YEYO Y CANÉ: RARE 10" LP RCA-VICTOR#2089 (1955) HEAR

$

66

TITLE : CANTAN RITMOS TROPICALES

ARTIST : YEYO Y CANÉ & ORQUESTA

LABEL & RECORD #:  Rca-Victor #MKL 3089 (1954) Later that year the 12" LP replaced the 10" one! THESE RECORDINGS WERE 1ST ISSUED ON 78 RPMS around 1952-1954

VINYL CONDITION: HEAR SOUND CLIPS:  GLOSSY BUT WITH SOME NOISE (55 Years Old...) NO SKIPS!

LABELS CONDITIONS: SEE SCAN : NM

COVER CONDITION: SEE SCAN : GREAT COVER ART!!!....VG+++!!!! , NO Splits,

REMARKS: THIS COLLECTOR ITEM DESERVES HISTORIC REMARKS COMPILED BY THE GREATEST CUBAN (& PUERTO RICO WHERE HE STILL LIVES) DON CRISTOBAL DIAZ AYALA!!! and others...THIS IS RARE!....

YEYO: "Cantante cubano de nombre Aurelio Estrada "Yeyo" que debe haber llegado a México a fines de los ’40. Como vemos cantó con varios grupos y tuvo el suyo en conjunción con Humberto Cané. (Ver: Cané). Apareció en muchas películas mexicanas también. Nos señala el Dr. Pablo Dueñas que falleció en Mexico en 1999, y que no debe confundirse con Aurelio Tamayo, también conocido como Yeyo, músico cubano residente en México también.

HUMBERTO CANÉ:

La trayectoria de este modesto músico fue extensa y variada. Era miembro de la Sonora Matancera como tumbador de 1935 a 1945, e inclusive fue el cantante en los números Gozala bailando y Dónde va María, las dos primeras grabaciones de la Sonora para la Panart; En México como vemos su grupo acompañó a varios intérpretes, y como “Conjunto Tropical” del que era director (posiblemente el cambio de nombre debido a que estaba contratado con la Victor) y bajo el sello Peerles, a Vicentico Valdés. Habíamos hecho contacto con él poco antes de su muerte, y nos había enviado información adicional de otras grabaciones suyas. Por ejemplo: Cucurrucu paloma (T. Méndez), Otros tiempos (L. Demetrio), No me quieres (W. Gamboa). Entre sus grabaciones con Yeyo para la Victor, y también las siguientes para la Musart: Miguel (R.Cabrera), Rabo y oreja (J. Barreto), y Rareza del siglo (B. Valdés); e igualmente con Yeyo para la Columbia: Mejor para ti (J. Barreto), Llegó la rumba (Yeyo) y Mi dulce amante.

TRACKS SIDE A:
1- CU-CU-RU-CU-CU PALOMA
2- OTROS TIEMPOS
3- ELLA, ELLA
4- JAMONEANDO

TRACKS SIDE B:

1- PENJAMO
2- PROBANDOLO SE SABE
3- LUNA DE MIEL EN PUERTO RICO *
4- TU NO ME QUIERES

* Argueably the best Cha Cha Cha composed...Bobby Capo from Puerto Rico.... He Was An All-Around Composer, El Negro Bembon, Piel Canela, Sin Fe (Poquita Fe), Juguete, etc, and the ultimate Cha Cha Cha..."Luna De Miel En Puerto Rico" (if you have a chance try you tube and see him dancing the cha cha cha..great! ...he was great!!...) In fact This rare and super excellent 10" Lp was bought from a flea market dealer who told me he just sold a 10" Bobby (with that cha cha cha) for $110.00...He did not know what he was selling!!!...I just got late!!!

WEB REMARKS: I WILL BE PLACING ANOTHER 10" Rarity (Orquesta America) and 2 other Cuban Rarities in 12" LPs...Watch Out! EXTREMELY HARD TO FIND...THAT IS WHY I PLACED A "BUY ME NOW" OPTION...NO TE LO PIERDAS

A LOT OF RARE WEB COMMENTS ( I WAS NOT AWARE OF THIS GREAT BAND) ABOUT YEYO y CANÉ....There Are Some People Out There That Know More Than The Book Writers...They Lived that era! About A Beny More Book:

1-  Replacement of Benny More in the Perez Prado Orquesta (Great!);  "El cantante que suplantó a Benny se llamó Aurelio Yeyo Estrada. Más tarde formó con Humberto Cané el conjunto Yeyo y Cané.

2- Of Beny More: "Nunca pertenecio a la orquesta de Pérez Prado, únicamente grabó con él. Debo decir que hay que tener oído de artillero para asegurar que Moré grabó La cocaleca y Qué te parece Cholito, porque lo hicieron a dueto Aurelio Estrada -otro Yeyo- y Humberto Cané, que posteriormente formaron un conjunto extraordinario, que tuvo a Luis González El viejo por arreglista.

3- "Beny More”....A finales del 50 regresa a Cuba. Era una estrella en México, Panamá, Colombia, Brasil y Puerto Rico, pero casi desconocido en la isla. Su primer éxito en Cuba fue Bonito y Sabroso. Triunfó en sus actuaciones en la Cadena Oriental de radio. Poco antes, Pérez Prado había estado en Oriente con un cantante llamado Yeyo Cané (Yeyo o Cané??) al que anunciaba como Benny Moré.  (My Note...INCREDIBLE!!!) Así que cuando llegó el verdadero Benny nadie creía que él era el auténtico... hasta que lo escuchaban cantar. Durante un tiempo alternó el trabajo en la Cadena Oriental con los viajes a La Habana para grabar con RCAEn ese tiempo se convierte en el Bárbaro del Mambo.

SHIPPING CHARGES........FOR GATEFOLDS With 2 Lps ADD S&H FOR 2

POSTAL RATES & WEIGHTS - LPs

LBS.

0.82

1.4

1.9

2.6

3

# of LPs

1

2

3

4

5

* We offer a money back + shipping costs guarantee on our records (unless otherwise noted) if you feel the LP was not graded properly We Must Be Notified Of Any Discrepancy in 2 Days after received. . We will issue a full refund upon its return, once our mistake has been verified. Record Must Be Returned in 3 Days…Foreign in 7 Days….We have available the insurance option…

WE USE STURDY CARDBOARD MADE BY BAGS UNLIMITED IN ORDER TO TO PROTECT YOUR RECORDS FOR ANY MISHANDLING/DAMAGE WHILE IN-TRANSIT

Record Grading: Standard guidelines for grading records comes down to a subjective judgment that may vary from person to person. We grade records and LP covers visually AND (when possible) play-tested. We make every effort to give full disclosure (remember that the LP has at least 12 tracks and the grading may vary between each other)  and your satisfaction is guaranteed. Don't assume that our vinyl determination of "Very Good+" is the same as yours!

MM RECORDS: are shiny, with no visible defects. They might have some minor superficial (“Paper”) scuff but they should play without any noise. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must not be present; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM COVERS: have no creases, ring wear or seam splits of any kind.
NM  PICTURES SLEEVES: should look as if they never housed a record. This is a great reason to remove your 45s from their picture sleeves and keep them separate. Just keeping the 45 inside the sleeve will cause damage than can reduce the grade of the sleeve.

VG++ (Excellent) RECORDS: Barely noticeable play wear and background noise. May have surface scuffs and/or superficial marks, which will be inaudible or indiscernible from the background, no scratches. Very nice, no flaws noted.
VG++ COVERS: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits or writing on the cover or taped repairs can make this grade.

VG+ RECORDS:  may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable

.VG+ COVERS:  should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint Unless Tiny/Small (EG: Tiny DH).

VG+ PICTURE SLEEVES: might show some very light creasing where it is obvious that a record once resided (or still does reside). A VG+ picture sleeve might have some very minor seam wear or a split (less than one inch long) at the bottom, the sleeve’s most vulnerable location.

VG RECORDS:  have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches  may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape, or a sticker can detract from the label. Many collectors who have jukeboxes   will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG COVERS and PICTURE SLEEVES:  will have many signs of human handling. Ring wear  in the middle or along the edges of the cover where the edge of a record would  reside, is obvious, though not overwhelming. Some more creases might be  visible. Seam splitting will be more obvious; it may appear on all three sides,  though it won’t be obvious upon looking. Someone might have written or stamped  a price tag on it, too.

RECORDS GRADED VG OR BELOW WILL BE "SOLD AS IS"

(We Will Try To Grade Them As Accurately As Possible!)

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