THE BYRDS Sweetheart Of The Rodeo FROM 68-HIP COOL & HEARTFELT COUNTRY ROCK TUNE
$
30
$ 30
Sold For
May 4, 2015
Sold Date
Apr 27, 2015
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
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Description
THE BYRDS Sweetheart Of The Rodeo FROM 68-HIP COOL & HEARTFELT COUNTRY ROCK TUNE
A VG PLUS LP ON COLUMBIA CS 9670
FROM 1968 IN STEREO AND STILL WITH SHRINK WRAP OVER COVER!
PRODUCED BY GARY USHER AND RECORDED IN NASHVILLE BY ROY HALEE AND CHARLIE BRAGG
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
The Byrds' Sweetheart of the Rodeo was not the first important country-rock album (Gram Parsons managed that feat with the International Submarine Band's debut Safe at Home), and The Byrds were hardly strangers to country music, dipping their toes in the twangy stuff as early as their second album. But no major band had gone so deep into the sound and feeling of classic country (without parody or condescension) as The Byrds did on Sweetheart; at a time when most rock fans viewed country as a musical "L'il Abner" routine, The Byrds dared to declare that C&W could be hip, cool, and heartfelt. Though Gram Parsons had joined the band as a pianist and lead guitarist, his deep love of C&W soon took hold, and Roger McGuinn and Chris Hillman followed his lead; significantly, the only two original songs on the album were both written by Parsons (the achingly beautiful "Hickory Wind" and "One Hundred Years from Now"), while on the rest of the set classic tunes by Merle Haggard, the Louvin Brothers, and Woody Guthrie were sandwiched between a pair of twanged-up Bob Dylan compositions. While many cite this as more of a Gram Parsons album than a Byrds set, given the strong country influence of McGuinn's and Hillman's later work, it's obvious Parsons didn't impose a style upon this band so much as he tapped into a sound that was already there, waiting to be released. If The Byrds didn't do country-rock first, they did it brilliantly, and few albums in the style are as beautiful and emotionally affecting as this.
COVER STOCK STILL WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
SPINDLE HOLE WITH SOME LIGHT RUB MARKS. THE HIGH LUSTER VINYL BLANK WITH SOME LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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