The Yardbirds – For Your Love -Epic – LN 24167 MONO

 1ST PRESS 1C/1C TERREHAUTE 

 The quasi-progressive "For Your Love," dominated by guest artist Brian Auger's harpsichord, is juxtaposed with hard-rocking blues-based numbers, almost all of which featured departed lead guitarist Eric Clapton (who is mentioned nowhere on the LP), with current lead guitarist Jeff Beck on just three tracks. The Clapton cuts, although primitive next to the material he was soon to cut with John Mayall, have an intensity that's still riveting to hear four decades later, and was some of the best blues-based rock & roll of its era. The three Beck sides show where the band was really heading, beyond the immediate success of "For Your Love" -- "I'm Not Talking" and "I Ain't Done Wrong" were hard, loud, blazing showcases for Beck's concise blues playing, while "My Girl Sloopy" was the first extended jam to emerge on record from a band on the British blues scene; the source material isn't ideal, but Beck and company make their point in an era where bands were seldom allowed to go more than four minutes on even an album track -- these boys could play and make it count.

(SEE PHOTOS)

Some incredible songs on this 1967 album from composer Reid King who married the Brazilian sound with
popular music of that era to produce an album that should have really taken off then, but due to the strange
setup of Canterbury Records who were in business to lose money for a Mattel tax shelter, the album was allowed
to die on the vine by Canterbury when it started to take off with airplay and sales.  Reid King went on to become
one of the foremost composers of contemporary music for the gut-string guitar.

FINALLY ONE LAST WORD RE HAIRLINES, IT IS ALMOST IMPOSSIBLE TO FIND ANY NON SEALED RECORD WITHOUT THEM, MANY HAD THEM FROM NEW. MOSTLY THEY ARE A RESULT OF STORAGE AND USE AND USUALLY HAVE LITTLE IMPACT ON THE SOUND QUALITY. THE SAME GOES FOR BACKGROUND NOISE, UNFORTUNATELY ALL RECORDS WILL HAVE SOME AND THIS VARIES AND REFLECTS THE PRESSING QUALITY. 

Most records have production marks where someone touched or moved the vinyl while it was still semi-soft.  These marks look like smudges, but are not scratches or "paper scuffs" and do not usually sound.  Untouched vinyl from newly-opened records have these marks. 

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CONDITION - DESCRIPTION

Mint

This means absolutely new, never been played or out of its dust cover. In the case of LP's, a North American album will have to be factory sealed 

Take Note: European and Japaneses albums were never shrink wrapped!

Near Mint - Looks rarely played, very shiny with no visible marks

Excellent to Excellent Plus - A disc is super clean, with only very light visible marks that do not hamper play

Excellent minus is a disc that is excellent except it may have some markings that do not show up in the playing

VG+ AND VG++  - A Disc that is still in good shape, but will have some hairlines and minor superficial scratches with none deep that will not hamper play

VG   A Disc that has minor scratches, some can be felt with a fingernail and can be heard as surface noise but nothing to spoil the overall enjoyment play

VG Minus - A record that has been well enjoyed, Still playable with minor imperfections such as light scratches, visible scuffing etc.

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Records are graded under bright lights or discrete sunlight - In the case of visibly possible harmful scratches, the record will be tested and sound quality noted.Many vintage (1955-70) records will play fine with visible damage due to superior vinyl and better pressings.

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