30/70 - Fluid Motion (LP, Album)
$
25
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Description
30/70 - Fluid Motion
Label: Rhythm Section International - RS028
Country: UK
Released: 2019-08-25
Genre: Electronic, Funk / Soul
Style: Neo Soul, Broken Beat, Future Jazz
Format: Vinyl, LP, Album
Tracklist:
A1. Brunswick Hustle
A2. Addicted
A3. Fluid Motion
A4. N.Y.P
A5. Tempted
A6. Reprise
B1. Echoplex
B2. Backfoot
B3. Crystal Hills
B4. Impermanence
B5. Push And Pull
B6. Flowers
Companies:
Engineered At Snorkel Studios
Engineered At Plug Seven Studios, Collingwood
Mastered At The Carvery
Credits:
Alto Saxophone, Tenor Saxophone, Bass Clarinet - Josh Kelly (4)
Backing Vocals - Abbey Howlett
Backing Vocals - Danika Smith
Backing Vocals - Jace Excell
Backing Vocals - Rara Zulu
Congas, Percussion - Javier Fredes
Drums - Ziggy Zeitgeist
Electric Piano [Fender Rhodes], Organ [Hohner String Melody] - Jarrod Chase
Engineer - Carl Lindeberg
Engineer - Frank Byng
Engineer [Vocals], Mixed By - Nick Herrera
Engineer [Vocals], Vocals - Allysha Joy
Mastered By - Frank Merritt
Producer, Bass - Horatio Luna
Producer, Guitar, Synth [Korg MS10], Electric Piano [Additional Rhodes] - Tom Mansfield (2)
Synth [Juno 106, Prophet 600], Backing Vocals - Tiaryn Griggs
Notes:
With their third album ‘Fluid Motion’, Melbourne’s 30/70 are set to soar into higher territory as the face of Australia’s newest wave of soul-influenced brilliance. From the swirling opening pads of “Brunswick Hustle” all the way through to the sax-laden shimmer of “Flowers” at its close, ‘Fluid Motion’ is an instant classic, effortlessly shifting between neo-soul and languid, Dilla-esque tendencies, astral-facing jazz textures and authentic vignettes of UK club music history. It’s a formula that those already caught in 30/70’s celestial web are fully aware of; first defined on the local heat of their 2015 debut ‘Cold Radish Coma’ and majestically expanded upon with their critically acclaimed 2017 release ‘Elevate’ on Bradley Zero’s Rhythm Section INTL (mixed by Hiatus Kaiyote’s Paul Bender). ‘Elevate’ did exactly that - elevating both the scope of the band’s sound as well as their standing in the local and international community. Since the last record was released, the music has brought the band on world tours and to the attention of the wider public and key tastemakers alike. Strongly supported by the likes of Gilles Peterson, Tom Ravenscroft, Jamie Cullum, Matthew Halsall and Bradley Zero, the UK has become something of a second home for 30/70. London in particular has openly embraced the soulful sounds of Melbourne, as evidenced by Gilles’ latest Brownswood compilation ‘Sunny Side Up’ which features three tracks from 30/70 members: Ziggy Zeitgeist, Horatio Luna and Allysha Joy. The record is a follow up to his era-defining survey of the UK Jazz scene ‘We Out Here’, the compilation that kickstarted a whole generation of London’s under-the-radar Jazz kids to global headlining heights. It would appear we’re about to witness this same effect take place for the Melbourne contingent, of which 30/70 lead the charge. The city’s invasion is well and truly upon us. While London is undoubtedly in love with what’s happening in Melbourne right now, this is no one way love affair. The 30/70 collective have had their ears to the ground and plugged into the sound of the UK underground. This new album takes inspiration from the syncopation of Broken-Beat, the immediacy of Grime’s and Dub’s sonic aesthetic to create something that is a truly global amalgamation of local sounds, finessed by Allysha Joy’s instantly recognisable v
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