THE BOO RADLEYS - Giant Steps Double LP (Vinyl, 1992, Creation Records, EX)

	£		37
	$		49

Nice condition original 1993 Double vinyl copy of simply one of the truly greatest albums of all time: 'Giant Steps' by The Boo Radleys.

FORMAT: Double Vinyl LP, 33rpm
RECORD LABEL: Creation
COUNTRY OF ORIGIN: UK
RELEASE DATE: 31st August 1993
CATALOGUE NO: CRELP149

(NOTE: I am now play-grading all my vinyl. I can't promise to play everything all the way through, but will be checking for any curving or warping and/or excessive surface noise - hiss, snap, crackles & pops. And if there are any dodgy looking areas with gouges, scratches, pit marks etc. I will double check that there is no skipping or sticking, and that playback is not adversely affected)

LPs: Excellent
OUTER SLEEVE: Excellent
(Plain paper inners)

POSTAGE: £3.00 UK. £4.00 EUROPE. £7.00 THE REST OF THE WORLD.

STORED OUT OF SUNLIGHT IN VERTICAL POSITION. FROM A PET, DAMP AND SMOKE FREE HOME.

ANY QUESTIONS OR REQUESTS FOR MORE DETAILED PHOTOS ETC, PLEASE DO NOT HESITATE TO CONTACT ME.

I TRY & GRADE ALL SLEEVES AND VINYL AS FAIRLY & ACCURATELY AS POSSIBLE, BUT IF YOU FEEL I HAVE GRADED THIS RECORD INCORRECTLY, OR IF ANY OF THE ABOVE INFORMATION IS INCORRECT PLEASE TELL ME.

ALL VINYL WILL BE POSTED IN A GLASS CLEAR, VERY BEST QUALITY 450G PVC SLEEVE, IN A CARDBOARD RECORD MAILER, WITH CARDBOARD STIFFENERS, REMOVING ALL INNERS TO PREVENT SPLITTING TO THE SEAMS IN TRANSIT.
       
      Tracklisting
A1         I Hang Suspended        
A2         Upon 9th & Fairchild        
A3         Wish I Was Skinny        
A4         Leaves And Sand    
   
B1         Butterfly McQueen        
B2         Rodney King (Song For Lenny Bruce)        
B3         Thinking Of Ways        
B4         Barney (...And Me)    
   
C1         Spun Around        
C2         If You Want It, Take It        
C3         Best Lose The Fear        
C4         Take The Time Around        
C5         Lazarus        

D1         One Is For        
D2         Run My Way Runway        
D3         I've Lost The Reason        
D4         The White Noise Revisited

LP Review (courtesy of Allmusic.com)

by Ned Raggett

Titling an album after John Coltrane's masterpiece may well seem the height of pretension, but heck, it never stopped the Replacements from a similar move vis-a-vis the Beatles. As it is, the title is perfectly justified -- Carr, a Coltrane aficionado among many other things, here finally leads his band from the promising to the truly inspired. With the inventive, groundbreaking Lazarus EP as a touchstone (the title track is included here in an unfortunately abbreviated form), the Boos self-produce themselves to new heights. The genius of the Boos definitely lies in their ability to adapt many a different touch and make it their own, taking what are often straightforward, hooky pop songs and turning them into something more, an ability Giant Steps shows in spades. The old fuzz blast is here, but less beholden to the likes of My Bloody Valentine, instead drawing on Carr's wide-ranging tastes (Beach Boys, psych-pop, Human League/New Order-inspired arrangements) to reach different, individual conclusions. From the near free-noise wash of "Run My Way Runway" to the soaring pop blast of "Barney (...and Me)," a poignant, nostalgiac lyric backed by a thrilling overall performance, the band does little wrong. Brown and Cjeka effectively incorporate dub/reggae rhythms, as "Lazarus" itself showed they could do, blending in loping, funky skank to "Upon 7th and Fairchild" and the fantastic "Butterfly McQueen." Carr's guitar work is much more distinctly his own throughout the album, with often volcanic, inspired soloing adding a huge, echoed sound to many of the songs. A number of guest performers help, notably Steve Kitchen on brass; his trumpet and flugelhorn parts and flourishes add jazzy touches throughout, at times reminiscent of Miles Davis' work on Sketches of Spain.

by Stephen Thomas Erlewine

Formed in Liverpool in 1988, the English guitar pop group the Boo Radleys developed a dedicated cult following in the early '90s before crossing over into the mainstream in the middle of the decade. Originally, the Radleys were one of the lesser lights of the loud, noisy My Bloody Valentine-inspired psychedelic trance pop bands labeled "shoegazers" by the British weekly music press. By the mid-'90s the Boo Radleys had developed into a more straightforward pop band who didn't use noise and extended guitar workouts as a way of fleshing out their songs, instead using it as the basis of their music.

The Boo Radleys originally consisted of guitarist/songwriter Martin Carr, vocalist/guitarist Sice, bassist Timothy Brown, and drummer Steve Hewitt. The band released their first album, Ichabod and I, on a local independent record label in 1990; Hewitt was replaced by Rob Cieka after the release of the record. With the support of influential British disc jockey John Peel, the band signed with Rough Trade Records. The group released the EP Every Heaven in 1991; the record made it into the lower regions of the U.K. charts.

Rough Trade folded shortly after the release of Every Heaven, and the Boo Radleys moved to Creation Records, releasing Everything's Alright Forever in 1992. Everything's Alright Forever was released in the U.S. through Creation's association with Columbia Records, but it didn't gain much attention in America. In England, it received favorable reviews and the group began to build a fan base. Topping several Best-of-the-Year lists, including Melody Maker's, 1993's Giant Steps was a critical success in England and sold respectably. In America, the record launched the minor alternative rock hit "Lazarus" and led to second-stage spot on Lollapalooza '94.

Released in England in the spring of 1995, the more pop-oriented Wake Up! was the band's commercial breakthrough, debuting at number one. The bright, horn-driven single "Wake Up Boo" entered in the Top Ten and stayed on the charts until the early summer, preventing the follow-up single, "Find the Answer Within," from charting higher than the Top 30. Wake Up! was released in America in the fall of 1995 with no promotional push from Columbia, who dropped the band early the following year.

The Boo Radleys returned in the fall of 1996 with C'Mon Kids, a self-consciously loud and arty album designed to shake off the band's newfound pop fans. It worked -- the album debuted in the Top Ten but it soon fell off the charts, despite overwhelmingly positive reviews. Early in 1997, the band finalized an American contract with Mercury, and C'Mon Kids was released in March, a half a year after its initial British release. Kingsize followed in late 1998, though the group officially broke up just months later. Carr went on to form Brave Captain. In 2005 the Boo Radleys issued Find the Way Out, an extensive two-disc retrospective complete with exhuastive liner notes and memories from the band.

THANK YOU FOR L@@KING AND HAPPY BIDDING!!!!