The Beatles "Abbey Road" Picture Disc
  $   49

 


$ 49 Sold For
Oct 25, 2014 Sold Date
Oct 18, 2014 Start Date
2   Number Of Bids
  USA Country Of Seller
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Description

Item specifics

Condition:

Unopened, Sealed

Artist:

The Beatles

Record Label:

Capitol

Format:

Vinyl

Release Date:

26 September 1969

Detailed item info

Album Features

Artist:

The Beatles

Format:

Vinyl

Release Year:

1969

Record Label:

Capitol

Genre:

Pop


Track Listing

1. Come Together
2. Something
3. Maxwell's Silver Hammer
4. Oh! Darling
5. Octopus's Garden
6. I Want You (She’s So Heavy)
7. Here Comes the Sun
8. Because
9. You Never Give Me Your Money
10. Sun King
11. Mean Mr. Mustard
12. Polythene Pam
13. She Came in Through the Bathroom Window
14. Golden Slumbers
15. Carry That Weight
16. The End
17. Her Majesty

 

Details

Producer:

George Martin

Distributor:

EMI

Recording Type:

Studio

Recording Mode:

Stereo

SPAR Code:

n/a


Album Notes

Simply, side two does more for me than the whole of Sgt. Pepper, and I'll trade you The Beatles and Magical Mystery Tour and a Keith Moon drumstick for side one.

So much for the prelims. "Come Together" is John Lennon very nearly at the peak of his form; twisted, freely-associative, punful lyrically, pinched and somehow a little smug vocally. Breathtakingly recorded (as is the whole album), with a perfect little high-hat-tom-tom run by Ringo providing a clever semi-colon to those eerie shooo-ta's, Timothy Leary's campaign song opens up things in grand fashion indeed.

George's vocal, containing less adenoids and more grainy Paul tunefulness than ever before, is one of many highlights on his "Something," some of the others being more excellent drum work, a dead catchy guitar line, perfectly subdued strings, and an unusually nice melody. Both his and Joe Cocker's version will suffice nicely until Ray Charles gets around to it.

Paul McCartney and Ray Davies are the only two writers in rock and roll who could have written "Maxwell's Silver Hammer," a jaunty vaudevillian/music-hallish celebration wherein Paul, in a rare naughty mood, celebrates the joys of being able to bash in the heads of anyone threatening to bring you down. Paul puts it across perfectly with the coyest imaginable choir-boy innocence.

Someday, just for fun, Capitol/Apple's going to have to compile a Paul McCartney Sings Rock And Roll album, with "Long Tall Sally," "I'm Down," "Helter Skelter," and, most definitely, "Oh! Darling," in which, fronting a great "ouch!"-yelling guitar and wonderful background harmonies, he delivers an induplicably strong, throat-ripping vocal of sufficient power to knock out even those skeptics who would otherwise have complained about yet another Beatle tribute to the golden groovies' era.

That the Beatles can unify seemingly countless musical fragments and lyrical doodlings into a uniformly wonderful suite, as they've done on side two, seems potent testimony that no, they've far from lost it, and no, they haven't stopped trying.

No, on the contrary, they've achieved here the closest thing yet to Beatles freeform, fusing more diverse intriguing musical and lyrical ideas into a piece that amounts to far more than the sum of those ideas.

"Here Comes the Sun," for example, would come off as quite mediocre on its own, but just watch how John and especially Paul build on its mood of perky childlike wonder. Like here, in "Because," is this child, or someone with a child's innocence, having his mind blown by the most obvious natural phenomena, like the blueness of the sky. Amidst, mind you, beautiful and intricate harmonies, the like of which the Beatles have not attempted since "Dr. Robert."

Then, just for a moment, we're into Paul's "You Never Give Me Your Money," which seems more a daydream than an actual address to the girl he's thinking about. Allowed to remain pensive only for an instant, we're next transported, via Paul's "Lady Madonna" voice and boogie-woogie piano in the bridge, to this happy thought: "Oh, that magic feelin'/Nowhere to go." Crickets' chirping and a kid's nursery rhyme ("1-2-3-4-5-6-7/All good children go to heaven") lead us from there into a dreamy John number, "Sun King," in which we find him singing for the Italian market, words like amore and felice giving us some clue as to the feel of this reminiscent-of-"In My Room" ballad.

And then, before we know what's happened, we're out in John Lennon's England meeting these two human oddities, Mean Mr. Mustard and Polythene Pam. From there it's off to watch a surreal afternoon telly programme, Paul's "She Came In Through the Bathroom Window." Pensive and a touch melancholy again a moment later, we're into "Golden Slumbers," from which we wake to the resounding thousands of voices on "Carry That Weight," a rollicking little commentary of life's labours if ever there was one, and hence to a reprise of the "Money" theme (the most addicting melody and unforgettable words on the album). Finally, a perfect epitaph for our visit to the world of Beatle daydreams: "The love you take is equal to the love you make ..." And, just for the record, Paul's gonna make Her Majesty his.

I'd hesitate to say anything's impossible for him after listening to Abbey Road the first thousand times, and the others aren't far behind. To iy mind, they're equatable, but still unsurpassed.

From The Archives Issue 544: January 26, 1989

Read more: http://www.rollingstone.com/music/albumreviews/abbey-road-19691115#ixzz3DD6LU9wo
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 Grading Scale

We use Goldmine® visual grading and do our best to accurately grade, although one persons EX could be another persons VG+. Please contact us if you have any issues at all. 

M (mint) Record is new, shiny, never played.

 NM (near mint) Record is like new, probably played a few times, but it doesn't effects on the quality of a sound.

 EX (excellent) Record in great shape, may have light marks, played more than a few times but low in surface noise or no surface noise.

 VG+ (very good plus) Record has been played more times, it has more marks and surface noise, it doesn't skip.

VG (very good) Record has been played many times, may be more surface noise, but it shouldn't skip while playing.

G (good) Record is in bad condition, this is worth only for archive items - just to have until you find better

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