(THE BEATLES-Let it Be)-[MINT-]-Black/Silver label-A6-LP

	A$		40
	$		26

DESCRIPTION ITEM: VINYL 12" LP 33 1/3 RPM
ARTIST: THE BEATLES
TITLE: Let it Be
COUNTRY: OZ
CAT No: PARLOPHONE, PCSO-7096
COVER: (Grade at MINT-)
LABELS: Black/Silver label (Grade at MINT)
VINYL: (Grade at MINT-)
TRACKS:
Two of Us
Dig a Pony
Across the Universe
I Me Mine
Dig It
Let It Be
Maggie Mae
I've Got a Feeling
One After 909
The Long and Winding Road
For You Blue
Get Back
PERSONNEL:
The Beatles
George Harrison – lead vocals on "I Me Mine" and "For You Blue", lead and rhythm guitars, acoustic guitar on "For You Blue" and "I Me Mine", tambura on "Across the Universe", six-string bass guitar on "Two of Us" and "Maggie Mae"
John Lennon – lead and backing vocals, rhythm guitar, lead guitar on "Get Back", lap steel guitar on "For You Blue", acoustic guitar on "Two of Us", "Across the Universe" and "Maggie Mae", six-string bass guitar on "Dig It", "Let It Be" and "The Long and Winding Road"
Paul McCartney – lead and backing vocals, bass guitar, piano on "Dig It", "Let It Be", "The Long and Winding Road", and "For You Blue", acoustic guitar on "Two of Us" and "Maggie Mae", Hammond organ and electric piano on "I Me Mine"
Ringo Starr – drums and percussion

Additional musicians
Richard Anthony Hewson – string and brass arrangements on "I Me Mine" and "The Long and Winding Road"
John Barham – choral arrangements on "Across the Universe", "I Me Mine" and "The Long and Winding Road"
George Martin – shaker on "Dig It", string and brass arrangements on "Let It Be"
Linda McCartney – backing vocals on "Let It Be"
Billy Preston – electric piano on "Dig a Pony", "I've Got a Feeling", "One After 909", "The Long and Winding Road", and "Get Back", Hammond organ on "Dig It" and "Let It Be"
Brian Rogers – string and brass arrangements on "Across the Universe"

Production
Glyn Johns – audio engineering, mixing
George Martin – producer
Alan Parsons – assistant engineer
Phil Spector – "re-producer" (final overdubs), final mixing
REVIEW: From Wikipedia
Let It Be is the 12th and final studio album released by the English rock band The Beatles. It was released on 8 May 1970 by the band's Apple Records label shortly after the group announced their break-up.

Most of Let It Be was recorded in January 1969, before the recording and release of the album Abbey Road. For this reason, some critics and fans, such as Mark Lewisohn, argue that Abbey Road should be considered the group's final album and Let It Be the penultimate. Let It Be was originally intended to be released before Abbey Road during mid-1969 as Get Back, but The Beatles were unhappy with this version, which was mixed and compiled by Glyn Johns, and it was temporarily shelved. A new version of the album was created by Phil Spector in 1970 and finally released as Let It Be, serving as the album for the 1970 motion picture of the same name. While three songs from the sessions were released as singles before the album's release, "Get Back"/"Don't Let Me Down" and "Let It Be", the songs were remixed by Spector for the album and "Don't Let Me Down" was not included.

Despite a mixed review from Rolling Stone magazine at the time of its release, the album was ranked number 86 in the magazine's list of the 500 greatest albums of all time in 2003.[1]
COMMENT: Biography by Richie Unterberger
So much has been said and written about the Beatles — and their story is so mythic in its sweep — that it's difficult to summarize their career without restating clichés that have already been digested by tens of millions of rock fans. To start with the obvious, they were the greatest and most influential act of the rock era, and introduced more innovations into popular music than any other rock band of the 20th century. Moreover, they were among the few artists of any discipline that were simultaneously the best at what they did and the most popular at what they did. Relentlessly imaginative and experimental, the Beatles grabbed a hold of the international mass consciousness in 1964 and never let go for the next six years, always staying ahead of the pack in terms of creativity but never losing their ability to communicate their increasingly sophisticated ideas to a mass audience. Their supremacy as rock icons remains unchallenged to this day, decades after their breakup in 1970.



VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
COVER: Noticeable folding, scuffing of spine or edges, splits in seams or spine or fading of colour.
FAIR:
RECORD: Still just playable & exhibits considerable surface noise.
COVER: Major tears, wearing, splits & stains.
POOR:
RECORD: Will not play properly due to scratches etc.
COVER: Very badly damaged.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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NOTE:
Double albums count as 2 LPs; triple albums count as 3 LPs etc

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