TIN HOUSE - S/T 1971 FLORIDA HARD ROCK TRIO prod RICK DERRINGER REMAST LP +7" EP

$

28

TIN HOUSE – Tin House. Lion Productions LION LP-140. NEW UNPLAYED VINYL RECORD ALBUM + 7" VINYL EP. Originally issued in 1971. This edition issued in 2015. Comes housed in a clear mylar resealable outer sleeve; as shipped by the label. Includes their sole album plus a bonus 4-track 7” EP containing the mono mix of two album tracks issued as a promo only single (and both running substantially longer than their album versions) along with two previously unreleased tracks from the same session; all 24-bit digitally remastered from the original master tapes. Comes with a four-panel insert with liner notes by Doug Sheppard (Ugly Things) and photos from the archive of drummer Mike Logan; housed in an old style tip-on jacket, reproducing the original cover art along with a full color picture sleeve for the 7” EP. Licensed from Sony Music Entertainment. MEMBERS:  Floyd Radford (guitar, vocals), Jeff Cole (bass, lead vocals), and Mike Logan (drums, kettles, congas, trashcans, vocals) with guest appearances by Edgar Winter and Rick Derringer.

TRACKS:

Side A:

01. I Want Your Body (Floyd Radford / Mike Logan) 1:45

02. 30 Weight Blues (Floyd Radford / Mike Logan / Jeff Cole) 2:19

03. Be Good and Be Kind (Floyd Radford / Mike Logan / Jeff Cole) 2:36

04. You’ve Gone Too Far (Floyd Radford / Jeff Cole) 3:45

05. Silver Star (Floyd Radford / Mike Logan) 4:01

Side B:

01. Personal Gain (Floyd Radford / Mike Logan / Jeff Cole) 4:25

02. Jezebel, Give Me Your Lovin’ (Jeff Cole) 2:41

03. Tomorrow (Floyd Radford) 2:55

04. Endamus Finallamus (Floyd Radford / Mike Logan / Jeff Cole) 3:49

05. Lady Of The Silent Opera

BONUS TRACKS – 7” 4-Track EP with picture sleeve:

Side C:

01. Be Good and Be Kind 5-10739 JZSP 154833 mono promo 45  2:53

02. I Want Your Body 5-10739 JZSP 154834 mono promo 45 2:36

Side D:

03. Understand (previously unreleased) 3:48

04. Thanks To My Friends (previously unreleased)  3:50     

DESCRIPTION:  Tin House was formed in 1969 by original members Floyd Radford, Mike Logan, and Jeff Cole. They were one of the first progressive hard rock bands to be signed to a major label from the Central Florida area, shortly after graduating from high school. Tin House were so good—their music was a hard-rocking onslaught of lust, chops, and powerhouse riffs that gripped like an alligator bite. They were respected by Leslie West and Johnny and Edgar Winter. Their album (released in 1971) was produced by Rick Derringer. But like other almost famous bands, Tin House fell away into unjust obscurity. Tin House's focus was on heavy rock like the sex-fueled opener, I Want Your Body, and standout track Be Good And Be Kind, with a catchy up-and-down, down-and-up riff played adeptly by guitar prodigy Floyd Radford, and a driving monster beat laid down by drummer Mike Logan; the song tears in as fast as a Florida hurricane and sweeps the listener up into its vortex for two-and-a-half minutes of energized bliss. Yet the album also showed diversity:  Radford’s melancholy ballad Tomorrow; the jivin’ honky tonk of 30 Weight Blues (a tribute to the band’s 1962 Ford Econoline van); Lady Of The Silent Opera, which featured orchestration by seasoned studio musicians from New York City’s Local 802 Union to underscore its positive message of “look to the heaven—smile to the blue sky.” This Lion Productions reissue includes everything Tin House recorded for Epic, including two previously unreleased tracks and the elusive (and unique) single versions of I Want Your Body and Be Good and Be Kind—all taken directly from 24-bit/96kHz master tape transfers. Four panel insert has liner notes by Doug Sheppard (Ugly Things) and photos from the archive of drummer Mike Logan. Lean, fluid, tight, and the best hard rock album from the USA you probably never heard of (until now)!

"In the twinkling universe of virtuoso electric guitarists that followed in the wake of the genre’s progenitor Jimi Hendrix, perhaps one of the most deserving of renewed recognition is Floyd Radford of the band Tin House... the overdriven, fluid guitar work—heavy on the wah-wah pedal—is brought to the fore by a beefy full production that lifts the band above the sludgy audio presentation that bedevilled many heavy rock albums of the era." —Richard Allen, Shindig! Magazine

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