THE WATTS 103RD STREET RHYTHM BAND TOGETHER RARE ORIG'68 WARNER LP w/GROUP COVER

$

22

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       THE WATTS 103RD STREET RHYTHM BAND – TOGETHER - ORIGINAL 1968 WARNER BROTHERS RECORDS STEREO LP WS-1761

·       ORIGINAL U.S. PRESSING

·       ORIGINAL GREEN WARNER BROTHERS LABEL WITH A W-7 LOGO AT THE TOP OF THE LABEL AND “A DIVISION OF WARNER – SEVEN ARTS” INSCRIPTION AT THE BOTTOM OF THE LABEL, LATE 60’s STYLE

·       SECOND (?) VERSION OF THE COVER (COLOR PHOTO OF THE BAND, NOT THE “CARTOON” COVER); WE WERE ALWAYS WONDERING WHY THIS ALBUM HAS TWO COVERS, BECAUSE WE HAVE BEEN SEEING WHITE LABEL PROMO VERSIONS IN BOTH VERSIONS OF THE COVER (SIGNIFYING THAT THE TWO VERSIONS MUST HAVE BEEN RELEASED AND WERE IN PRINT CONCURRENTLY); THE ONLY RATIONAL EXPLANATION WE COULD COME UP WAS THAT THE CARTOON COVER WAS INTENDED FOR WHITE AUDIENCES, AND THAT THE PHOTO COVER WAS INTENDED FOR “RACE” (BLACK) AUDIENCES, BECAUSE, IN THE WAKE OF WATTS RIOTS OF 1965 (AFTER WHICH THE GROUP APPARENTLY GOT ITS NAME), THE RACIAL SENSIBILITIES IN AMERICA WERE EXTREMELY RAW AND SENSITIVE; HOWEVER, OUR “RACE” THEORY MAY BE ENTIRELY WRONG.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1C/-1C'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Released in 1968, the second album from the Watts 103rd Street Rhythm Band finds Charles Wright and company still trying to translate their nightclub and singles success into record album sales. The standout cut is "Do Your Thing," a simmering call to the dancefloor that plays on the strengths of this very tight band, slowly building into an undeniable groove; the record-buying public thought similarly, pushing "Do Your Thing" to number 11 on the Billboard charts. About a third of Together follows in this funky groove: "Giggin' Down 103rd," "Sorry Charlie," and the sax feature "Phuncky Bill." There are some covers here too, the mid-show cool down of "Stormy Monday," a tip of the hat to JB with "Papa's Got a Brand New Bag," and a 200 mph run-through of Eddie Floyd's "Knock on Wood." The rest of the album is made up of mid-tempo soul with a loping, Southern feel that doesn't stand out so much because of what is played but how it's played. The Watts band was a monster with James Gadson on drums, Melvin Dunlap on bass, Al McKay on guitar, and a fearsome horn section too, with special mention going to Bill Cannon here for the previously mentioned "Phuncky Bill." Gadson and McKay would go on to join Earth, Wind & Fire while Dunlap joined Bill Withers' band. Together shows a band on the way to its peak, a point they wouldn't reach until the release of Express Yourself in 1970, but listening to them get there is half the fun.

 (EXCERPT FROM AN ONLINE REVIEW BY WADE KERGAN, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►click here

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·       CONDITION:

·       THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout corner visible

-        Cover has some fraying/wear along the spine

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2  (front side) and 3 (back side)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Cover has a small, rectangular, sticker residue (small yellowish discoloration from the removed price sticker)

-         Cover has a few tiny wrinkles along the top seam

-         Cover has a small quality control (inspection) stamp on the back panel

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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