THE SMITHS-LOUDER THAN BOMBS 1987 GATEFOLD 1ST PRESSING.JOY DIVISION STONE ROSES
  £   19
  $   25

 


£ 19 Sold For
Jun 21, 2015 Sold Date
Jun 11, 2015 Start Date
£   3 Start price
14   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

Smiths, The ?– Louder Than Bombs

Label:

Rough Trade ?– ROUGH 255

Format:

2 × Vinyl, LP, Compilation, Gatefold 

Country:

UK

Released:

1987

Genre:

Rock

Style:

Alternative Rock, Indie Rock

TracklistHide Credits

A1 Is It Really So Strange? Engineer – David Dade*Mixed By – Steve LillywhiteProducer – John Porter 3:02 A2 Sheila Take A Bow Mixed By – Stephen StreetProducer – Marr*, Morrissey 2:41 A3 Shoplifters Of The World Unite Producer – Johnny Marr 2:56 A4 Sweet And Tender Hooligan Engineer – David Dade*Producer – John Porter 3:33 A5 Half A Person Guitar [Additional] – Craig CannonProducer – Johnny Marr, Morrissey, Stephen Street 3:35 A6 London Guitar [Additional] – Craig CannonProducer – Johnny Marr, Morrissey, Stephen Street 2:06 B1 Panic Guitar [Additional] – Craig CannonProducer – John Porter 2:19 B2 Girl Afraid Producer – John Porter 2:46 B3 Shakespeare's Sister Engineer – Stephen StreetProducer – Smiths, The 2:08 B4 William, It Was Really Nothing Producer – John Porter 2:08 B5 You Just Haven't Earned It Yet, Baby Guitar [Additional] – Craig CannonProducer – John Porter 3:21 B6 Heaven Knows I'm Miserable Now Producer – John Porter 3:16 C1 Ask Guitar [Additional] – Craig CannonProducer – John PorterVoice [Additional] – Kirsty Maccoll 3:16 C2 Golden Lights Producer – John PorterWritten-By – Twinkle (3) 2:38 C3 Oscillate Wildly Producer – Smiths, The 3:26 C4 These Things Take Time Producer – John Porter 2:21 C5 Rubber Ring Producer – Marr*, Morrissey 3:46 C6 Back To The Old House Producer – John Porter 3:07 D1 Hand In Glove Producer – Smiths, The 3:12 D2 Stretch Out And Wait Engineer – Stephen StreetProducer – Smiths, The 2:37 D3 Please Please Please Let Me Get What I Want Producer – John Porter 1:50 D4 This Night Has Opened My Eyes Producer – Roger Pusey 3:40 D5 Unloveable Producer – Marr*, Morrissey 3:54 D6 Asleep Producer – Marr*, Morrissey 4:09

Companies etc

  • Distributed By – The Cartel
  • Copyright (c) – Carlin Music Corp.
  • Copyright (c) – Warner Bros. Music Ltd.
  • Phonographic Copyright (p) – BBC
  • Phonographic Copyright (p) – Rough Trade Records Ltd.

Credits

  • Arranged By – BBC* (tracks: A1, A4)
  • Art Direction – Jo Slee
  • Bass Guitar, Cello – Andy Rourke
  • Drums – Mike Joyce
  • Guitar, Harmonica, Harmonium, Mandolin, Music By, Piano – Johnny Marr
  • Layout – Caryn Gough
  • Mastered By – TY1*
  • Other [Cover Star] – Shelagh Delaney
  • Sleeve, Voice, Words By – Morrissey
  • Written-By – Marr* (tracks: A1 to C1, C3 to C6), Morrissey (tracks: A1 to C1, C4 to C6)
  • (DISCOGS.COM)
  • The Smiths were an English rock band formed in Manchester in 1982. The band consisted of vocalist Morrissey, guitarist Johnny Marr, bassist Andy Rourke and drummer Mike Joyce. Critics have called them the most importantalternative rock band to emerge from the British independent music scene of the 1980s.[1] Q magazine's Simon Goddard argued in 2007 that The Smiths were "the one truly vital voice of the '80s", "the most influential British guitar group of the decade" and the "first indie outsiders to achieve mainstream success on their own terms".[2] The NMEnamed the Smiths the "most influential artist ever" in a 2002 poll, even topping the Beatles.[3]
  • (WIKI)


      • I USE THE RECORD COLLECTORS GRADING SYSTEM:
        THIS RECORD IS G and THE cover IS F. (NO SCRATCHES)


      Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint. Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable Good (G) Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc Fair (F) The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. Poor (P) The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing Bad (B) The record is unplayable or might even be broken, and is only of use as a collection-filler CD’s and CASSETTES As a general rule CD’s and Cassettes either play perfectly – inwhich case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaces if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves. ALL RECORDS WILL BE CAREFULLY PACKAGED WITH LOVE AND HARD CARDBOARD. 
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