The Beatles She Loves You Rare 1963 UK Parlophone Original Vinyl Single 45

$

100

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"She Loves You"US picture sleeveSingle by the BeatlesB-side"I'll Get You"Released

• 23 August 1963 (UK)
• 16 September 1963 (US)

• Parlophone (UK)
• Swan (US)

• file
• help

"She Loves You" is a song written by John Lennon and Paul McCartney and recorded by English rock group the Beatles for release as a single in 1963. The single set and surpassed several sales records in the United Kingdom charts, and set a record in the United States as one of the five Beatles songs that held the top five positions in the charts simultaneously, on 4 April 1964. It remains the band's best-selling single in the United Kingdom and the top-selling single of the 1960s there by any artist.

In November 2004, Rolling Stone ranked "She Loves You" number 64 on their list of the 500 Greatest Songs of All Time. In August 2009, at the end of its "Beatles Weekend", BBC Radio 2 announced that "She Loves You" was the Beatles' all-time best-selling single in the UK based on information compiled by the Official Charts Company.

In Canada, the song was included on the album Twist and Shout. In the US, it was the final song on The Beatles' Second Album.

Composition

Lennon and McCartney started composing "She Loves You" on 26 June 1963 after a concert at the Majestic Ballroom in Newcastle upon Tyne during their tour with Roy Orbison and Gerry and the Pacemakers. They began writing the song on the tour bus, and continued later that night at their hotel in Newcastle eventually completing it the following day at McCartney's family home in Forthlin Road, Liverpool.

In 2000, McCartney said the initial idea for the song began with Bobby Rydell's hit "Forget Him" with its call and response pattern, and that "as often happens, you think of one song when you write another ... I'd planned an 'answering song' where a couple of us would sing 'she loves you' and the other ones would answer 'yeah yeah'. We decided that was a crummy idea but at least we then had the idea of a song called 'She Loves You'. So we sat in the hotel bedroom for a few hours and wrote it – John and I, sitting on twin beds with guitars." Like many early Beatles songs, the title of "She Loves You" was framed around the use of personal pronouns. But unusually for a love song, the lyrics are not about the narrator's love for someone else; instead the narrator functions as a helpful go-between for estranged lovers:

You think you lost your love,
Well, I saw her yesterday.
It's you she's thinking of –
And she told me what to say.

She says she loves you ...

This idea was attributed by Lennon to McCartney in 1980: "It was Paul's idea: instead of singing 'I love you' again, we'd have a third party. That kind of little detail is still in his work. He will write a story about someone. I'm more inclined to write about myself."

Lennon, being mindful of Elvis Presley's "All Shook Up", wanted something equally stirring: "I don't know where the 'yeah yeah yeah' came from [but] I remember when Elvis did 'All Shook Up' it was the first time in my life that I had heard 'uh huh', 'oh yeah', and 'yeah yeah' all sung in the same song". The song also included a number of falsetto "wooooo"s, which Lennon acknowledged as being inspired by the Isley Brothers' recording of "Twist and Shout", which the Beatles had earlier recorded, and which had also been inserted into the group's previous single, "From Me to You". As Lennon later said: "We stuck it in everything". McCartney recalls them playing the finished song on acoustic guitars to his father Jim at home immediately after the song was completed: "We went into the living room and said 'Dad, listen to this. What do you think? And he said 'That's very nice son, but there's enough of these Americanisms around. Couldn't you sing 'She loves you, yes, yes, yes!' At which point we collapsed in a heap and said 'No, Dad, you don't quite get it!'" EMI recording engineer Norman Smith had a somewhat similar reaction, later recounting, "I was setting up the microphone when I first saw the lyrics on the music stand, 'She loves you, yeah, yeah, yeah, She loves you, yeah, yeah, yeah, She loves you, yeah, yeah, yeah, Yeah!' I thought, Oh my God, what a lyric! This is going to be one that I do not like. But when they started to sing it – bang, wow, terrific, I was up at the mixer jogging around."

The "yeah, yeah, yeah" refrain proved an immediate, infectious musical hook. Unusually, the song starts with the hook right away, instead of introducing it after a verse or two. "She Loves You" does not include a bridge, instead using the refrain to join the various verses. The chords tend to change every two measures, and the harmonic scheme is mostly static.

The arrangement starts with a two-count from Ringo on the drums, and his fills are an important part of the record throughout. The electric instruments are mixed higher than before, especially McCartney's bass, adding to the sense of musical power that the record provides. The lead vocal is sung by Lennon and McCartney, switching between unison and harmony.

George Martin, the Beatles' producer, questioned the validity of the major sixth chord that ends the song, an idea suggested by George Harrison. "They sort of finished on this curious singing chord which was a major sixth, with George [Harrison] doing the sixth and the others doing the third and fifth in the chord. It was just like a Glenn Miller arrangement." The device had also been used by country music-influenced artists in the 1950s. McCartney later reflected: "We took it to George Martin and sang 'She loves you, yeah, yeah, yeah, yeeeeeaah ...' and that tight little sixth cluster we had at the end. George [Martin] said: 'It's very corny, I would never end on a sixth'. But we said 'It's such a great sound, it doesn't matter'." The Beatles: Complete Scores shows only the notes D (the fifth) and E (the sixth) sung for the final chord, while on the recording McCartney sang G (the root) as Harrison sang E and Lennon sang D.

In the opinion of Roger McGuinn of the Byrds, writers who attempt to define the origins of folk rock "don't realise that the Beatles were responsible as far back as 1963". He cites "She Loves You" as one of the first examples where the Beatles introduced folk chord changes into rock music and so initiated the new genre. These songs were all influential in providing a template for successfully assimilating folk-based chord progressions and melodies into pop music.

Recording

The song was recorded on 1 July 1963 using a two-track recording machine, less than a week after it was written. Documentation regarding the number of takes required and other recording details does not exist. Mixing was carried out on 4 July. Standard procedure at EMI Studios at the time was to erase the original two-track session tape for singles once they had been mixed down to the (usually monaural) master tape used to press records. This was the fate of four Beatles songs that were released as two singles: "Love Me Do", "P.S. I Love You", "She Loves You" and "I'll Get You ". These tracks only exist as a mono master, although several mock-stereo remixes have been made by EMI affiliates worldwide, including a few made in 1966 by Abbey Road engineer Geoff Emerick.

The German division of EMI (the parent of the Beatles' British record label Parlophone Records) decided that the only way to sell Beatles records in Germany would be to re-record them in the German language. The band thought it unnecessary, but were asked by George Martin to comply, recording "Sie Liebt Dich" on 29 January 1964, along with "Komm, Gib Mir Deine Hand", at the Pathe Marconi Studios in Paris. They recorded new vocals over the original backing track to "I Want to Hold Your Hand" and "She Loves You". Both songs were translated by Luxembourger musician Camillo Felgen, under the pseudonym of "Jean Nicolas".

Release

United Kingdom

On 23 August 1963, the "She Loves You" single was released in the United Kingdom with "I'll Get You" as the B-side. The songwriting credit on the label was switched to "Lennon–McCartney" for this release – a switch from the "McCartney–Lennon" order of nearly all previous Beatles releases – and would remain this way during the remainder of their songwriting partnership.

There was tremendous anticipation ahead of the release. Thousands of fans had ordered the group's next single as early as June, well before a title had been known. By the day before it went on sale, some 500,000 advanced orders had been placed for it. The single set several British sales records. It entered the charts on 31 August and remained in the charts for 31 consecutive weeks, 18 of those weeks in the top three (including every week of the months of September, October, November and December 1963). During that period, it claimed the ranking of number one on 14 September, stayed number one for four weeks, dropped back to the top three, then regained the top spot for two weeks starting on 30 November. This regaining of the top spot was very unusual at the time. It then made its way back into the charts for two weeks on 11 April 1964, peaking at No. 42. It passed sales of a half million copies by early June and a million by late November, whereupon it was awarded a gold record. The song's run on the charts coincided with the 13 October 1963 performance of the group on Sunday Night at the London Palladium and the emergence of full-blown Beatlemania in the United Kingdom.

"She Loves You" was the best-selling single of 1963, and is the Beatles' all-time best-selling single in the UK. It was the best-selling single of any artist in the UK for 14 years until it was surpassed by Wings' "Mull of Kintyre" (written by McCartney and Denny Laine). As of December 2018, "She Loves You" was the ninth best-selling single of all time in the UK, with sales of 1.92 million copies.