VARIOUS " HOW BLUE CAN WE GET? " RARE DOUBLE VINYL LP EX/VG+ 1ST PRESS 1970

	£		23
	$		30

YOU ARE BIDDING ON A FABULOUS SOUGHT AFTER RARE DOUBLE VINYL LP RELEASE

VARIOUS

" HOW BLUE CAN WE GET? "





Volume I : White A1 –Fleetwood Mac Watch Out Bass – John McVieDrums – Mick FleetwoodGuitar – Danny KirwanProducer – Marshall Chess, Mike VernonVocals, Guitar – Peter Green (2)Written-By – P.A. Green* 4:10 A2 –Jellybread Don't Pay Them No Mind Arranged By [Brass] – Terry NoonanBass – John Best (3)Drums – Chris Waters (2)Guitar – Paul Butler (4)Producer – Mike VernonVocals, Piano – Pete WingfieldWritten-By – P. Wingfield* 3:15 A3 –Top Topham Mini-Minor-Mo Directed By [Rhythm And Brass Accompaniment] – Terry NoonanGuitar – Rick Hayward, Top TophamProducer – Mike VernonWritten-By – A. Topham* 2:10 A4 –Duster Bennett What A Dream Producer – Duster Bennett, Mike VernonVocals, Guitar, Harmonica, Bass Drum, Hihat – Duster BennettWritten-By – J. Moore*, J. West* 3:50 A5 –Bacon Fat Boom, Boom (Out Goes The Lights) Bass – Jerry Smith (2)Drums – Dick InnesGuitar – Buddy Reed, Gregg SchaeferPiano – J.D. NicholsonProducer – Mike VernonVocals, Harmonica – Rod PiazzaWritten-By – W. Jacobs* 3:46 A6 –Chicken Shack Evelyn Bass – Andy SilvesterDrums, Congas, Percussion – Dave BidwellOrgan – Paul Raymond (2)Producer – Mike VernonVocals, Guitar – Stan Webb (2)Written-By – S. Webb* 4:15 B1 –Christine Perfect And That's Saying A Lot Bass – Martin DunsfordDrums – Chris HardingGuitar – Rick HaywardLead Guitar – Top TophamProducer – Mike VernonVocals, Electric Piano – Christine PerfectWritten-By – C. Jackson*, W. Godfrey* 2:57 B2 –Bacon Fat Small's On 53rd Bass – Jerry Smith (2)Drums – Dick InnesGuitar – Buddy Reed, Gregg SchaeferHarmonica – Rod PiazzaPiano – J.D. NicholsonProducer – Mike VernonWritten-By – R. Piazza* 3:46 B3 –Fleetwood Mac I'm Worried Bass – Willie DixonDrums – Mick FleetwoodGuitar – Danny KirwanProducer – Marshall Chess, Mike VernonTenor Saxophone – J.T. BrownVocals, Guitar – Jeremy SpencerWritten-By – E. James* 3:24 B4 –Chicken Shack The Way It Is Bass – Andy SilvesterDrums – Dave BidwellOrgan – Paul Raymond (2)Producer – Mike VernonVocals, Guitar – Stan Webb (2)Written-By – S. Webb* 4:25 B5 –Jellybread No Brag, Just Facts (Parts 1 And 2) Bass – John Best (3)Drums – Chris Waters (2)Guitar – Paul Butler (4)Piano – Pete WingfieldProducer – Mike VernonWritten-By – C. Waters*, J. Best*, P. Butler* 3:56 B6 –Fleetwood Mac Rambling Pony Bass – Bob BrunningDrums – Mick FleetwoodProducer – Mike VernonVocals, Guitar, Harmonica – Peter Green (2)Written-By – P.A. Green* 2:40 Volume II : Black C1 –Elmore James Hand In Hand Producer – Bobby RobinsonVocals, Guitar – Elmore JamesWritten-By – E. James* 3:00 C2 –Arthur "Big Boy" Crudup That's Alright Producer – Bobby RobinsonVocals, Guitar – Arthur Crudup*Written-By – A. Crudup* 2:19 C3 –Magic Sam All Your Love Bass – Mack Thompson, Willie DixonDrums – Billie StepneyPiano – Little Brother MontgomeryVocals, Guitar – Magic SamWritten-By – Magic Sam 2:56 C4 –Larry Johnson (6) Catfish Blues Vocals, Guitar – Larry Johnson (6)Written-By – L. Johnson* 2:34 C5 –Otis Spann My Love Depends On You Bass – John McVieDrums – S.P. LearyGuitar – Danny Kirwan, Peter Green (2)Producer – Mike VernonVocals, Guitar – Otis SpannWritten-By – O. Spann* 5:18 C6 –Furry Lewis Casey Jones Arranged By – Furry LewisProducer – Mike VernonVocals, Guitar – Furry LewisWritten-By – Trad.* 2:30 C7 –Champion Jack Dupree Grandma (You're A Bit Too Slow) Arranged By [Brass] – Terry NoonanBass – Eduardo GivezanoDrums – Harris DundeeGuitar – Mick TaylorProducer – Mike VernonVocals, Piano – Jack Dupree*Written-By – J. Dupree* 3:15 D1 –George Smith (4) No Time For Jive Bass – Jerry Smith (2)Drums – Dick InnesGuitar – Buddy Reed, Gregg Schaefer, Marshall Hooks, Pee Wee CraytonPiano – J.D. NicholsonProducer – Mike VernonVocals, Harmonica – George Smith (4)Written-By – G. Smith* 7:22 D2 –Johnny Young (3) Deal The Cards Drums – S.P. LearyGuitar – Sammy LawhornHarmonica – Paul Osher*Piano – Otis SpannProducer – Bart Friedman*, Otis SpannVocals, Mandolin – Johnny Young (3)Written-By – J. Young* 3:45 D3 –Roosevelt Holts Little Bitty Woman Recorded By – David Evans (8)Vocals, Guitar – Roosevelt HoltsWritten-By – R. Holts* 3:04 D4 –Bukka White Bed Spring Blues Bass [String Bass] – Anchor (7)Drums – Joe Gray (3)Guitar – Bill BarthHarmonica – Harmonica BoyPiano – Trevor Keohler*Vocals, Guitar – Bukka WhiteWashboard – Jim CrosthwaitWritten-By – B. White* 2:48 D5 –Mississippi Joe Callicott* On My Last Go Round Vocals, Guitar – Joe CallicottWritten-By – J. Callicott* 3:45 D6 –Otis Rush Jump Sister Bessie Bass – Willie DixonDrums – Odie PayneGuitar – Louis MilesHarmonica – Walter HortonPiano – Little Brother MontgomeryTenor Saxophone – Harold AshbyVocals, Guitar – Otis RushWritten-By – Willie Dixon 2:26

LABEL: BLUE HORIZON PR 45/46
YEAR: 1970

VINYL CONDITION: EXCELLENT (SMALL SCUFF ON LABEL)

SLEEVE CONDITION: VERY GOOD + GATEFOLD

The seven standard condition categories, and a description of what each one means, are listed below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.


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