THE SMITHS HATFUL OF HOLLOW PROOF ARTWORK SLEEVE MORRISSEY
  £   113
  $   150

 


£ 113 Sold For
Nov 13, 2011 Sold Date
Nov 3, 2011 Start Date
16   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

The Smiths.
"Hatful Of Hollow"
Cardboard "Proof" Sleeve. U.K Issue ROUGH 76

Sleeves were issued by condor litho printers whom were Rough Trades Official printers of these proof sleeves.
Printed on card stock i.e. what a normal lp's from the 80's would have been printed on and the card measures 25" by 13" and shows the front and back of this iconic sleeve which features a photograph of the otherwise unknown Fabrice Colette taken by Gilles Decroix.  The photograph is taken from a July 1983 special edition of the French newspaper Libération.  All editions after 1987 however feature the cropped version with the text superimposed.
The sleeve looks (well to me anyway) like its the version that was finally passed for the released cover sleeve the only difference being THE SMITHS logo seems to be a darker blue and the bar code is missing plus the image of Fabrice Colette is sharper and the colours brighter in contrast to the released sleeve. I suppose you could look at the copies on ebay to see the differences. 
Only 2 of these were printed. 
The condition of the sleeve is near mint except for a slight bit of wear on the top but would hide if framed and can be seen in pic 4.This item has been kept in professional storage boxes in a cool,dark and damp free environment. Also an added bonus is all my items come from a smoke and pet free home. 
Up for auction is a proof sleeve for the above release for the sole purpose of seeing what the sleeve would look like aesthetically before they went to print. These mock sleeves were printed up for Joe Slee who was the art co-ordinator for Rough Trade Records. I came across these pieces of historic art around 1998 and was just bold over by the history of it all its not everyday you come across items like these and there so stunning to look at and hopefully my pictures will try to allay this to you.
I purchased these items from a person who i cannot name but they did work at Rough trade up and till they closed in the 1990's. These pieces of art pop history are genuine, not re-worked prints i can and will 100% guarantee this and anything else i will be selling.
Hopefully these items will appeal to you as much as they did to me over a decade ago and i think there's something here for every kind of enthusiast and every type of collector from the completest to the occasional collector but i must stress that these individual proofs are very rare and were not made in the 100's they were very limited mostly to only 6 or 7 of each and others that i own are less than that number as they were only made so that Caryn Gough,Joe slee and Morrissey could view them to see if they had the finished product they all liked or to view alternate versions of sleeve. These are very rare items indeed and it's unusual to find any bands proof sleeves never mind The Smiths proof sleeves. Here's a chance to be the envy of the Smiths collecting world.
I have been an avid Smiths and Morrissey collector for over 20 years and enjoyed every minute of collecting you know that searching for an item, the smell the feel and the satisfaction you feel when you find the one or see and hear new things its a great buzz.  I hadn't planned to sell any of my collection until my world was turned upside down as my wife was diagnosed with "cancer" and now i want to start selling my collection to raise some money so i can take her away to New York a place she has always wanted to go. I will be posting items up over several weeks until its gone. So if you like the items I'm posting up on here make sure you keep coming back weekly.

Hatful of Hollow is a compilation album by The Smiths that features BBC Radio 1 studio recordings and two contemporary singleswith their B-sides. It was released on November 12, 1984 by the band's British record company, Rough Trade, just months after the band's debut, The Smiths. The album reached No. 7 on the UK album chart and stayed on the chart for 46 weeks. Eventually, on November 9, 1993, it was also released by their American label, Sire Records, which had initially declined to release the album. In 2000, Q magazine placed Hatful of Hollow at number 44 in its list of the 100 Greatest British Albums Ever. The album consists mainly of songs recorded over several BBC Radio 1 sessions in 1983 (tracks shown in bold were included on the album). When first broadcast, these radio sessions mainly featured songs which were otherwise unavailable - all were subsequently re-recorded for singles or the following year's debut album, with the exception of "This Night Has Opened My Eyes" which was only ever recorded for the September Peel session. Many fans, and the band themselves, considered the original radio session versions to be superior to the re-recordings, especially those on The Smiths.

  1. For John Peel on 31 May 1983: "Handsome Devil", "Reel Around the Fountain", "Miserable Lie", "What Difference Does It Make?" (all four songs were later released as the Peel Sessions EP).
  2. For David Jensen on 4 July 1983: "These Things Take Time", "You've Got Everything Now", "Wonderful Woman"
  3. For Jensen on 5 September 1983: "Accept Yourself", "I Don't Owe You Anything", "Pretty Girls Make Graves", "Reel Around the Fountain"
  4. For Peel on 21 September 1983: "This Charming Man", "Back to the Old House", "This Night Has Opened My Eyes", "Still Ill"
The album also features the band's debut single, "Hand in Glove", and their two most recent singles prior to the album's release, "Heaven Knows I'm Miserable Now", and "William, It Was Really Nothing", with their B-sides "Girl Afraid", "How Soon Is Now?", and "Please, Please, Please Let Me Get What I Want". "How Soon Is Now?" would receive a separate single release in 1985 in the United Kingdom and the United States. It reached No. 24 in the British charts, but failed to chart in the U.S. Morrissey and Marr lamented the lack of chart success of what they considered their strongest song thus far; it looks like market saturation (the song had already appeared on the "William, It Was Really Nothing" single and Hatful of Hollow album) played a part.
The artwork proof sleeves will be posted flat and posters will be sent out in plastic tubes all carefully packaged to help prevent damage.
I will also combine postage costs to multiple winners where possible and i welcome bids from all over the world as i will ship items worldwide.
 All items and/or multiple items over the value of £40 will be sent recorded mail. Sorry no exceptions can be made as then we are all covered if things get damaged or lost GOD FORBID that would be tragic.
If i have missed something out that you need to know however large or small please email via ebay and i will get back to you as soon as i can with an answer.
Please note the auction starts at 99p i've only done this so everybody gets a fair chance of owning one of these spectacular pieces of pop Smiths Rough Trade history.
*******As for the postage and packaging prices quoted they are rough prices so please wait for me to send you an invoice after the auctions end with an exact price, possibly the NEXT DAY.  I can assure you it will be at cost. Its only the insurance that will have to be factored in.You never know it could be less than quoted********
Thanks to all who read this and good luck to you all in collecting and life. The sleeve is different to the  version that was finally passed for the released cover sleeve the difference being the back of the cover is all Blue where the original has Brown buildings and Blue sky and at the front the cover is a dark golden Brown with the same colour writing where as the released version a lot lighter plus the image of Richard Davalos is sharper and the colours brighter in contrast to the released sleeve. as i'm sure you will see from the pictures if you compare it to your own standard copy Also with this proof comes the alternate colour designed inner sleeve bag which is different to the released inner sleeve.
Only 5 of these sets were printed. 
The condition of the sleeve is near mint as i have kept them in professional storage boxes in a cool,dark and damp free environment. Also an added bonus is all my items come from a smoke and pet free home. 
Up for auction is a proof sleeve for the above release for the sole purpose of seeing what the sleeve would look like aesthetically before they went to print. These mock sleeves were printed up for Joe Slee who was the art co-ordinator for Rough Trade Records. I came across these pieces of historic art around 1998 and was just bold over by the history of it all its not everyday you come across items like these and there so stunning to look at and hopefully my pictures will try to allay this to you.
I purchased these items from a person who i cannot name but they did work at Rough trade up and till they closed in the 1990's. These pieces of art pop history are genuine, not re-worked prints i can and will 100% guarantee this and anything else i will be selling.
Hopefully these items will appeal to you as much as they did to me over a decade ago and i think there's something here for every kind of enthusiast and every type of collector from the completest to the occasional collector but i must stress that these individual proofs are very rare and were not made in the 100's they were very limited mostly to only 6 or 7 of each and others that i own are less than that number as they were only made so that Caryn Gough,Joe slee and Morrissey could view them to see if they had the finished product they all liked or to view alternate versions of sleeve. These are very rare items indeed and it's unusual to find any bands proof sleeves never mind The Smiths proof sleeves. Here's a chance to be the envy of the Smiths collecting world.
I have been an avid Smiths and Morrissey collector for over 20 years and enjoyed every minute of collecting you know that searching for an item, the smell the feel and the satisfaction you feel when you find the one or see and hear new things its a great buzz.  I hadn't planned to sell any of my collection until my world was turned upside down as my wife was diagnosed with "cancer" and now i want to start selling my collection to raise some money so i can take her away to New York a place she has always wanted to go. I will be posting items up over several weeks until its gone. So if you like the items I'm posting up on here make sure you keep coming back weekly.

Strangeways, Here We Come is the fourth and final studio album by English rock band The Smiths, released in 1987, reaching No. 2 on the album chart and staying on the chart for 17 weeks. All of the songs on the album were composed by Johnny Marr, with lyrics written and sung by Morrissey. The album was certified gold by the Recording Industry Association of America on 19 September 1990.
The sleeve for Strangeways, Here We Come, which was designed by Morrissey, features a murky shot of East of Eden co-starRichard Davalos. Davalos is looking at James Dean, who is cropped from the image. Dean was a hero of Morrissey's, about whom the singer wrote a book called James Dean Is Not Dead. Five years later, when designing the sleeve for WEA's Best compilations, Morrissey again chose Davalos as a cover star, and Davalos is looking at Dean, who is once again cropped. As revealed in Jo Slee's collection of Smiths and Morrissey sleeve artwork, Peepholism, Davalos was not the original choice for cover star. Morrissey wanted to use a still ofHarvey Keitel in Martin Scorsese's I Call First (also known as Who's That Knocking at My Door), but Keitel declined to allow him to use the image. In 1991 Keitel relented, and the image was used on T-shirts and stage backdrops for Morrissey's 1991 solo tour. The album takes its title from Manchester's notorious (and now renamed) Strangeways Prison, whilst the line "Borstal, here we come" is taken from Billy Liar. "Strangeways, of course, is that hideous Victorian monstrosity of a prison operating 88 to a cell," Morrissey has satirically explained. On the title, Marr has said "I've learned to love the title... it was a bit overstating things somewhat. A little bit obvious. But it's OK. I was always intrigued by the word Strangeways. I remember as a kid, when I first heard that the prison was really called that, I wondered had it not occurred to anybody to change the name? It's still befuddling, really." Morrissey has also stated, "Really it's me throwing both arms to the skies and yelling 'Whatever next?'"

The artwork proof sleeves will be posted flat and posters will be sent out in plastic tubes all carefully packaged to help prevent damage.
I will also combine postage costs to multiple winners where possible and i welcome bids from all over the world as i will ship items worldwide.
 All items and/or multiple items over the value of £40 will be sent recorded mail. Sorry no exceptions can be made as then we are all covered if things get damaged or lost GOD FORBID that would be tragic.
If i have missed something out that you need to know however large or small please email via ebay and i will get back to you as soon as i can with an answer.
Please note the auction starts at 99p i've only done this so everybody gets a fair chance of owning one of these spectacular pieces of pop Smiths Rough Trade history.
*******As for the postage and packaging prices quoted they are rough prices so please wait for me to send you an invoice after the auctions end with an exact price, possibly the NEXT DAY.  I can assure you it will be at cost. Its only the insurance that will have to be factored in.You never know it could be less than quoted********
Thanks to all who read this and good luck to you all in collecting and life.


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