN 50p FOR EACH ADDITIONAL
*********DOUBLES COUNT AS TWO*********
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