THE RIMSHOTS"Soul Train"LP A-1 FUNK PSYCH BREAKS

$

82

ALL PLATINUM RECORDS A1-9002, 1972
Condition: Cover/ NM, shrink wrap intact. Record/ NM (Visual Grade).

AMG Biography by Steve Huey

The Rimshots were the house band at Joe and Sylvia Robinson's All Platinum/Stang label family during the '70s, and also released their own records, mostly on the latter imprint. Led by guitarists and sometime composers and producers Walter Morris and Tommy Keith, their ranks also included drummer Clarence Oliver, bassist Jonathan Williams, and keyboardist Bernadette Randle. Their highest-profile backup appearances were with label flagship artists the Moments, whose Harry Ray and Al Goodman sometimes penned material for them. The Rimshots began releasing their own singles in 1972, when their brand of funk was harder than the disco-flavored sound they would later adopt. Early songs like "Soul Train, Pts. 1 & 2" and "Save That Thing" would go on to become rare collector's items, as would their 1972 debut LP Soul Train. Over the next couple of years, the Rimshots continued to release high-quality, non-LP singles -- "Dance Girl," "Harvey Wallbanger," "Who's Got the Monster" -- that cemented their future standing as a reliable source for hip-hop samples. By 1975, singles like "Do What You Feel, Pt. 1" and "(7-6-5-4-3-2-1) Blow Your Whistle" were beginning to move the Rimshots into smoother disco territory, and 1976's "Super Disco" and "We've Got You Singing" solidified the transition. 1976 also saw the release of the Rimshots' second album, Down to Earth, and the group contributed two tracks to the lesser-known blaxploitation soundtrack Patty. In addition to their work as the Stang house band, the Rimshots backed Etta James on her funky blues outing Etta Is Betta Than Evah. The 2000 Sequel compilation 7-6-5-4-3-2-1 (Blow Your Whistle) reissued both Soul Train and Down to Earth, plus additional non-album material.

NEIGHBOR! GET YOUR OWN (N. Edmonds, A. Covington) 3:10
A HOT DAY IN HARLEM (N. Edmonds, M. Watson) 3:10
LOVE, TRUE LOVE! (PLEASE PASS MY WAY) (Joe Richardson) 3:50
IN COLD BLOOD (N. Edmonds) 3:35

SOULTRAIN Part 1 2:13
SOULTRAIN Part 2 2:50
BORN FUNKY (Joe Richardson) 3:15
COASTIN' AND CRASHIN' Part 1 (N. Edmonds) 3:16
COASTIN' AND CRASHIN' Part 2 (N. Edmonds) 3:14

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327 W. Nine Mile Rd.
Ferndale, Michigan 48220
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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.