Big Daddy Kane – Daddy's Home

Label:

MCA Records – MCA-11102

Format:

Vinyl, LP, Album

Country:

US

Released:

1994

Genre:

Hip Hop

Style:

Boom Bap Homiside A1 Daddy's Home Mixed By – Axel Niehaus, Big Daddy Kane, L.G.* Producer – L.G.* Recorded By – Axel Niehaus Written-By – Big Daddy Kane, Patrick Harvey 3:05 A2 Brooklyn Style...Laid Out Featuring – Big Scoob Keyboards – Michael Warner, Onree' Gill* Mixed By – Big Daddy Kane Producer – Easy Mo Bee Recorded By – Axel Niehaus Written-By – Big Daddy Kane, Johnny Jackson (3), Osten Harvey 3:56 A3 In The PJ's Featuring – Big Scoob Producer, Written-By, Mixed By – Big Daddy Kane Recorded By – Axel Niehaus 4:06 A4 Show & Prove Featuring – Big Scoob, J.Z.*, Ol' Dirty Bastard, Sauce*, Shyheim Mixed By – Axel Niehaus, Big Daddy Kane Producer – D.J. Premier* Recorded By – Axel Niehaus Written-By – Big Daddy Kane, D.J. Premier*, Johnny Jackson (3), Russell Jones*, Shawn Carter, Shyheim Franklin, Todd Gaither 5:47 A5 Lyrical Gymnastics Mixed By – Axel Niehaus, Big Daddy Kane Producer – L.G.* Recorded By – Axel Niehaus Written-By – Barry White, Big Daddy Kane, Patrick Harvey, Smeed Hudman 3:55 A6 That's How I Did 'Em Mixed By – Axel Niehaus, Big Daddy Kane Producer – Easy Mo Bee Recorded By – Axel Niehaus Written-By – Big Daddy Kane, Osten Harvey 3:24 Suiside B1 Sex According To The Prince Of Darkness Producer – Da Rock (2) Recorded By – Tony Alvarez Written-By – Big Daddy Kane, Duane Ramos* 3:44 B2 3 Forties & A Bottle Of Moet Mixed By – Axel Niehaus, Big Daddy Kane Producer, Written-By – Big Daddy Kane Recorded By – Axel Niehaus 1:39 B3 The Way Its Goin' Down Mixed By – Axel Niehaus, Big Daddy Kane Producer – Easy Mo Bee Recorded By – Axel Niehaus Saxophone – Joshua Redman Trumpet – Byron Strippling* Written-By – Big Daddy Kane, Osten Harvey 4:01 B4 Somebody's Been Sleeping In My Bed Mixed By – Axel Niehaus, Big Daddy Kane Producer, Written-By – Big Daddy Kane Recorded By – Axel Niehaus 3:19 B5 W.G.O.N.R.S. Bass – Bootsy Collins Featuring – Easy Dred, Junior P Mixed By – Axel Niehaus, Big Daddy Kane Producer, Written-By – Big Daddy Kane Recorded By – Kevin Crouse, Tony Alvarez Saxophone – Najee 4:37 B6 Let Yourself Go Bass – Anthony (Trace Bass) Brown* Engineer [Tracking] – Keith Senior Mixed By – Axel Niehaus, Big Daddy Kane Producer – Crush (43), Kool Tee Recorded By – Axel Niehaus Written-By – Big Daddy Kane, Tadone Wilson 4:09 B7 Don't Do It To Yourself Featuring – Big Scoob Keyboards – Nikki London Mixed By – Axel Niehaus, Big Daddy Kane Producer – Big Daddy Kane Recorded By – Axel Niehaus Written-By – Big Daddy Kane, Johnny Jackson (3) 4:51

• Produced For – LG Experience
• Produced For – Bee Mo Easy Productions
• Produced For – Black Caesar Productions
• Produced For – Rock Bottom Productions
• Produced For – Mackadocious Productions
• Recorded At – Platinum Island Studios
• Recorded At – Echo Sound
• Mixed At – Platinum Island Studios
• Marketed By – Future Disc
• Phonographic Copyright ℗ – MCA Records, Inc.
• Copyright © – MCA Records, Inc.
• Distributed By – Uni Distribution Corp.
• Published By – Warner-Tamerlane Publishing Corp.
• Published By – Danika Music
• Published By – Slick Rick Music
• Published By – All Nations Music
• Published By – Jobete Music Co., Inc.
• Published By – Stone Agate Music
• Licensed From – Polygram Special Markets
• Licensed From – PolyGram Group Distribution, Inc.
• Licensed From – Blue Note Records
• Licensed From – Capitol Records, Inc.
• Lacquer Cut At – Future Disc

• A&R – James Broadway
• Art Direction, Design, Photography By – George Du Bose*
• Coordinator [Album] – Alicia N. Pitts
• Executive-Producer – André "Big Fish" Fischer*, Ernie Singleton
• Mastered By – Steve Hall
• Stylist – Dorian Lipman

• Barcode: 008811110215
• Barcode (Text): 0 08811 11021 5
• Rights Society: ASCAP
• Rights Society: BMI
• Matrix / Runout (A-side label): MCA 12037
• Matrix / Runout (B-side label): MCA 12038
• Matrix / Runout (A-side runout): MCA-n̶i̶o̶2̶ 12037-FDS-1
• Matrix / Runout (B-side runout): MCA-12038-FDS-1

MEDIA CONDITION: EX

SLEEVE COVER CONDITION: EX

GENERAL ITEM CONDITION: EX 

SEE PHOTOS FOR FURTHER DETAILS.

 

PLEASE READ BEFORE BIDDING

 

FROM A SMOKE FREE AND PET FREE ENVIRONMENT

I always include photos of the actual item for sale. They are original issues unless stated, and are from my personal collection, most of my records have been in storage for the last 10 years and have not been played.
Please note that most used Hip Hop Rap LP records have a little surface marks, noise or crackle regardless of age/condition unless clearly stated otherwise.
In the unlikely event that there is a problem for any reason you are unsatisfied with the record you receive, 
please email me before leaving feedback (or opening any dispute), as any problems can be resolved.

 

PAYMENT WITHIN 48 HRS OF BID ENDING

UK P/P FOR SINGLE 1 RECORD or DOUBLE LP IS £3.99 ANY ADDITIONAL RECORDS ADD £1.00 EACH PER RECORD FOR MULTI PACKAGE COMBINED DELIVERY

ADDITIONAL £1.00 FOR RECORDED DELIVERY WITH TRACKER NUMBER WILL NOT TAKE RESPONSIBILITY IF ITEM IS NOT SENT RECORDED …….I KEEP PROOF OF P/P OF ALL ITEMS NOT SENT AS RECORDED DELIVERY

CONTACT ME FOR INTERNATIONAL POSTAGE

WILL POST LPS IN PROFESSIONAL CARD MAILER WITH STIFNERS WITHIN 24 HOURS AFTER PAYMENT

 

ONCE THE ITEM IS RECEIVED PLEASE LEAVE FEEDBACK AS THIS WILL NOTIFY ME YOU HAVE RECEIVED THE ITEM

FOR FURTHER QUIRIES PLEASE CONTACT ME

PLEASE VIEW MY OTHER ITEMS

 

Record Collector Magazine's/ Goldmine Standard Grading Guide: 

 

"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

 

Near Mint (NM or M-) :

A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

 

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

 

 

Very Good Plus (VG+):

Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

 

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable

 

Good Plus (G+):

Generally worth 10-15% of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.

 

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

 

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

 

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

 

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."