CHARLES MINGUS BLACK SAINT+THE SINNER LADY VERY RARE ORIG'63 IMPULSE MONO LP RVG
$
235
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
WE CURRENTLY HAVE NEARLY 1,000 LISTED ITEMS
?Click here to see ALL our ROCK auctions ?Our PSYCH & PROGRESSIVE auctions ?Our PUNK & NEW WAVE auctions ? Our JAZZ auctions ?Our BLUE NOTE JAZZ auctions ?Our BLUES auctions ?Our CLASSICAL auctions ?Our COUNTRY auctions ?Our FUNK auctions ?Our LATIN auctions ?Our METAL auctions?Our REGGAE auctions ?Our SOUL auctions ? Our STILL SEALED ITEMS ?Our PROMO auctions ?Our AUDIOPHILE auctions
?????????????????????
· CHARLES MINGUS with CHARLIE MARIANO, JACKIE BYARD AND OTHERS – BLACK SAINT AND THE SINNER LADY – ORIGINAL 1963 IMPULSE RECORDS MONO LP A-35
· ORIGINAL U.S. PRESSING
· ORIGINAL ORANGE AND BLACK IMPULSE LABEL
· The record has a ?Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS ONE OF ONLY THREE MINGUS RECORDINGS (ALL ON IMPULSE) MASTERED BY THE LEGENDARY ENGINEER, RUDY VAN GELDER. NAMELY, MINGUS WAS NOTORIOUSLY ADVERSE TO VAN GELDER'S ENGINEERING METHOD, STATING ON NUMEROUS OCCASIONS THAT HE FELT THAT VAN GELDER'S APPROACH GAVE THE RECORDING ARTISTS HIS OWN "IMPRINT" AND SOUND AND STRIPPED THEM OF THEIR IDENTITY AND AUTONOMY .
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· ORIGINAL LAMINATED COVER
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(?PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
?????????????????????
The Black Saint and the Sinner Lady is one of the greatest achievements in orchestration by any composer in jazz history. Charles Mingus consciously designed the six-part ballet as his magnum opus, and -- implied in his famous inclusion of liner notes by his psychologist -- it's as much an examination of his own tortured psyche as it is a conceptual piece about love and struggle. It veers between so many emotions that it defies easy encapsulation; for that matter, it can be difficult just to assimilate in the first place. Yet the work soon reveals itself as a masterpiece of rich, multi-layered texture and swirling tonal colors, manipulated with a painter's attention to detail. There are a few stylistic reference points -- Ellington, the contemporary avant-garde, several flamenco guitar breaks -- but the totality is quite unlike what came before it. Mingus relies heavily on the timbral contrasts between expressively vocal-like muted brass, a rumbling mass of low voices (including tuba and baritone sax), and achingly lyrical upper woodwinds, highlighted by altoist Charlie Mariano. Within that framework, Mingus plays shifting rhythms, moaning dissonances, and multiple lines off one another in the most complex, interlaced fashion he'd ever attempted. Mingus was sometimes pigeonholed as a firebrand, but the personal exorcism of Black Saint deserves the reputation -- one needn't be able to follow the story line to hear the suffering, mourning, frustration, and caged fury pouring out of the music. The 11-piece group rehearsed the original score during a Village Vanguard engagement, where Mingus allowed the players to mold the music further; in the studio, however, his exacting perfectionism made The Black Saint and the Sinner Lady is the first jazz album to rely on overdubbing technology. The result is one of the high-water marks for avant-garde jazz in the '60s and arguably Mingus' most brilliant moment.
(EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE /ALLMUSIC.COM/)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ? CLICK HERE
?????????????????????
· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1 (front side) and 3 (back side). Inside gatefold has some light ring wear also.
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant). Yellowing is also noted on the INSIDE gatefold
- Cover has a small quality control (inspection) stamp on the back panel
- The laminated cover has a few air 'bubbles' and wrinkles in lamination (this is a common problem with most laminated 50’s and 60’s covers
- Cover has a minor 'bump' (dent) on the bottom seam (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
?????????????????????
POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ?click here. While you can be rest assured that ?our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
WANT A DISCOUNT ?!?
IT’S EASY: CLICK ?HERE TO see HOW!
(please note recent changes in our policy)
?????????????????????
FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:
?OUR VOLUME DISCOUNTS AND POSTAGE REBATES ?OUR GRADING POLICY ?ITEMS WE DO NOT GRADE ?HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ?OUR PAYPAL “CHARGEBACK” POLICY ?ACCEPTABLE PAYMENT METHODS ?OUR REFUND POLICY ?POSTAGE RATES AND DISCLOSURES ?PAYMENT DEADLINES ?FREQUENTLY ASKED QUESTIONS (FAQ)
?????????????????????
OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ?Click here for the full text of our policy
© 2001,2007 MDJ. All rights reserved.