ARVO PART Tabula Rasa LP original German LP Keith Jarrett Post Modern Classical
  £   29
  $   38

 


£ 29 Sold For
Jan 13, 2022 Sold Date
Jan 3, 2022 Start Date
1 Number Of Bids
  Netherlands Country Of Seller
eBay Sold at
 
 
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Description

ARVO PART Tabula Rasa LP  Original German Pressing on the ECM label (ECM 1275) from 1984. With Keith Jarrett. The record is in NM condition and the gatefold cover is in EX condition.

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[isdntekvideo] The three instrumental pieces recorded here (one of which appears in two versions) were among the first Pärt wrote in his newly developed style, which came to be known popularly as holy minimalism. (The composer prefers the term tintinnabulation, because in his words, "The three notes of the triad are like bells.") Fratres, originally for chamber orchestra, is undeniably Pärt's most popular work and exists in well over a dozen versions, two of which are included here. Gidon Kremer and Keith Jarrett bring great nuance and sensitivity to the version for violin and piano. They play somewhat loosely with details of the score, but they are entirely in sync with the spirit of the piece, and it's a gripping performance. The violin part is hugely virtuosic and Kremer is breathtaking, particularly in the crystalline purity of the outrageously high harmonics that end the piece. The arrangement of Fratres for 12 cellos is an altogether more lyrical and meditative version, and the cellists of the Berlin Philharmonic Orchestra play it with gorgeous tone and depth. Cantus in Memory of Benjamin Britten for string orchestra and bell is at once one of the composer's most brilliantly simple and profound pieces. The first violins repeat a mournful descending figure, and each of the other sections then doubles the length of the note values of the part above it so that the note that opens the piece is held two beats by the first violins, but it is sustained for 32 beats by the double basses. There's nothing mechanical sounding about the piece, though, and by its ending, it has created a mood of devastating loss and grief. The first movement of Tabula Rasa, for two violins, prepared piano, and chamber orchestra, is the most enigmatic selection, full of unexpected long silences and flurries of frenzied activity, while the lovely, meditative second movement is more characteristic of the composer. Kremer is joined by violinist Tatjana Grindenko and composer/pianist Alfred Schnittke in a beautifully expressive performance, accompanied by Saulius Sondeckis leading the Lithuanian Chamber Orchestra. Produced by Manfred Eicher, the visionary who "discovered" Pärt and made it his mission to introduce him to Western audiences, the sound of the album is admirably clear and clean, except that there are some room noises in Tabula Rasa.

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