Thelonious Monk Septet - Monk's Music LP - 1958 Riverside - RLP 12-242 Mono
$
55
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Description
Thelonious Monk Septet ?– Monk's Music
Label:
Riverside Records ?– RLP 12-242
Format:
Vinyl, LP, Album, Repress, Mono
Country:
US
Released:
1958
Genre:
Jazz
Style:
Bop, Hard Bop
Tracklist
A1 Abide With Me
A2 Well, You Needn't
A3 Ruby, My Dear
B1 Off Minor
B2 Epistrophy
B3 Crepuscule With Nellie
Credits
Alto Saxophone [Alto] – Gigi Gryce (tracks: A1, A2, B1 To B3)
Bass – Wilbur Ware (tracks: A2, A3, B1 To B3)
Design [Cover] – Paul Bacon (2)
Drums – Art Blakey (tracks: A2, A3, B1 To B3)
Engineer – Jack Higgins
Photography By [Cover] – Paul Weller (3)
Piano – Thelonious Monk (tracks: A2, A3, B1 To B3)
Producer, Liner Notes – Orrin Keepnews
Tenor Saxophone – Coleman Hawkins, John Coltrane (tracks: A1, A2, B1 To B3)
Trumpet – Ray Copeland (tracks: A1, A2, B1 To B3)
Notes
Recorded in New York, June 26, 1957.
DETAILS : 1958 repress label ~ RIVERSIDE RLP 12-242 ~ Very Early Issue
"Spectrosonic High Fidelity" (Mono)
Second Label Variation ~ Original Laminated Cover
Thelonious Monk Septet Monk's Music (Riverside)
Pressing features: US pressing, regular issue copy, mono pressing
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Goldmine Grading Standard.
Still Sealed (SS)
Near Mint (NM or M-)
The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap.
Very Good Plus (VG+)
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Good (G), Good Plus (G+)
A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the cover.
Poor (P), Fair (F)
The record is cracked, badly warped, and won't play through without
skipping or repeating. The picture sleeve is water damaged, split on
all three seams and heavily marred by wear and writing. The LP cover
barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.
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