THEM w/VAN MORISON+JIMMY PAGE GLORIA c/w BABY PLEASE RARE ORIG'65 PARROT MONO 7"

$

21

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·       THEM featuring VAN MORRISON – GLORIA c/w BABY PLEASE DON'T GO –- ORIGINAL 1964 PARROT RECORDS MONO 7" 45 rpm SINGLE 45PAR9727V

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK PARROT RECORDS LABEL WITH GREEN PARROT LOGO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1C'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Very few rock & roll songs rival the sexual excitement and anticipation of Van Morrison's "Gloria." A three-chord rocker written for his band Them for the band's 1965 self-titled debut, the 1960s classic buzzes and pulses with tension-and-release dynamics. The song became a garage rock anthem, a standard covered famously by the Doors, Jimi Hendrix, and Patti Smith. But the former two took the song too far into the realm of heavy-handed obviousness: Jim Morrison "daringly" acting out the song; oh, this song is about sex? The beauty of the original is that Van Morrison needs only to speak-sing, in his Howlin' Wolf growl, "I watch her come up to my house/She knocks upon my door/And then she comes up to my room/I want to say she makes me feel all right/G-L-O-R-I-A!" to convey his teenage lust. The original Latin meaning of the name is not lost on Morrison. Them never varies from the three chords, utilizing only dynamic changes to heighten the tension. The arrangement features the famous syncopated staccato rhythmic 6/4 pushes. Jim Parker's swinging guitar lick, a droning organ from Pete Bardens, and "Bolero"-meets-"Peter Gunn Theme" bass line from Alan Henderson drive the song along until overdubbed timbales or tomtom drums from John Starks explode and the song finishes in an orgasmic crescendo. Van Morrison's thin growl is hardly recognizable if compared to his later solo singing. (All players are assumed to have played on the track, though during the recording sessions, many studio musicians -- including Jimmy Page -- were involved). Them scored a regional hit with the song on the West Coast, which was the ticket to the States for the group and led to Morrison's extended stay in the country. Chicago garage band Shadows of Knight scored an even bigger hit everywhere else with their 1965 recording of the song. This is a faithful, though tamer version of the original. Of the cover versions, only Patti Smith seems to understand that the sex is implied in the music itself. She uses the song as a canvas for a nocturnal urban tale. The Patti Smith Group's Velvet Underground-like slow-paced introduction underscores Smith's epilogue "Jesus for somebody's sins/but not mine...my sin's are my own/They belong to me...I go to this here party/And I just get bored/Until I look out the window/And see this sweet young thing...leaning on the parking meter/Oh she looks so good/Oh, she looks so fine/And I have a crazy feeling/I'm gonna...uh, uh, make her mine." For the era, the mid-'70s, a woman singing these lyrics was a courageous act; Smith -- either as herself, or acting out the part as a male narrator, depending on how one reads it -- overtly takes charge of a sexual power, and thus paves the way for many women artists that followed.

 (EXCERPT FROM AN ONLINE REVIEW BY BILL JANOVITZ, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

"Baby Please Don't Go" was one of the earliest songs recorded by Them, fronted by a 19-year-old Van Morrison. Their rendition of the song was derived from a version recorded by John Lee Hooker in 1949 as "Don't Go Baby". Hooker's song later appeared on a 1959 album, Highway of Blues, which Van Morrison heard and felt was "something really unique and different" with "more soul" than he had previously heard.

Them recorded "Baby, Please Don't Go" for Decca Records in October 1964. Besides Morrison, there is conflicting information about who participated in the session. In addition to the group's original members (guitarist Billy Harrison, bassist Alan Henderson, drummer Ronnie Millings, and keyboard player Eric Wrixon), others have been suggested: Pat McAuley on keyboards, Bobby Graham on a second drum kit, Jimmy Page on second guitar, and Peter Bardens on keyboards. As Page biographer George Case notes, "There is a dispute over whether it is Page's piercing blues line that defines the song, if he only played a run Harrison had already devised, or if Page only backed up Harrison himself". Morrison has acknowledged Page's participation in the early sessions: "He played rhythm guitar on one thing and doubled a bass riff on the other" and Morrison biographer Johnny Rogan notes that Page "doubled the distinctive riff already worked out by Billy Harrison".

Music critic Greil Marcus comments that during the song's quieter middle passage "the guitarist, session player Jimmy Page or not, seems to be feeling his way into another song, flipping half-riffs, high, random, distracted metal shavings". Them's blues rock arrangement is "now regarded justly as definitive", according to music writer Alan Clayson.

"Baby, Please Don't Go" was released as Them's second single on November 6, 1964. With the B-side, "Gloria", it became their first hit, reaching number ten on the UK Singles Chart in February 1965. The single was released in the US in 1965, but only "Gloria" became a hit the following year. The song was not included on Them's original British or American albums (The Angry Young Them and Them Again), however, it has appeared on several compilation albums, such as The Story of Them Featuring Van Morrison and The Best of Van Morrison.

 (EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

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·       CONDITION:

·       45-RPM SINGLE RECORD:

(IMPORTANT NOTE: unless otherwise noted below, ALL records are graded visually, and NOT play-graded!; we  grade records under the normal room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++. A few light abrasions  ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       SLEEVE

THE RECORD COMES IN PLAIN, GENERIC,  POLY-LINED INNER SLEEVE (NOT SEPARATELY GRADED, BUT IN GREAD CONDITION OVERALL)

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 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored  (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever;  Thank You & Good Night!

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