The Barbara Lynn Story ILP 949 UK LP 1st Prs Sue 1967
£
195
$
233
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Description
We have lots more 60's & 70's R&B, Soul & Motown Vinyl in our Shop
Album Information
Artist Barbara Lynn Title The Barbara Lynn Story Record Label Sue Cat. number ILP 949 Mono/Stereo? MCountry
UK Released 1967 Matrix no. ILP 949 A ILP 949 B Please enquire if you need the matrix numbersWe are currently auctioning 41 Sue 7" records and 7 Sue LP's - click here to look
Postage, Packaging & Handling costs Please click on this link for full postage & packaging informationAlbum Condition
Please Note: - comments will only be present below if there are any problems to describe
Disc
Marks
Side 1
EX Side 2 EXSurface
Hairlines
Side 1
VG A few light surface hairlines Side 2 VG A few light surface hairlinesScratches
Side 1
EX Side 2 EXOther Info.
Disc in Excellent ConditionSound
Surface Noise
Side 1
EX Side 2 EXPops/Clicks
Side 1
VG A few light surface hairlines - occasional light crackles Side 2 VG A few light surface hairlines - occasional light cracklesScratches
Side 1
EX Side 2 EX Other Info.Sleeve
Ring / Surface Wear
Front
VG Small surface scuff at top right. Small stain Back EX Light age discolouration InsideCard Creases
Front
EX Back EX InsideShelf Wear
Edge
EX Light storage wear Spine EX Light storage wear Corner EX Other Info. Sleeve in Excellent conditionAll records are graded by the Record Collector Rare Price Guide - Grading System
Please click on this link for full grading information
Background Information
Click on the link to find the original source of this information: - The Barbara Lynn Story Singer/guitarist Barbara Lynn was a rare commodity during her heyday. Not only was she a female instrumentalist (one of the very first to hit the charts), but she also played left-handed — quite well at that — and even wrote some of her own material. Lynn's music often straddled the line between blues and Southern R&B, and since much of her early work — including the number one R&B hit "You'll Lose a Good Thing" — was recorded in New Orleans, it bore the sonic imprint of the Crescent City. Lynn was born Barbara Lynn Ozen in Beaumont, TX, on January 16, 1942; she played the piano as a child before switching to guitar, inspired by Elvis Presley. In junior high, Lynn formed her own band, Bobbie Lynn and the Idols; at this point, her musical role models veered between bluesmen (Guitar Slim, Jimmy Reed) and female pop singers (Brenda Lee, Connie Francis). After winning a few talent shows and playing some teen dances, the still-underage Lynn started working the local clubs and juke joints, risking getting kicked out of school if she had been discovered. Singer Joe Barry caught her live act and recommended her to his friend, producer/impresario Huey P. Meaux, aka the Crazy Cajun.
With her parents' consent, Meaux brought Lynn to New Orleans to record at the legendary Cosimo's studio. Lynn cut a few singles for the Jamie label with the understanding that if none hit, she was to attend college instead of pursuing music right off the bat. In 1962, her self-penned ballad "You'll Lose a Good Thing" became a national hit, reaching the pop Top Ten and climbing all the way to number one on the R&B charts.
Her first album (of the same name) was also released that year, featuring ten of her originals among its 12 tracks. Lynn continued to record for Jamie up through 1965, producing follow-up R&B hits like "You're Gonna Need Me" and "Oh Baby (We Got a Good Thing Goin')," the latter of which was recorded by the Rolling Stones in 1965. In 1966, Lynn switched over to Meaux's Tribe label and cut "You Left the Water Running," which became something of an R&B standard and was covered by the likes of Otis Redding.
In 1967, she signed with Atlantic and had another R&B hit with "This Is the Thanks I Get" early the following year; she also issued another album, Here Is Barbara Lynn, in 1968. Lynn scored one last hit for Atlantic in 1972's "(Until Then) I'll Suffer," but by this point, she had several children to worry about raising; dissatisfied with her promotion anyway, she wound up effectively retiring from the music business for most of the '70s and '80s, though she did play the occasional low-key tour.
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