BUCK CLAYTON:Complete CBS Jam Sessions(Mosaic 8 LP box)
  $   163

 


$ 163 Sold For
May 10, 2004 Sold Date
May 3, 2004 Start Date
$   10 Start price
10   Number Of Bids
  USA Country Of Seller
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Description


BUCK CLAYTON:Complete CBS Jam Sessions(Mosaic 8 LP box) Shipping Info  |  Payment Terms  |  Grading Policy   Description Label:Mosaic MQ8-144
Record:Records are mint-
Cover:mint-
Please refer to the sections shipping info and payment terms below for all shipping info.



The Complete CBS Buck Clayton Jam Sessions (#144)
Discography

--------------------------------------------------------------------------------

Only the original U.S. Columbia issue numbers are included here.

(A) Buck Clayton, Joe Newman (tp), Urbie Green, Benny Powell (tb), Lem Davis (as), Julian Dash (ts), Charles Fowlkes (bari), Sir Charles Thompson (p), Freddie Green (g), Walter Page (b), Jo Jones (d).

NYC December 14, 1953

co 50436-4 Moten Swing

CL 6325, CL 567

co 50437-1 Sentimental Journey

CL 6325, CL 567

(B) Buck Clayton, Joe Newman (tp), Urbie Green, Henderson Chambers (tb), Lem Davis (as), Julian Dash (ts), Charles Fowlkes (bari), Sir Charles Thompson (p, celeste), Freddie Green (g), Walter Page (b), Jo Jones (d).

NYC December 16, 1953

co 50531-2 Lean Baby

CL 882

co 50531-6 Lean Baby (alt tk)

CJ 44291

co 50532 The Huckle-Buck

CL 548

co 50533-1 Robbins' Nest

previously unissued in full

co 50533-2 Robbins' Nest

previously unissued in full

(CL 548 has 17:42 composite of the above takes)

co 50534-1 Christopher Columbus

previously unissued in full

(CL 614 edited to 25:46)

(C) Buck Clayton, Joe Thomas (tp), Urbie Green, Trummy Young (tb), Woody Herman (cl), Lem Davis (as), Al Cohn, Julian Dash (ts), Jimmy Jones (p, celeste), Steve Jordan (g), Walter Page (b), Jo Jones (d).

NYC March 31, 1954

co 51243-2 How Hi The Fi

previously unissued

co 51243-5 How Hi The Fi

CL 6326, CL 567

co 51244-3 Blue Moon

CL 6326, CL 567

(D) The following is a performance that intersplices the takes from the March 31 and August 13, 1954 session. The original uncut takes no longer exist.

co 51245-1/2 Jumpin' At The Woodside

CL 701

(E) Buck Clayton, Joe Newman (tp), Urbie Green, Trummy Young (tb), Lem Davis (as), Coleman Hawkins (ts), Charles Fowlkes (bari), Billy Kyle (p, celeste), Freddie Green (g), Milt Hinton (b), Jo Jones (d).

NYC August 13, 1954

co 52505-4 Don't Be That Way (alt tk)

previously unissued

co 52505-6 Don't Be That Way

CL 614

co 52506-2 Undecided (alt tk)

previously unissued, has no opening theme

co 52506-3 Undecided

CL 614

co 52507-1 Blue And Sentimental

CL 701

(F) Buck Clayton (tp), Ruby Braff (cornet), Bennie Green, Dicky Harris (tb), Coleman Hawkins, Buddy Tate (ts), Al Waslohn (p), Steve Jordan (g), Milt Hinton (b), Jo Jones (d), Jack Ackerman (tap dancing) -1

NYC March 15, 1955

co 52630-2 Rock-a-bye Basie -1 (alt tk)

previously unissued

co 52630-3 Rock-a-bye Basie -1

CL 701

co 52633-1 Broadway (alt tk)

previously unissued

co 52631-1 Out Of Nowhere (alt tk)

CJ 44291

co 52631-2 Out Of Nowhere

CL 882

co 52632-R Blue Lou (alt tk)

CJ 44291, has opening and closing themes from take 1

co 52632-1 Blue Lou

CL 882

co 52633-2 Broadway

CL 701, has some elements of take 1 spliced in

(G) Buck Clayton, Billy Butterfield (tp), Ruby Braff (cornet), J. C. Higginbotham (tb), Tyree Glenn (tb, vbs), Coleman Hawkins, Julian Dash (ts), Ken Kersey (p), Steve Jordan (g), Walter Page (b), Bobby Donaldson (d).

NYC March 5, 1956

co 55544-1 All The Cats Join In

previously unissued in full

co 55544-1B All The Cats Join In (insert)

previously unissued in full, starts with tb solo

(CL 882 has elements of both of the above and possibly some of take five)

co 55544-5 All The Cats Join In (alt tk)

CJ 44291

co 55545-4 After Hours (alt tk)

previously unissued

co 55545-5 After Hours

CJ 44291

co 55546-4 Don't You Miss Your Baby -1

CL 882

co 55546-5 Don't You Miss Your Baby (alt tk) -1

JC 44291

-1 add Jimmy Rushing (vcl), omit Tyree Glenn

ALBUM INDEX

10" LPs

CL 6325 Moten Swing & Sentimental Journey

CL 6326 How Hi The Fi & Blue Moon

12" LPs

CL 548 The Huckle-buck & Robbins' Nest

CL 567 How Hi The Fi

CL 614 Buck Clayton Jams Benny Goodman

CL 701 Jumpin' At The Woodside

CL 882 All The Cats Join In





  Shipping Info

USA CUSTOMERS :Shipping is by USPS(media mail with delivery confirmation )

3.75 per record/1.00 each additional(Priority mail is available upon request.)

Canada:  6.55 per record/1.00 each additional

INTERNATIONAL CUSTOMERS :Shipping is by USPS(global priority mail)

13.50 per record/1.00 each additional(China,Japan,Austraila,Austria

14.50 per record/1.00 each additional) Insurance is optional at a cost of 9.00

Please consider insurance as I am not responsible for non-delivery or damage by the USPS.

If you want insurance please let me know at end of auction.

                                

                                

  Payment Terms albumhunter@comcast.net

I will also accept money orders,personal checks,and well concealed cash(at your own risk).

My address: Mike Armstrong

                    2423 Highland Drive

                    Knoxville,TN 37918

Payment is expected within 10 days of end of auction or item will be re-listed and

negative feedback left for non-paying bidders.

My preferred method of payment is PAYPAL to:

  Grading Policy

All records are conservatively graded under a strong light and are guaranteed to be in

said condition.If you are not satisfied with your purchase I will issue a refund.All of my

items are GUARANTEED!

I use the Goldmine Grading system shown below.Please note that VG++(not shown

below) is in between VG+ and Mint-(or NM)

  1. Mint (M)    Absolutely perfect in every way. Certainly never been played, possibly even still sealed.(More on still sealed under "Other Considerations"). Should be used sparingly as a grade, If at all.

  2. Near Mint (NM or M-)    A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly)that no record is ever truly perfect.
    The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
    An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like.
    Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap.
    Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

  3. Very Good Plus (VG+)    Generally worth 50 percent of the Near Mint value.
    A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it.
    Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK".
    The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play.
    Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
    In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

  4. Very Good (VG)    Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound.
    Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
    Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.

  5. Good (G), Good Plus (G+)    Generally worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white).
    A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object.
    It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.

  6. Poor (P), Fair (F)   Generally worth 0-5 percent of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.
    Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.

 

 

 
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