BUFFALO SPRINGFIELD AGAIN EX RARE 1967 MONO LP EX/NM CONDITION NEIL YOUNG WOW

$

366

BUFFALO SPRINGFIELD~AGAIN~EX RARE 1967 MONO LP~EX/NM CONDITION~NEIL YOUNG~WOW

Product Description

Buffalo Springfield ‎– Buffalo Springfield Again ATCO Records ‎– 33-226
EXTREMELY RARE MONO LP PRESSING FROM 1967 - 47 YEARS AGO!! ASIDE FROM A NAME WRITTEN ON THE BACK, THIS IS AN AMAZING COPY OF THIS VERY RARE MONO LP! COVER IS IN EXCELLENT CONDITION WITH LIGHT WEAR. THERE IS A SMALL DRILL-HOLE IN THE UPPER LEFT CORNER. INCLUDES THE ORIGINAL ATCO INNER SLEEVE. THE VINYL IS IN EX/NM CONDITION WITH ONLY VERY LIGHT WEAR!
Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut. Yet it doesn't suffer for that in the least -- indeed, the group continued to make major strides in both their songwriting and arranging, and this record stands as their greatest triumph. Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point. Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco. Although a slightly uneven record that did not feature the entire band on several cuts, the high points were so high and plentiful that its classic status cannot be denied.
Tracklist  A1 Mr. Soul Producer – Brian*, Charlie* Vocals, Lead Guitar – Neil* Vocals, Rhythm Guitar – Richie*, Steve* 2:35 A2 A Child's Claim To Fame Bass – Bruce* Drums – Dewey Martin Engineer – Ross Myering* Producer – Richie Furay Resonator Guitar [Dobro] – James Burton Vocals, Guitar – Neil*, Richie*, Steve* 2:09 A3 Everydays Bass – Jim Fielder Drums – Dewey* Guitar [Humm] – Neil* Producer – Ahmet Ertegun, Neil Young, Steve Stills* Vocals, Piano – Steve* Vocals, Rhythm Guitar – Richie* 2:38 A4 Expecting To Fly Electric Piano – Jack Nitzsche Engineer – Bruce Botnick Grand Piano – Don Randi Lead Guitar – Neil Young Producer, Arranged By – Jack Nitzsche, Neil Young Vocals – Neil*, Richie* 3:39 A5 Bluebird Banjo – Charlie Chin Bass – Bobby West* Drums – Dewey* Engineer – Bruce Botnick Guitar – Neil* Producer – Ahmet*, Steve* Vocals, Guitar – Richie*, Steve* 4:28 B1 Hung Upside Down Bass – Bruce* Drums – Dewey* Engineer – Jim Messina Producer – Steve Stills* Vocals, Guitar – Neil*, Richie* Vocals, Guitar [Fuzz], Organ – Steve* 3:24 B2 Sad Memory Guitar – Richie* Lead Guitar – Neil* Producer – Richie Furay Recorded By – William Brittan* Recorded By [Lead Guitar] – Bill Lazarus* 3:00 B3 Good Time Boy Arranged By – Horn Section Of The American Soul Train* Bass – Bruce* Drums – Dewey* Executive-Producer – Dewey Martin Guitar – Steve* Vocals – Dewey Martin 2:11 B4 Rock & Roll Woman Bass – Bruce Palmer Drums – Dewey Martin Other [Inspiration] – David Crosby Producer – Neil Young, Steve Stills* Vocals, Guitar – Neil*, Richie* Vocals, Lead Guitar, Electric Piano, Organ – Steve* 2:44 B5 Broken Arrow Bass – Bruce* Drums – Dewey* Engineer – Jim Messina Guitar – Chris*, Neil*, Steve* Piano – Don Randi Producer – Neil Young Vocals – Neil*, Richie* 6:13
Copyright (c) – Atlantic Recording Corporation Pressed By – Columbia Records Pressing Plant, Terre Haute Published By – Springalo-Cotillion Published By – Ten East Music
Artwork By [Cover Illustration] – Eve Babitz Design [Album Design] – Loring Eutemey Liner Notes – Buffalo Springfield Words By, Music By – Neil Young (tracks: A1, A4, B5), Richie Furay (tracks: A2, B2, B3), Steve Stills* (tracks: A3, A5, B1, B4)
Tan, white and blue ATCO labels.   
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
If you have questions, BEFORE you buy, email us.


In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:

957 Commonwealth Avenue, Boston, MA. 02215
72 Mt. Auburn Street, Cambridge, MA. 02138
462 Main Street, Warren, RI 02885

SHIPPING PRICES ARE AUTOMATICALLY CALCULATED BASED ON YOUR GEOGRAPHIC LOCATION. PLEASE NOTE: WE PACK OUR LPs WITH LOTS OF ADDED PADDING, USING OTHER EMPTY LPs SLEEVES TO REINFORCE THE MAILER AND PROTECT THE ITEM BEING SHIPPED. THIS ADDS CONSIDERABLY TO THE WEIGHT AND, THEREFORE, TO THE COST OF SHIPPING.   We're proud of our positive feedback. Click here to see what other customers say about us: http://feedback.ebay.com/ws/eBayISAPI.dll?ViewFeedback2&userid=in-your-ear%21&ftab=AllFeedback&myworld=true&rt=nc

 

RECORD GRADING POLICY

MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale

EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play

VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play

VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.

VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.

VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.

Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like

Fair = you are getting this record just to own but not to play

Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest

 

For listings for our Boston/Cambridge stores, CLICK HERE.
For additional listings for our Rhode Island store, CLICK HERE.

Don't forget to visit our "About Me" page to find out lots more about our online and retail stores!

Bid with confidence at In Your Ear! Check out our customer feedback. CLICK HERE!

 

inkfrog terapeak
i000000

inkFrog Analytics