The Damned – Evil Spirits

Limited edition 12" LP Vinyl Record,
Signed pre-order edition from Pledge Music.
Signed in silver marker pen by The Damned. (2018, excluding Paul Gray)

Includes the Guitar Pick and postcard, that are unique to these signed pre-orders from Pledge Music. Includes lyric sheet insert, printed on both sides.
Ordered from new. stored properly, and never played. Mint.

Label: Spinefarm Records – SPINE734043, Search And Destroy Records – 00602567340430 Format: Vinyl (black) LP, Album Country: UK & Europe Released: Apr 13, 2018 Genre: Rock Style: Punk, Garage Rock, Psychedelic Rock, Goth Rock
A1

Standing On The Edge Of Tomorrow Written-By – Vanian 4:15 A2
Devil In Disguise Written-By – Pinching, Beers 4:32 A3
We’re So Nice Written-By – Sensible 4:09 A4
Look Left Written-By – Pinching, Priestley 4:44 A5
Evil Spirits Written-By – Sensible 3:55 B1
Shadow Evocation Written-By – Vanian, Oxymoron 4:12 B2
Sonar Deceit Written-By – Sensible 4:15 B3
Procrastination Written-By – Sensible, Oxymoron 3:54 B4
Daily Liar Written-By – Sensible, Vanian 5:57 B5
I Don’t Care Written-By – Vanian 3:18

• Pressed By – MPO
• Licensed To – Universal Music Operations Ltd.
• Phonographic Copyright ℗ – The Damned
• Copyright © – The Damned

• Artwork – Alex Tillbrook
• Cover – Laurence Thomas, Mitchell Thomas
• Engineer – Kevin Killen
• Engineer [Assistant] – Erin Tonkon
• Mastered By – Joe LaPorta
• Performer – Pinch, Captain Sensible, David Vanian, Monty Oxymoron, Paul Gray (2)
• Photography By – John Nikolai, Kurt Steinmetz, Shigeo Jones Kikuchi, Steven Gullick
• Producer [Pre-production By] – Jez Larder, Jon Priestley
• Producer, Mixed By – Tony Visconti
• Trumpet – Chris Coull

Includes lyric sheet, printed on both sides.

Tracks B3 and B4 are incorrectly listed as "Prpcrastination" and "The Daily Liar" respectively on the included lyric sheet.
Tracks are numbered sequentially across the release, 1 to 10.

Limited pre order copies from Pledge Music were signed in silver marker pen by The Damned (excluding Paul Gray) and came with a Pledgers postcard and plectrum. Later further copies were unsigned and had no postcard or plectrum.

Recorded at Atomic Sound, Brooklyn, NY. Mixed at HUMAN, New York, NY. Mastered by Joe LaPorta, Sterling Sound, New York, NY.
Backlash Mgmt: Jamal Chalabi.
Search & Destroy: Craig Jennings, Don Jenkins & Dan Jenkins.
Rotosound: Nigel & Jason. Brian at Spaun drums and Scymtek cymbals.
Crew: Seano, Todd, Martin & Jed.

A Spinerfarm Records Release (p) (c) 2018 The Damned under exclusive license to Universal Music Operations Limited. All rights reserved. Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. Universal International Music B.V. Gerrit Van Der Veenlan 4, 3743 Dn, Baarn, Netherlands. BIEM / SDRM. Made in the EU. spinefarmrecords.com.

A few words about condition.

Grade & 
score out of 100
                                           GRADING
Mint is a Rigid Band - The next Four Grades are all Narrow Bands, that slightly widen as the condition gradually deteriorates - Good is still Good, but there is a rapid widening of the Grade Bands, as the condition deteriorates over the last Four grades.

MINT
100
The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Only graded on records that are sealed or clearly unplayed.
 
NEAR MINT
97 to 99        

EXCELLENT
90 to 96
The record shows virtually no signs of having been played,  there is no lessening in sound quality.
The cover and  packaging might have the slightest of tiny defects.
 
The record shows some slight signs of having been played, but there is very little, (if any) lessening in sound quality.
The cover and  packaging might have very slight wear. 
 
VERY GOOD PLUS
80 to 89

VERY GOOD
69 to 79
The record shows signs of having been played, but there is very little lessening in sound quality.
The cover and  packaging might have slight wear, light creasing.

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects.
This is an above average used record, that has been well looked after.




GOOD
56 to 68
The record has been played so much that the sound quality has deteriorated, but the record will still play through, and it will not be a completely unpleasant listening experience, even at the bottom of this grade (56).
The cover and contents may suffer from folding, scuffing of edges, spine splits, discolouration, etc. 




FAIR
41 to 55
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even stick, skip or jump.. This is starting to be an unpleasant listening experience at the top of the grade (55) and will not be a pleasant listening experience at all by the end of it (41).
The cover and contents will be torn, stained and/or defaced. 
 
POOR
25 to 40
The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing. 
 
BAD
0 - 24
The record is unplayable or might even be broken, and is only of use as a collection-filler.
The Sleeve is non existent (0) or what is left, is only just recognisable.

A few words about postage.

Within Australia, the best value for multiple purchases is a 5KG satchel, where as many as 15 to 20 LPs can be posted for $22.00 registered post. (well packed in a box, inside the satchel)

My Policies on postage are simple.

I post at cost.
The user pays.
I package well.