"THE IN SOUND" U.S. ARMY BROADCAST Week Of Jan 30, 1967 (Various artists)

$

20

The "IN" Sound - Jan. 30, 1967  (Record Number USA-IS 28A, 28B) 
Track List: 
A-1: The Music Machine - "Talk Talk"  A-2: The Youngbloods - "Grizzly Bear"  A-3: The Royal Guardsmen - "Snoopy vs. The Red Baron" 
B-1: Spyder Turner - "Stand By Me"  B-2: ? and the Mysterians - "I Need Somebody"  B-3: Jimmy Castor - "Hey, Leroy, Your Mama's Calling You" 
In addition to interviewing the above listed solo artists, Harry Harrison interviews Sean Bonniwell (cut A-1}; Jerry Corbitt (cut A-2); Chris Nunley and John Burdett (cut A-3); and Eddie Serrato (cut B-2).  

Condition is based on the Goldmine Vinyl Grading Standards (See below): 
Disc: VG+ - Contains very minor surface scuffs.   Album Cover: VG-  Minor ring wear on front and back. .  
Inner Sleeve: EX  Replaced / brand new.  IN Sound Cue Sheet: (EX)  Original cue sheet missing. Substitute sheet created for buyer..
Shipping: US only, $4, $1.50 each additional album. 
My collection of "IN" Sound albums have been stored in a climate controlled record room in my house for the last 50 years. They have only been played a couple of times since they originally aired in 1967. All records have recently been cleaned using Discwasher. Please feel free to inquire and bid with confidence. All LP's are shipped with the record and inner sleeve outside the cover in rigid LP mailers with cardboard pad reinforcement. Making you happy is my goal in every sale. I ship within one business day of payment received. My job is to get your purchase to you in a timely fashion and as advertised. I hope to earn your positive feedback. If by chance you are not pleased, contact me first to work something out. I am easy and fair as anyone. 
What is The "IN" Sound? The “IN” Sound was a weekly series of syndicated five minute public service radio shows produced by the US Army and released to radio stations across the USA, beginning approximately in July of 1966 and terminated approximately in July of 1968. 
The “IN” Sound was hosted by New York City area dee-jay, Harry Harrison. The show’s format consisted of Harry Harrison calling show listeners who had mailed in their choice for a newly-released single record which the listener felt had the potential for becoming a hit record. Following his call to the listener, Harry would read a thirty second promotional announcement about the US Army. Harry then played the featured song for that day, followed by his interview with the featured artist or group members. 
Initially, each week’s “IN” Sound record featured five shows per week. Beginning January 23, 1967, the “IN” Sound expanded to six five minute shows per week. The six shows per week format was terminated the week of July 24, 1967, reverting back to five shows per week. 
The “IN” Sound tracks were designed to hold the turntable arm in place at the end of each show. The dee jay would manually have to place the turntable stylus at the beginning of each new show track. All album covers are the same on the front cover and blank on the back cover. Each weekly “IN” Sound album release contained an 8½ x 11 cue sheet containing a full description of each show featured that week. 
I have a collection of thirty-two “IN” Sound albums from my days as a Top 40 radio dee jay which I will be listing individually here on E-Bay. Nineteen of these albums contain the original cue sheets, mostly in excellent condition. Of the thirteen albums which do not have the original cue sheets, I have created new sheets using Microsoft Word. All albums will be shipped with brand new 12 inch paper inner sleeves using heavyweight paper, with a center hole and rounded corners. (12? x 12) 

Condition is Based on the Goldmine Vinyl Grading Standards as Follows: 
Mint (M) Perfect Condition, which basically means that it is as good as new, literally. The vinyl has to look new and sound as though it was never played, and the cover has to look untouched. Some argue that the only mint records are brand new unopened ones still in their original packing. 
Near Mint (NM) Vinyl is near perfect. At most, a light scuff appears on the record, but it should play without any noise or skips. The record sleeve should also be near perfect with only minor signs of wear. There should be no "ring wear" on the cover. (Ring wear is when the outline of the record inside shows through the sleeve.) 
Excellent (EX or VG++) Vinyl should still play with no skips of any kind. There can be some very minor surface scuffs, but they should not affect the sound quality. The record sleeve can have some minor ring wear but it should be mostly in good shape. Also, there can be some minor creases in the corners but no splits in the seams. 
Very Good+ (VG+) This is the grading category where the quality of the sound is affected -- there will be some surface noise -- and the vinyl will show wear, including surface scuffs and some light scratches. However, the record is still very listenable as there are no deep scratches that cause skips. On the cover, the corners may be slightly bent, but not broken. There may be wear to the seams but not tears or holes. 
Very Good (VG) Vinyl doesn't necessarily look good, but still plays well enough. Surface noise will probably be present, including pops and clicks. At higher volume levels, the music should overpower any pops and clicks present. There may be seam splitting, but not complete separation of the sleeve panels from each other. There will be noticeable ring wear on the cover, but the cover should for the most part still be in good condition. 
Good (VG-) Vinyl is well played and looks it. However, the record should still play without skipping. It will have substantial surface noise, pops and clicks. Loss of various parts of the dynamic range will occur due to worn grooves. This grade depends a lot on the owner and the type of records he or she collects. A rock record may still sound ok at a high volume, but quieter styles of music will be practically unlistenable. The record cover may have many problems including seam splits, tears, and writing on it. 
Fair/Poor (F/P) Using the word fair for this quality of record is, in the opinion of RCR, too generous and not recommended since it may be misleading. Records described as fair (F) or Poor (P) in the Goldmine grading system are ones that are basically unlistenable. Surface noise, skips and pops make hearing what's on the record nearly impossible, if not completely impossible. The cover is falling apart, torn, and has writing all over it.