ATOMIC ROOSTER Death Walks Behind You SCARCE Orig 70 LP
  £   77
  $   102

 


£ 77 Sold For
Oct 24, 2010 Sold Date
Oct 17, 2010 Start Date
£   14 Start price
16   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

ONEADAYRECORDS – Delivering Quality Rock to the World

Please see my Detailed Packing Description Further Down & All Shipping Rates.

Artist or Band: ATOMIC ROOSTER

Album Title: Death Walks Behind You.

Producer(s): Atomic Rooster.

TRACK LIST:

Side 1: Death Walks Behind You; VUG; Tomorrow Night; Seven Lonely Streets.

Side 2: Sleeping for Years; I Can’t Take No More; Nobody Else; Gershatzer.

Label/Format: B&C – original matt black with green logo. Side one has the superb customised ‘Death Walks Behind You’ band portraits. (Please see my label scans).

Label Conditions: Both in lovely conditions with any handling traces faint and few. Light spindle marks show little.

Cat Number: CAS 1026.

Mode / Speed: Stereo / 33.3 rpm.

Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.

Weight of this Record: 130 grams. Around average for it’s era.

Country of Manufacture: England.

Rarity: Scarce: the cover incredibly hard to find in even decent condition being ultra wear-prone.

Original Year of Release: 1970

Matrix Nos: CAS 1026 A-1U / CAS 1026 B-1U

Mother & Stamper Codes: 1 G / 1 O

Musicians: Vincent Crane - Hammond organ, piano, backing vocals; John Du Cann - guitars, vocals; Paul Hammond - drums, percussion.

Brief Info: The second Atomic Rooster album, considered by many as their very best including myself. A dark and brooding album of quality heavy progressive rock, it sold fairly well in the UK peaking at No 12 in the charts. In the US, this was their first release with only modest sales peaking briefly at No 90. Without doubt, this was the band’s best line-up, they recorded one other album together, the also excellent ‘In Hearing Of’, but then the wheels fell-off with disagreements on musical direction and Hammon and Du Cann left to form Hard Stuff. Du Cann’s superb guitar-work is evident throughout, some reminiscent of his work with the legendary, if short-lived Andromeda. Crane’s organ-work is also superb and rarely sounded better. This a much sort-after prog mini-classic and although it does show up, it’s more often seen in very disappointing conditions - the cover especially is ruthlessly revealing and prone to all forms of wear. This on offer is not perfect by any means, but still a much better looker than many I have seen and the actual main four faces and spine have the least wear I have seen for some considerable time. The record is superb and plays beautifully throughout, the only blemish, one hiss sound that lasts a fraction of a second near the start. This too, a very early pressing with the rare 1 G matrix on side one, the earliest mother-stamper codes made.

This Cover’s Potential for Wear: Very High+, one or rock’s most unforgiving covers with even Very Good examples being above average seen.

Cover Grade and Format: EX(-) simply marked down a little for bottom edge rubs that few will ever escape. An unlaminated gatefold format with matt sufaces that was printed and made in England by the E. J. Day Group and including the B&C credits.

Cover Front: In terms of this cover, this looks very nice indeed. The actual artwork to the strange man-like creature is superb and has barely any traces of wear at all. Just some light and faint rubbing to the brown borders outside the white boxed artwork that few, if any will remain devoid of. No sticker marks or tears, again this cover has a terrible reputation for those too, many seen with large pull marks that have been coloured in. Few marks at all and just one small corner crease to the top right but no others. With deep, rich colour and a fine degree of freshness, this classic prog cover front will prove very difficult to find much better.

Cover Back: The back is similar with only very mild surface rubs and the same corner crease as the front. An ultra fine vertical crease is just evidence under light just the left of the coloured text. But all the text is unworn with all characters sharp and easy to read. The mildest and lightest rim rubs possible, but look hard to see. Being totally honest, I consider both front and back quite exceptional for one of rock’s most unforgiving covers, most prog collectors will know this already of course.

Cover Inner Gatefold: Superb artwork and with any traces of wear very light indeed, both faces look fantastic. A mild secondary surface crease has formed to the right of the spine folds. This is almost unavoidable no the early covers that have the thick and wide spine.

Top Edges: A little light patchy rubbing.

Bottom Edges: As above for the front. The back is more moderate. This being slightly proud of the front due to very slight out-of-square folding in manufacture, this has little change of escaping some rubbing.

Right Edge(s), and Type: Clean, sharp with little wear and no feathering, both guaranteed untrimmed. Record enters on this back edge, the front being sealed.

Spine and Text: Superb, almost as made with little wear at all. Solid, robust and very wide indeed. Still very straight, uncompressed and only folded a little off-square, both right edges still meet up very closely together and almost parallel. Just a slight drop on the bottom right edge as mentioned above. All text is perfect and unworn and this is truly exceptional on this perilous edge, even the folds are practicall unrubbed (please see my close-ups of this exceptional spine). Most are seen whitened with high percentages of text eroded or totally missing.

Corners: Some light to moderate tip rubs, most, predictably, bottom right on the back. The spine has little but some mild creases. Fine to very fine shape is largely retained.

Cover Summary: Given the fragility of this cover, EX(-) I feel is harsh and this truly does look much better than this grading may suggest. A strong all-round example that should please many collectors but not the connoisseurs who will have to wait for the near impossible.

The Inner Sleeve: The original unlined plain white inner is included. Aged a little with some mild toning or darkening but barely any creasing. The centre of the bottom has a very neat split from the heavy record, the others all intact and the top opening very neat indeed suggesting little record movements.

Vinyl Condition/Visual Grading: EX++. A super visual copy that is very clean, shiny, intense black and very solidly pressed. All evidence, including superb sound suggests very few plays. Any surface blemishes are very few and light and this has to be my best example of this record yet. Visually a lovely record that should please most collectors.

Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing B&W speakers that include the legendary tweeter from their awesome Nautilus range that reveals every blemish or miniscule sound present on any record.]

Sound Quality and Audio Grading: This quality prog classic plays even above its high visual grading with practically to fault. The only minuscule blemish noted, and mentioned above already is an ultra brief hiss near the start of side one, lasting less than a second. Strong, distortion-free sound, all frequencies are sharp and clear - sound quality is very high with a wide dynamic range and very detailed sound. Any other surface sounds are minimal indeed and no pops or clicks were noted and this is an exceptional clean and enjoyable pressing. Do not this for granted, B&C records are somewhat variable in pressing quality, often they can, and do crackle. This record gives a great account and was a pleasure to listen to. Few copies will outperform this very early pressing significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly reitterated by the clean and focused sound. The tiny hiss apart, nothing spoilt my pleasure when play-grading this wonderful prog record. This record (and possibly cover) will prove very difficult to find significantly better and can be strongly recommended.

Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay - on average ONEADAY, a couple more at weekends if time permits, hence the name - time rarely allows for more as I Play-Grade virtually every record I offer in their entirety, not just bits to guess a grade - visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean its good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are taken with a digital camera or scanned - they are NOT improved, cleaned-up or made better looking than they are with camera trickery or enhancing with digital programmes. What you see is what you get and scanned labels will give a more accurate representation of the genuine colour than flash photography where light is variable. I cannot guarantee total accuracy for colours however but most will be very close. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking - any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items - bid with confidence - excellence comes as standard and so does Near Mint regularly. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.

Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:

Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Rondo Red moving coil cartridge (tracks at 2 grams). Amps: Naim Nait 5i with Project USB phono stage and Chord interconnects. Speakers: B&W 704 Floorstanding 3-way Monitors (bi-wired with QED Silver terminated cable). All records I offer on Ebay are cleaned on a professional Moth vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too.

First-time, zero-rated bidders, who do not ask permission to bid, will be cancelled immediately and blocked – NO exceptions. For winning bidders who I consider excessively slow to make contact or submit payment, I will use my right to block future bids. If any bidder who wins in the final seconds is present to do so, surely they can at least email me to inform of intention and payment method? If swift or promp payment is a problem, please do not bid.

PACKING - THIS IS WHAT YOU GET - PLEASE SEE MY TYPICAL PACKING BOX PICTURE.

What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.

I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my Moth Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional thick boxes (NOT Mailers or Cruciforms, these do not offer maximum protection). The record(s) REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with THREE or EVEN FOUR ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. The thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. Please see my picture of a typical finished box packet that will now be used on ALL transactions as from now. I do not profit on posting and the cost of this lavish packing is NOT even charged for, I offer probably the best-value and safest shipping possible for ultimate confidence. These boxes and ultra thick double-wall stiffners and bubble wrap make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is less than one in two thousand based on over 6,000+ items sold in over 8 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Even one of these stiffners cannot be bent by hand, so what chance 3 or 4 inside a box? Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FOUR records per box (one double can sometimes be included subject to total weight). I will not respond to questions on shipping costs as all the details are included here and on ALL of my adverts. Details below:

NOTE: First Time Bidders: I will cancel ALL first-time bidders with no feedbacks or excessive negatives who do not ask me if its OK to bid first – NO EXCEPTIONS.

Please Note: I will now offer any item to the runner-up after the mandatory Ebay 3 days if no contact is made by the winning bidder unless prior notice of any delay is given beforehand. The same applies if no payment is received within the mandatory 7 days so any bidder who has just lost out can still email me to reserve the item as priority second chance – it’s always worth asking.

SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:

Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:

1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.

1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £2 per extra LP.

Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£40 maximum]) = £9. (insurance optional extra £3). Add £2.50 per extra LP.

Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):

1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£39 maximum]) = £13. Add £4 per extra LP. (insurance optional extra £3)

Payment Conditions:

I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.

Potential Bidders: Please do not bid if you have negative feedback unless checking first, I will cancel any bids I feel are timewasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.

My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.

SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE

My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT neccessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.

The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.

On 19-Oct-10 at 19:49:29 BST, seller added the following information:

 




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