CHARLES BROWN DRIFTIN' BLUES MEGA-RARE ORIG'57 SCORE LP

$

853

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·       CHARLES BROWN – DRIFTIN’ BLUES – ULTRA RARE ORIGINAL 1958 SCORE RECORDS MONO LP SLP-4011

·       ORIGINAL U.S. PRESSING

·       INSANELY RARE ORIGINAL SCORE PRESSING – ONE OF THE RAREST BLUES ALBUMS IN EXISTENCE.

·       ORIGINAL MAROON (DARK RED), NON-GLOSSY, SCORE MONO LABEL WITH SILVER PRINT, LATE 50’s STYLE.

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)

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You are looking at one of the finest (we would say: the finest) West Coast blues in existence, by the guy who practically invented the genre. So influential were these sides (originally recorded in the early 1950’s for Aladdin label and then released as a 12” album for it’s successor, Score in 1958), that none other than Sam Cooke covered a quarter of the album – three tracks – on his various albums, most notably on his classic “Nightbeat” album (Cooke covered ANOTHER four Charles Brown tunes, not on this album).

One important note about Score records. Some web sites (notably: bsnpubs.com) claim – erroneously – that Score label was Aladdin/Jazz West/Intro’s BUDGET subsidiary. This is NOT, repeat, NOT correct. Score was, in fact, a full-priced, full-product line SUCCESSOR (not subsidiary or affiliate) of these three labels, in the same vein Verve labels was a successor of Clef and Norgran labels. Aladdin, Jazz West and Intro did, in fact, have a budget subsidiary, but it was Hollywood label, NOT Score.

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How many blues artists remained at the absolute top of their game after more than a half-century of performing? One immediately leaps to mind: Charles Brown. His incredible piano skills and laid-back vocal delivery remained every bit as mesmerizing at the end of his life as they were way back in 1945, when his groundbreaking waxing of "Drifting Blues" with guitarist Johnny Moore's Three Blazers invented an entirely new blues genre for sophisticated postwar revelers: an ultra-mellow, jazz-inflected sound perfect for sipping a late-night libation in some hip after-hours joint. Brown's smooth trio format was tremendously influential to a host of high-profile disciples -- Ray Charles, Amos Milburn, and Floyd Dixon, for starters.

Classically trained on the ivories, Brown earned a degree in chemistry before moving to Los Angeles in 1943. He soon hooked up with the Blazers (Moore and bassist Eddie Williams), who modeled themselves after Nat "King" Cole's trio but retained a bluesier tone within their ballad-heavy repertoire. With Brown installed as their vocalist and pianist, the Blazers' "Drifting Blues" for Philo Records remained on Billboard's R&B charts for 23 weeks, peaking at number two. Follow-ups for Exclusive and Modern (including "Sunny Road," "So Long," "New Orleans Blues," and their immortal 1947 Yuletide classic "Merry Christmas Baby") kept the Blazers around the top of the R&B listings from 1946 through 1948, until Brown opted to go solo.

If anything, Brown was even more successful on his own. Signing with Eddie Mesner's Aladdin logo, he visited the R&B Top Ten no less than ten times from 1949 to 1952, retaining his mournful, sparsely arranged sound for the smashes "Get Yourself Another Fool," the chart-topping "Trouble Blues" and "Black Night," and "Hard Times." Despite a 1956 jaunt to New Orleans to record with the Cosimo's studio band, Brown's mellow approach failed to make the transition to rock's brasher rhythms, and he soon faded from national prominence (other than when his second holiday perennial, "Please Come Home for Christmas," hit in 1960 on the King label) (…)

(EXCERPT FROM AN ONLINE BIO BY BILL DAHL, /ALLMUSIC.COM/)

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)            The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)            Stereo copies of this album are NOT known to exist.

(e)             Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has all three seams (top, bottom and spine) completely or partially split and DELICATELY repaired FROM THE INSIDE (NO REPAIR IS VISIBLE ON THE OUTSIDE OF THE COVER)

-         Cover has some visible wear on all three seams

-         Cover has a visible "wrinkle"(crease) in one of the corners.

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Cover has a minor 'bump' (dent) along the upper seam

NO OTHER IMPERFECTIONS ON THE COVER:

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-         No writing

-         No stamps

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No bar codes

-         No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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