THELONIOUS MONK w/CHARLIE ROUSE CRISS-CROSS RARE ORIGINAL 1961 COLUMBIA MONO LP

$

26

    
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·       THELONIOUS MONK with CHARLIE ROUSE and others – CRISS-CROSS -  ORIGINAL 1962 COLUMBIA RECORDS MONO LP CL-2038

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED & BLACK COLUMBIA "GUARANTEED FIDELITY" MONO  LABEL, EARLY 60’s STYLE

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       Includes original liner notes by ►Baroness Nica (Pannonica) de Koenigswarter (deleted on later LP and CD reissues), who was introduced to Thelonious Monk by jazz pianist/composer Mary Lou Williams in Paris while attending the "Salon du Jazz 1954", and championed his work in the USA, writing the liner notes for this album, and even took criminal responsibility when she and Monk were charged with marijuana possession by the police. After Monk ended his public performances he retired to Nica's house in Weehawken, New Jersey and died there in 1982.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Criss-Cross -- Thelonious Monk's second album for Columbia Records -- features some of the finest work that Monk ever did in the studio with his '60s trio and quartet. Whether revisiting pop standards or reinventing Monk's own classic compositions, Monk and Charlie Rouse (tenor sax), John Ore (bass), and Frankie Dunlop (drums) exchange powerful musical ideas, as well as provide potent solos throughout the disc. Fittingly, "Hackensack" -- a frenetic original composition -- opens the disc by demonstrating the bandleader's strength in a quartet environment. The solid rhythmic support of the trio unfetters Monk into unleashing endless cascades of percussive inflections and intoxicating chord progressions. The title cut also reflects the ability of the four musicians to maintain melodic intricacies that are at times so exigent it seems cruel that Monk would have expected a musician of any caliber to pull them off. "Tea for Two" showcases Monk's appreciation for the great stride or "walking" piano style of James P. Johnson and Willie "The Lion" Smith. The arrangement here is lighter, and features a trio (minus Rouse) to accent rather than banter with Monk's splashes of magnificence throughout. Likewise, Monk's solo on "Don't Blame Me" is excellent. The extended runs up and down the keyboard can't help but reiterate the tremendous debt of gratitude owed to the original stride pianists of the early 20th century; This is prime Monk for any degree of listener.

 (EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has a small stamp with a name and/or address of the previous owner on the back panel

-         Cover shows some light yellowing on both sides, apparently from aging  (nothing significant)

-         Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-         Cover has a few tiny wrinkles along the spine

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         Back cover has some light yellowish stains, probably from exposure to humidity  (less than 1. 1/2 square inch in size).

-         Cover has two corners slightly worn / dinged (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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