Bob Dylan Double LP Splashwax 1st pressing VERY RARE

$ 123

$ 123 Sold For

Jan 25, 2010 Sold Date

Jan 18, 2010 Start Date

15 Number Of Bids

USA Country Of Seller

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Description

Bob Dylan and the Rolling Thunder Review ~ Hold The Fort For What It's Worth This is a first issue of a rare piece of splatter vinyl. Allthough the pictue sleeve shows some signs of wear ( it's a black, glossy cover so scratches and ringwear are appearant) VG-, the vinyl and labels are in prestine condition, NM-. This is a must for any Dylan collector. Tracklisting: Side one: Going, Going, Gone Idiot Wind It Ain't Me, Babe Deportee (with Baez) Side four: I Pity the Poor Immigrant (with Baez) Shelter from the Storm When I Paint My Masterpiece** I Don't Believe You* Blowin' in the Wind (with Baez)** Side two: Where Did Vincent Van Gogh? One Too Many Mornings Mozambique Isis Stuck inside of Mobile Side three: Oh Sister You're a Big Girl Now You're Gonna Make Me Lonesome Lay Lady lay Railroad Boy (with Baez) Some added notes: HAR Label (Hoffman Ave.) released this set in 1976. Simple, yet striking black and white cover. Song lineup on back with interesting liner notes. Nice looking full printed silver 'Wicked messenger labels.' The vinyl is beautiful! This is one of the nicest looking splatter vinyls that I have ever seen. The show is from the Rolling Thunder tour in Texas, May 16, 1976. Also included is a track from *New Haven Nov. 13 1975; and two from **Hartford, Nov. 24, 1975. It would be hard to produce a piece as nice looking as this without wanting to give yourself at little pat on the back. In the liner notes there is a section thanking certain individuals by first name. The first four names that the album is dedicated to are Lou & Char, and Sean & Mark. Each album side contains one of these names in the matrix area of the runoff. Side 1- Lou Side 2- Char Side 3- Sean Side 4- Mark The producer is listed as Elsie Joonyer. That would be the infamous Lou Cohan, Jr. (LC Jr.) Note: An oddity to note is that side four of the album is pressed on the reverse of side one. This is a practice that a few legitimate manufacturers began in the 70's to accommodate stacking the albums together on automatic turntables, and being able to play side one and two and/or side three and four without having to get up to flip the records.

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