TIMI YURO RARE Dutch PS 45 rpm E POI VERRA L'AUTUNNO TI CREDO 65 SAN REMO FEST

$

75

TIMI YURO

Sings in Italian

Rare Dutch Release of the 1965 San Remo Festival Winning Record

Picture Sleeve with 45 rpm Record

Mercury 127 177 MCF

 Year of Release = 1965

Country of Release = NETHERLANDS

This is the fabulous Timi Yuro in a SUPER RARE Dutch release in Italian:

E POI VERRA L'AUTUNNO / TI CREDO

Timi appeared at the Fest, and sang these two Italian songs.

Vinyl = MINT-

Sleeve is very good with some wear, creasing, tiny paper lift and some ringmark.  There are some ink numbers on the back upper right corner.

SEE MORE ABOUT TIMI YURO BELOW

Check out my other Timi Yuro Northern Soul items running on Ebay or in my Ebay Store right now.

COMBINE RECORD SHIPMENTS AND SAVE MONEY ON SHIPPING!!!

PLEASE NOTE; DUE TO INCREASED USPS SHIPPING COSTS.  THE MAXIMUM SHIPPING WEIGHT TO CANADA IS 4 lbs. & OTHER INTERNATIONAL COUNTRIES A MAXIMUM OF 3 lbs.  THIS IS DUE TO THE FACT THAT THE SHIPPING CHARGES NEARLY DOUBLE WHEN THE PACKAGE WEIGHS MORE THAN THIS. 

COST FOR SHIPPING EACH ADDITIONAL 7" 45 rpm or 7" EP

USA: Add: 50 cents

Canada:  Add: $1.00 (ALL PACKAGES LIMITED TO NO MORE THAN 4 Lbs.)

Worldwide: Add $2.00  (ALL PACKAGES LIMITED TO NO MORE THAN 3 Lbs.)

LP's MAY BE SHIPPED WITH 45's STARTING WITH THE LP BASE SHIPPING COST & ADDING THE ABOVE AMOUNT(S).

Please contact me for combining other records such as 78's, 45's or CD's in order to save on shipping.

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MINT .. Literally Perfect Record, Shiny Gloss, No Marks, Beautiful Condition.

MINT- .. Very Clean, Light Paper Marks... A Great Record for Most Any Collector.

VG++ (EX) ... Very Clean, Light Paper Marks... Plays Well with Seldom, but Occasional and Minimal Surface Noise

VG+ .. Light Scratches Only, Should Play Well with Only Occasional and Minimal Surface Noise at Times.

VG .. A Nice Record, Looks Used with Some Scratches. Plays with Some Surface Noise.

VG- .. Rough with Scratches and has Some Surface Noise , but Will Play without skips.

G .. Plays Quite Rough, Has Multiple Scratches, Very Noisy.

P .. Poor Condition. Good only for those who will accept any copy to fill in their collection.

Rosemary Timothy Yuro, professionally known as Timi Yuro (August 4, 1940 – March 30, 2004), was an American singer and songwriter. Sometimes called "the little girl with the big voice," she is considered to be one of the first blue-eyed soul stylists of the rock era. According to one critic, "her deep, strident, almost masculine voice, staggered delivery and the occasional sob created a compelling musical presence." Yuro possessed a contralto vocal range.

Rosemary Yuro was born in Chicago, Illinois in 1940, into an Italian-American family whose original name may have been Aurro. By the time of her birth, however, the family used the spelling Yuro. Young Rosemary moved with her family to Los Angeles in 1952. There, she sang in her parents' Italian restaurant and, despite her family's opposition, in local nightclubs before catching the eye and ear of talent scout Sonny Knight. Signed to Liberty Records in 1959, she had a U.S. Billboard No. 4 single in 1961 with "Hurt", an R&B ballad that had been an early success for Roy Hamilton. Yuro's recording was produced by Clyde Otis, who had previously worked with Brook Benton and Dinah Washington. Later that year she recorded as a duo with Johnnie Ray. She charted some further minor hits, including "Smile" (No. 42), and She opened for Frank Sinatra on his 1961 tour of Australia to rave reviews.  That same year she was nominated for a Grammy Award for Best New Artist.

In 1962 Bob Johnston and Otis produced Yuro's single "What's a Matter Baby (Is It Hurting You?)", which went to No. 12 on the Billboard pop chart. On both "Hurt" and "What's a Matter Baby", Yuro showed an emotional but elegant vocal style that owed a debt to Washington and other black jazz singers. Many listeners in the early 1960s thought Yuro was black. Her single "The Love of a Boy" reached No. 44 in 1962. It was arranged and co-written by Burt Bacharach, but Yuro refused to record his suggested follow-up, "What the World Needs Now Is Love".

In the following year, Liberty released Make the World Go Away, an album of country and blues standards. The singer at her vocal peak, this recording includes the hit title song (later a bigger hit for Eddy Arnold, with whom the song is usually associated), a version of Willie Nelson's "Permanently Lonely", and two different blues takes of "I'm Movin' On". Yuro was also known for soulful reworkings of popular American standards, such as "Let Me Call You Sweetheart", "Smile", and "I Apologize". She toured Europe in 1963, and appeared on the British TV show Ready Steady Go!. However, in the U.S. her image became established as a cabaret performer rather than as a soul singer.

By 1964, Yuro had moved to Mercury Records, but her first record for the label, "You Can Have Him", arranged by Jack Nitzsche, only just scraped into the chart and was her last hit. Nevertheless, her album The Amazing Timi Yuro, produced by Quincy Jones, was an artistic success. Subsequent records were unsuccessful, although a B-side, "Can't Stop Running Away," was later popular on the UK's Northern Soul circuit. In the 1960s, Yuro made two TV appearances on The Ed Sullivan Show. and guested and hosted American Bandstand several times, She also appeared on The Steve Allen Show, Shivaree, Hollywood-a-Go-Go, Johnny Carson Show, Where the Action Is, The Lloyd Thaxton Show and many other television programs.. In 1967, she appeared in a black-and-white film in the Philippines as a guest star alongside Filipino comedians Dolphy and Panchito in a comedy titled Buhay Marino (Life of a Sailor), a film released by Wag-Wag Productions, Inc. At that time, the singer was very popular in the Philippines. She re-signed for Liberty Records in 1968, and recorded in London. She also sang the title tracks on the 1962 film "Satan Never Sleeps" and the 1968 film "Interlude".  By the late 1960s, Yuro had performed in venues from London to Las Vegas. However, her career soon lost its early momentum, and she quit the music business altogether after her marriage in 1969. In 1979  Yuro lost her voice for nearly two years to throat cancer.  Amazingly when she began to sing again in 1981,

In 1981, Yuro made a major comeback in the Netherlands, performing as a guest of honor on Dutch national television. She rerecorded a version of "Hurt" that reached No. 5 on the Dutch pop charts. She also signed to the Dutch record label Dureco to record a new album, All Alone Am I; it went to No. 1 on the Dutch album charts and was eventually certified as a gold record. With these successes, Yuro moved to the Netherlands and continued with a string of hit singles and albums. After her record sales began to decline there in the mid-1980s, Yuro returned to the United States. Her last recording was the vinyl album Today, which was released in 1982 by Ariola and produced by her old friend and collaborator Willie Nelson. In 1990, the disc was reissued as a CD, remastered and remixed by Yuro herself on her own label Timi and titled Timi Yuro Sings Willie Nelson.

 After appearing in concert and on television in the early 1980's, the cancer returned taking her voice permanently and she eventually passed from it in  2004 in her Las Vegas home.  She is deeply loved and missed.

Yuro's work is admired in the United States as well as the United Kingdom and the Netherlands. According to the obituary in the Las Vegas Sun, her hometown paper, Yuro's most famous fan was probably Elvis Presley, who commanded his own table at the casino where Yuro headlined in the late 1960s. (Presley had a Top 10 country hit, and Top 30 pop hit, with his 1976 version of "Hurt".) In April 2004, Morrissey announced Yuro's death on his official website, describing her as his "favorite singer". (Morrissey also recorded a version of Yuro's "Interlude" with Siouxsie Sioux in 1994.) P.J. Proby knew Timi Yuro from their time in Hollywood, and often mentions it during his performances of "Hurt".

Elkie Brooks recorded a version of Yuro's classic "What's a Matter Baby" on her 1988 album Bookbinder's Kid. Yuro was so impressed with the version, she contacted Brooks while she was on a UK tour, and the two kept in contact.

Yuro found success on the dance floors of northern England in the 1970s and 1980s when Northern Soul DJs championed her up-tempo tracks of "It'll Never Be Over for Me" and "What's a Matter Baby". The former has remained an important Northern Soul track; the latter was re-released on Kent Records in the 1980s.

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