The Andrew Oldham Orchestra – Rolling Stones Songbook - 

London – LL3457 MONO

Andrew Oldham was brought up on middle-of-the-road sounds and orchestral soundtracks as a kid, though, and making this album was a dream come true for him. He was also in love with the huge sound of Phil Spector and was directly inspired by the sound of Jack Nitzche's instrumental album, The Lonely Surfer. With the help of arranger David Whitaker, Oldham made a record that paid homage to all of those influences. It even rocks surprisingly hard at times, thanks to the wise move of having crack session men like Nicky Hopkins, John Paul Jones, Big Jim Sullivan, and John McLaughlin provide the underpinnings. Their grit gives the MOR orchestral strings and vocal choruses something rough to rub up against on uptempo tracks like "Satisfaction," the dramatic love songs like "Tell Me," and the moody ballads like "Play with Fire," "You Better Move On," and a very tough and powerful "Heart of Stone."  Whitaker and Oldham were playing for keeps, creating emotionally powerful and musically far-reaching works that sound a little corny at times but more often sock you right in the gut. And when you aren't expecting it, those are the punches that leave the most impression. Nowhere is that more evident than on "The Last Time," the song that the Verve sampled for "Bittersweet Symphony" in 1997. The Andrew Oldham Orchestra's original has all the grandeur and passion of the Verve's track, minus the trip-hop beats and trite lyrics. It's quite a surprise to modern ears that it outshines the remake, and it's an equally shocking surprise that this album is more than just a curiosity. Instead, it is a vital artifact that Stones fans and devotees of '60s pop should hear at least once. It might even become a mainstay of your hidden-treasures list.

(SEE PHOTOS)

Some incredible songs on this 1967 album from composer Reid King who married the Brazilian sound with
popular music of that era to produce an album that should have really taken off then, but due to the strange
setup of Canterbury Records who were in business to lose money for a Mattel tax shelter, the album was allowed
to die on the vine by Canterbury when it started to take off with airplay and sales.  Reid King went on to become
one of the foremost composers of contemporary music for the gut-string guitar.

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