CANNED HEAT 1st ALBUM RARE ORIG '67 LIBERTY STEREO LP IN SHRINK NEAR MINT

$

36

    
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·       CANNED HEAT - SELF-TITLED FIRST ALBUM (“CANNED HEAT”) - ORIGINAL 1967 LIBERTY RECORDS STEREO LP LST-7526

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK LIBERTY LABEL WITH MULTICOLORED STATUE OF LIBERTY LOGO ON THE LEFT-HAND SIDE

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This debut long-player from Canned Heat was issued shortly after their appearance at the Monterey International Pop Music Festival. That performance, for all intents and purposes, was not only the combo's entrée into the burgeoning underground rock & roll scene, but was also among the first high-profile showcases to garner national and international attention. The quartet featured on Canned Heat (1967) includes the unique personnel of Alan "Blind Owl" Wilson (guitar/vocals), Larry "The Mole" Taylor (bass), Henry "Sunflower" Vestine (guitar), Bob "The Bear" Hite (vocals), and Frank Cook (drums). Cook's tenure with the Heat would be exceedingly brief, however, as he was replaced by Aldolfo "Fido" Dela Parra (drums) a few months later. Although their blues might have suggested that the aggregate hailed from the likes of Chicago or Memphis, Canned Heat actually formed in the Los Angeles suburb of Topanga Canyon, where they were contemporaries of other up-and-coming rockers Spirit and Kaleidoscope. Wilson and Hite's almost scholarly approach created a unique synthesis when blended with the band's amplified rock & roll. After their initial studio sessions in April of 1967 produced favorable demos, they returned several weeks later to begin work in earnest on this platter. The dearth of original material on Canned Heat was less of a result of any songwriting deficiencies, but rather exemplifies their authentic renderings of traditionals such as the open-throttled boogie of "Rollin' and Tumblin'" -- which is rightfully recognized as having been derived from the Muddy Waters arrangement. Similarly, a rousing reading of Robert Johnson's "Dust My Broom" is co-credited to Elmore James. Blues aficionados will undoubtedly notice references to a pair of Howlin' Wolf classics -- "Smokestack Lightning" as well as "I Asked for Water (She Gave Me Gasoline)" -- as part of the rambling "Road Song." While decidedly more obscure to the casual listener, Eddie "Guitar Slim" Jones "Story of My Life" is both a high point on this recording, as well as one of the fiercest renditions ever committed to tape. Until a thorough overhaul of Canned Heat's catalog materializes, this title can be found on the Canned Heat/Boogie With Canned Heat (2003) two-fer that couples this title with their 1968 follow-up.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The first - and , according to many , the very finest of the classic Canned Heat lineup (Bob ‘Bear’ Hite - Al Wilson - Henry Vestine - Larry Taylor - Fito de la Parra) albums. A genre-definer.

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS (WEAK) NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP   (A SMALL PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-        Cover has a small, neat, circular cutout hole in one of the corners

-         Cover shows some light yellowing on back side, apparently from aging.

-         Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

-         Cover has two corners slightly worn / dinged  / bent (nothing significant)

-         Cover has a few tiny wrinkles along the spine

-         Cover has a visible "wrinkle"(crease)  in one of the corners.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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