VAN MORRISON LIVE AT GRAND OPERA HOUSE, BELFAST RARE SEALED ORIG '84 MERCURY LP

$

26

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·       VAN MORRISON - LIVE AT THE GRAND OPERA HOUSE, BELFAST -  ORIGINAL 1986 MERCURY STEREO LP 818-336-1-M-1

·       ORIGINAL U.S. PRESSING

*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***

·       BELIEVED TO BE PRESSED ON THE ORIGINAL BLACK MERCURY LABEL WITH BRIGHT ORANGE NEON SIGN LOGO,  '80s STYLE.

·       THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.

·       ONE “BREATHE” (AIR) HOLE NOTED ON THE SHRINK WRAP

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 6.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This is as curious a live album as exists in Van Morrison's voluminous catalog. It's a homecoming record in many ways, since Morrison went back home to live in Ireland shortly after this was released, after many years in the United States. Recorded in 1983 and released on Mercury in 1984, this is, in reality, a solid presentation of his "spiritual Celtic soul" period that began with 1979's Into the Music and would continue into the early '90s. Only the very beginning of the introduction contains anything from his much-celebrated early-'70s period. "Into the Mystic" is used as a calling card for what is to come in this recording, because it lasts just over 45 seconds -- the rest of that intro is the title track of 1983's Inarticulate Speech of the Heart, an album he was touring to support (it was his final offering for Warner Bros.). The Grand Opera House set is compiled form two nights of performances. The band here is stellar and includes Pee Wee Ellis on saxophones, Mark Isham on trumpet and synthesizers, and drummers Peter Van Hooke and Tom Donlinger, just to mention a few. Five of these cuts -- "She Gives Me Religion," "Beautiful Vision," "Vanlose Stairway," "Northern Muse," and set closer "Cleaning Windows" -- come from the vastly underrated Beautiful Vision album, and the rest from Common One, Into the Music, and Inarticulate Speech of the Heart. The performance is perfect. And if there's a problem with this set, that's it. Many bootlegs from the period exist, and there is a certain nearly off-the-rails feeling in them that Morrison -- as the perfectionist producer he is -- couldn't resist getting rid of here. It's a bit maddening, really, simply because while this flows seamlessly from top to bottom just as Morrison's studio albums do, there is none of the spontaneity of his earlier gigs or even his later recordings with Georgie Fame, Lonnie Donegan, the Chieftains, or Linda Lewis. The only places one hears Morrison as a soul shouter here is on "Vanlose Stairway," where he lets out a scream and plays off the trio of female backing vocalists, and on the final tracks where the bandmembers loosen up and allow the dirt to get under their fingernails a bit -- especially on "Vanlose Stairway" and "Cleaning Windows." Would that there were more. Still, for those who can't get enough of Morrison from the period, this will be a welcome addition to the shelf.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID)

(b)            The record is  apparently pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

·                               THE COVER

COVER IS NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP  (A TINY PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear in one small area not covered by the shrink wrap (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Cover has two corners slightly dinged (nothing significant) (BARELY VISIBLE)

-         Cover has a few tiny wrinkles along the spine

NO OTHER VISIBLE FLAWS AND IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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