BILL FAY DERAM NOVA DN 12 PROG FOLK ROCK RARE MONO
  £   80
  $   106

 


£ 80 Sold For
Jan 8, 2006 Sold Date
Dec 29, 2005 Start Date
£   10 Start price
17   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

YOU ARE BIDDING ON A RARE SELF-TITLED LP

BILL FAY

RELEASED ON DERAM NOVA DN 12

13 TRACKS INCLUDING

GENTLE WILLIE / GARDEN SONG / THE SUN IS BORED / NARROW WAY / THE ROOM / BE NOT SO TEARFUL / DOWN TO THE BRIDGE

THE SLEEVE IS EXCELLENT -

THE RECORD HAS 3 SMALL LIGHT SCRATCHES ON SIDE ONE THAT RESOLT IN 3 SLIGHT CLICKS  OTHER THAN THAT THE RECORD IS EXCELLENT

Obscure British singer/songwriter Bill Fay made a couple of albums in the early '70s that matched Dylanesque songwriting with unusual arrangements. Fay had actually done his first single, "Some Good Advice"/"Screams in the Ears," for Deram back in 1967, produced by early Donovan co-manager Peter Eden. The single introduced his characteristic downbeat melodies and scrambled impressionistic lyrics, though with somewhat more pop-oriented production and melodies than those heard on his albums.

It wouldn't be until 1970 that his self-titled debut appeared. Bill Fay is an odd and not particularly good record, in large part because his songwriting has the obvious ambition of song-poets like Bob Dylan and Leonard Cohen, but not nearly as much talent. His hoarse, thin singing is also obviously Dylan-influenced, but like fellow Dylan acolyte David Blue, he had the tendency to go distressingly off-key. There was a bit of the British lilting storytelling style to his songwriting, in the path of Al Stewart, Donovan, and Nick Drake, but these traits were far subordinate to the inchoate Dylanisms. Twee orchestral arrangements figure strongly on the record, as if to cover up for some of the artist's vocal deficiencies. His second LP, Time of the Last Persecution (from 1971), was similar in its songwriting, but far more straightforward and rock-oriented in its production, and more conventionally accomplished in its vocal delivery. Though still not noteworthy, it was definitely better than its predecessor, and sometimes enlivened by unexpectedly gnarly rock guitar.



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