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condition: Sleeve:NM Vinyl: NM

the sleeve is absolutely clear , with very minor creasing while the vinyl  got, only very few tiny light paper scuffs per side that are not affect the audio quality.Vinyl Looks and  Sounds great! Top  condition!

incl: SEBASTIAN (Steve Harley)

Tracklist

Companies etc

• Recorded At – P.D.R. Studios

Credits

• Acoustic Guitar, Electric Guitar, Guitar [12-string], Guitar [Classic] – ??. ??????????*
• Bass [Fretless] – ?. ???????????*
• Cello – ??. ??????????*
• Congas, Bongos – ?. ?????????*
• Cover – ??. ???????????*
• Drums – ?. ?????????*
• Engineer – ????? ??????
• Mastered By [Transfer] – ????? ??????
• Producer – ???????? ????????
• Synthesizer, Electric Piano, Electric Piano [Rhodes], Organ [Hammond], Piano – ?. ?????????*
• Trombone – ?. ?????????*
• Trumpet – ???. ?????????*
• Violin – ?. ??????????*

Notes

Vasilis Papakonstantinou was born in a village in Arcadia in 1950 and in 1957 his large family moved to Athens. His adolescence was indeed marked by the musical and social treads of the 1960s: Mikis Theodorakis, protest rock, international peace and liberation movements, and being that Greece was trying to quickly heal the wounds of the Greek Civil War. The Left pursued to shelter and to give a perspective to the shattered disappointment by providing a sensitive and claiming culture. Vasilis Papakonstantinou became a follower without ever becoming a member of a leftist party. In 1973, after having served for a period of time within the Hellenic Army, fulfilling his national service obligations, he moved to West Germany and settled in Munich. There he participated in anti-dictatorial movement organisations , campaigning against the Greek military junta of 1967-1974 and singing in places where Greek students and immigrants would be in attendance.

His first important encounter was to be in the summer of 1974, when he met Mikis Theodorakis in Paris - their collaboration would commence two years later. In 1974, came the Metapolitefsi, the transitional period following the fall of the dictatorship, and Vasilis returned to Greece where upon he embarked in a professional singing career, singing in clubs and recorded a 45 rpm gramophone record. The same year also saw him collaborate on the recording of "Ta Tragoudia tou Dromou" (Road Songs) by Manos Loïzos.

In 1975 he recorded "Ta Agrotika" (Rural Songs) by Thomas Bakalako and met with two composers who he would work closely with for many years: Manos Loïzos and Thanos Mikroutsikos, two composers that in any case were bearing a fresh, new sound to Greek music. Both of them, without faithfully following the traces of popular or artistic music of any famous earlier composers, promoted in new manners the songs of the big city. Papakonstantinou's interpretation was ideal in expressing their dynamism and expressiveness. In 1976 his much anticipated collaboration with Mikis Theodorakis took place in the recording of "Tis Exorias" (Songs of Exile), and in 1978 the composer included him in the singers for his international tour, and sang in Europe, the Americas and Australia. At home Papakonstantinou would actively take part in youth and worker movement rallies, singing at strikes, meetings, anti-racist and anti-fascist concerts.

From that time on and just before the 1980s Papakonstantinou began demonstrating influences from the international rock movement. His interpretation of songs with an obviously more electronic sound and with more acute and intervening lyrics. This trend appeared gradually in the two records he recorded in the early 1980s; the first one was titled after his name and included songs written by Antonis Vardis and adaptations of songs written by Dionysis Savvopoulos, Mikis Theodorakis and Luis Lach. The second one "Fovame" (I fear) with songs composed by Manos Loïzos, Lakis Papadopoulos, Giannis Zouganelis and Giannis Glezos consolidates his profile from that time up to date. He met Nikolas Asimos and took part in his first record "Xanapes" (Say it again) by singing two songs. Assimos became the second person after Loizos, who influenced him a lot with his peculiar personality. In 1984 with his record "Dieresi" (Division) his new sound is finally established, in 1987 he reconfirms it in "Heretismata" (Greetings) including songs by Nikolas Asimos, Aphrodite Manou, and Christos Tolios and by the mid-1980s Vassilis Papakonstantinou is considered one of Greeces most popular concert performers. [1]

In April 1985, a 16,000 audience is in attendance for his first major personal concert at the Peace and Friendship Stadium and again in June 1988 at the Apostolos Nikolaidis Stadium on Alexandras Avenue. He has been the winner in the challenge to fill up all large spaces, mainly football fields where he has been singing every year up to the late 1990s.

Uniting three generations of fans, and with a strong following of "educated" adolescent fans. At the end of the 1980s we find him interpreting "difficult" songs with lyrics written by Kostas Tripolitis and music by Thanos Mikroutsikos. In between he sings "Chorevo" (I am Dancing) and in the new decade he sang for the second time after 1978 in "Stavros tou Notou" (Southern Cross) by Nikos Kavvadias and Thanos Mikroutsikos . Although his songs of the last years follow the "sound" of popular culture he was unhesitant with regards to the recording LP albums on the verses of two of the most celebrated Greek poets. In 1984 he sang the poetry of Kostas Karyotakis in the record named after the poet, and in 1993 "Fissai" (It is Blowing) on verses of Tassos Livaditis and music by Giorgos Tsegaris. He interpreted Nikolas Asimos again in 1992 in "Falimento tou Kosmou" (The end of the World) and in the last decade made "Sfedona" (Sling). In 1992 and "The Shikoni" (Impossible) in 1995, cooperating with Alkis Alkeos, Christophoros Krokides, Vassilis Giannopoulos, Stamatis Mesimeris, Aphrodite Manou, Odysseas Ioannou and Minos Matsas. The last record that hit the market in April 1997 under the title "Pes mou ena Psemma gia na Apokimitho" (Tell me a Lie to Sleep), includes songs of Nikolas Asimos, Apostolos Boulassikis (making his first appearance), Stamatis Messimeris, Giannis Ioannou, Vassilis Gianopoulos, Christophoros Krokides, as well as the song, "Malista Kyrie" (Yes Sir) by Giorgos Zabetas and Alekos Kagiantas.

Vasilis Papakonstantinou continues to remain one of Greece's most celebrated sons and his sounds will undoubtedly be applauded by many future generations.

Rare original greek issue in excellent condition.

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