THE BEATLES WHITE ALBUM APPLE UK ORIGINAL ALL-1 FIRST NUMBERED MONO RARER NO EMI

	£		621
	$		822

An Important Foreword Regarding Condition & Grading: Previous visitors to my listings will know that I offer albums which range from very good plus to near mint in terms of condition. I don’t restrict my offerings to just near mint, and I don’t just call everything great or excellent plus regardless of condition. Occasionally a rare album turns up which in some respects grades very good plus but in other ways is outstanding so providing each of the features are individually and accurately graded, and I take great care with this, I am happy to offer it for sale. However, all vinyl albums I offer are at least highly presentable and deliver enjoyable audio, and most are much better than that – if you are intending to bid please read the individual grading and check that you are satisfied before placing your bid.

Vinyl Cleaning: I use machine cleaning only when my ‘ear’ tells me that the audio performance has deteriorated by exposure over time and will obviously be returned closer to the original sound by using this method. If I think a vinyl will benefit from this I carry out the procedure with great care, but I do not clean vinyls for the sake of it - many I offer for sale have had little use and although there can be slight contamination in the grooves, even when new, that is the original authentic sound. My preferred method with little used vinyls is by soft ‘light touch’ hand brush with natural fine hair gently moved in the direction of the microgrooves. In all methods of cleaning I use a mild solution of isopropyl alcohol with a spot of gentle detergent to lubricate and clean the playing surfaces. I am aware that cleaning can be a controversial subject with vinyl collectors, audio purists and enthusiasts so I will state on each individual listing if, and how, the vinyl(s) have been cleaned just after the ‘Vinyl Visual Grade’.

Specific notes regarding grading and description: The first section of each listing summarises the album offered, contributors and format followed by the ‘provenance’ in terms of the matrix – mother – stamper trail which determines the ‘position’ of a record in the pressing process. The dedicated sections which follow explain why I consider the particular album to be rare and / or special and then deals with the grading of each aspect of it accompanied by a brief description. My assessment of the appropriate grade for each component is based on Record Collector ‘Rare Record Price Guide 2014’. The essential ‘play grade’ and ‘audio performance’ report rounds up the description just prior to the ‘general notes’ which is the same on all of my listings. I hope that this layout, including the extensive photo gallery, will prevent bidders from overlooking key points in their evaluation. Please read the following description and take a careful look at the comprehensive photographs which show the actual item clearly and provide an informative and accurate representation.

When I mention age in my listings it is not an excuse for poor condition but as a matter of fact. I do not regard condition as age related, it is primarily dependant on care, and if you ever see something described as ‘good for its age’ I recommend you avoid it because more often than not it’s an excuse for something that has not been carefully used.

I do not use photographs to enhance albums they are included as an aid to bidders and I always ‘frame’ the shots to highlight any flaws or blemishes – not to bleach out, obscure or avoid them. My photo galleries always feature photos taken from as many angles as reasonably possible with ‘zoom’ and ‘enlarge’ facilities because I want visitors to have the best opportunity to examine visual condition. I always request the maximum photo facility from the eBay system but I have noticed that on some occasions, presumably due to technical glitches, the ‘zoom’ and ‘enlarge’ does not work – if you ever have any difficulty obtaining satisfactory images from my listings please contact me via a message to the listing and I will send you more photographs as an attachment to my reply.

Album / Record Title: THE BEATLES aka THE WHITE ALBUM No. 0047892

Artiste(s): THE BEATLES – John Lennon, Paul McCartney, George Harrison, Ringo Starr

Track Listing: Please see label photographs for full details

Produced By: George Martin

Cover maker / designer / format / construction: UK original first Limited Edition issue numbered 0047892 made by Garrod & Lofthouse International., concept by Richard Hamilton, photography by John Kelly, design by Richard Hamilton, double entry top loading gatefold with fold over flaps onto the left and right edges of the centre spread, heavy duty stiff card construction, fully laminated.

Disc Format & Playing Speed: 2 x 12” LPs’ & 33 1/3 r.p.m.

Recording Format: MONO

Record label: ORIGINAL APPLE DARK GREEN / APPLE WHITE, ‘matt black lightly dimpled surround’ with ‘Sold in U.K.’ text, ‘Mfd. In U.K.’ text, ‘All Rights…’ & ‘Unauthorised Public Performance…’ text, NO EMI CREDITS ON ANY OF THE FOUR LABELS. Please see photographs for full details.

Catalogue Number(s): PMC 7067 & PMC 7068

Country of origin and first published date: U.K. 1968 (22nd. November)

Vinyl ‘run off’ matrix Record 1 side 1:     XEX 709-1

Vinyl ‘run off’ matrix Record 1 side 2:     XEX 710-1

Vinyl ‘run off’ matrix Record 2 side 3:     XEX 711-1

Vinyl ‘run off’ matrix Record 2 side 4:     XEX 712-1

Vinyl ‘run off’ mother Record 1 side 1:    5

Vinyl ‘run off’ mother Record 1 side 2:    3

Vinyl ‘run off’ mother Record 2 side 3:    3

Vinyl ‘run off’ mother Record 2 side 4:    4

Vinyl ‘run off’ stamper Record 1 side 1:   HL

Vinyl ‘run off’ stamper Record 1 side 2:   HH

Vinyl ‘run off’ stamper Record 2 side 3:   PP

Vinyl ‘run off’ stamper Record 2 side 4:   PA

Vinyl ‘run off’ initials / cryptic / other Record 1 side 1:  none visible

Vinyl ‘run off’ initials / cryptic / other Record 1 side 2:  none visible

Vinyl ‘run off’ initials / cryptic / other Record 2 side 3:  none visible

Vinyl ‘run off’ initials / cryptic / other Record 2 side 4:  none visible

N.B. Please note that all matrices, mothers and stampers quoted in my listings are machine imprinted except where I state an alternative method next to them.

IMPORTANT NOTE ON AUTHENTICITY: BEFORE EXPLAINING MY OPINION OF RARITY AND DESCRIBING THE ALBUM I WANT TO MAKE IT CLEAR THAT ALL OF THE COMPONENT PARTS OF THIS ALBUM ARE GUARANTEED TO BE UK ORIGINAL FIRST ISSUE FROM THE FIRST UK RELEASE IN NOVEMBER 1968 – THIS SET DOES NOT CONTAIN ANY MODERN DAY REPLACEMENTS, NO FAKES, NO COUNTERFEITS.

Rarity: EXTREMELY RARE AS ONE OF THE EARLIER ORIGINAL UNIQUELY NUMBERED COMPLETE UK FIRST PRESS, FIRST ISSUE ALBUMS IN VERY GOOD PLUS TO EXCELLENT PLUS CONDITION THROUGHOUT - not the very earliest, but so early in the scheme of things that it commands significant interest. All of the numbered originals are unique in that respect alone and there are a number of other factors and features which justify UK pressed and numbered copies of ‘The White Album’ being described as rare. The outer cover designed by pop artist Richard Hamilton was a spoof on ‘limited editions’, being plain white and numbered - subsequently and ironically becoming one of the ‘largest limited editions’ ever produced. This is one of the earliest UK first press, first issues as the UK production capacity was about 100,000 per week and this one, at 0047892, would have been one of the earliest first pressings made prior to the release date ready for distribution to the record shops ready for the first day of UK release. All of the numbered copies with the key first issue characteristics, described below, and which have survived in first rate condition like this - which are relatively few - have become especially collectable. There are said to have been about 5,000,000 numbered copies produced worldwide, and 30,000,000 sold in total – BUT THERE IS ONLY ONE UK ORIGINAL FIRST MONO PRESSING NUMBERED 0047892 AND THIS IS IT……….SO IT IS, BY ANY MEASURE, A VERY SPECIAL AND UNIQUE ALBUM.

In summary the outer Gatefold Cover is the original ‘mono’ top loader by Garrod & Lofthouse International; it is the heavier thick card only found on the first albums, which has a tendency to ‘yellow’ – this particular example has spent most of it’s life in a cupboard upright on shelf storage so the yellowing is faint – it still appears predominantly white. The title THE BEATLES is EMBOSSED under the laminate, as it should be, on the bottom right quadrant of the front cover above the LIMITED EDITION NUMBER, in this case No. 0047892 - which is lightly INDENTED. The UK ORIGINAL G & L gatefold cover has fold over flaps to the left and right edges of the centre spread; it is FULLY LAMINATED and printed on the spine with the title and catalogue numbers (the ‘stereo’ dedicated gatefolds have the ‘stereo’ designation on the back in the top right corner – obviously this earliest mono does not have that). The inner sleeves are soft BLACK paper single side die cut with one circular ‘window’ at the front and closed at the back, lightly textured internal surfaces and smoother outer surfaces. Both HEAVY VINYLS are in the ORIGINAL MONO format, machine stamped in the vinyl run off areas with ALL FIRST PRESS MATRICES, -1-1-1-1 MASTERS, EARLY MOTHERS AND STAMPERS CODES. The original dark green labels with apple white on the reverse have the ‘Sold in U. K.’ text and other text consistent with first pressings – THEY DO NOT HAVE THE EMI CREDITS ON ANY OF THE FOUR RECORD LABELS – these were omitted from some of the first UK issues (generally the earlier variants). The INSERTS are all present and correct - all FOUR PHOTOGRAPHS (each 20 x 29 cms or about 8 x 11.5 inches) on the original THICK PHOTO CARD - not the later thin card (this one does not have the piece of plain paper supplied originally to protect the front face of the top photo when stored inside the gatefold) – and the large PHOTO-MONTAGE with LYRIC SHEET on the back (size 57 x 87 cms or about 22.5 x 33.5 inches).

IT IS IMPORTANT TO NOTE THAT THE GATEFOLD AND RECORDS HAVE BEEN RELATIVELY LITTLE USED / PLAYED, HAVING SPENT MOST OF THEIR TIME IN UPRIGHT SHELF STORAGE, WHEREAS THE POSTER AND PHOTOGRAPHS WERE ENTHUSIASTICALLY PINNED TO A BEDROOM WALL BY THE ORIGINAL OWNER AND SHOW CLEAR SIGNS OF AGE AND USE. THIS EXPLAINS THE DIFFERENCE IN GRADES BETWEEN THE VARIOUS COMPONENTS OF THE ALBUM SO PLEASE READ THE INDIVIDUAL SECTIONS CAREFULLY AND HAVE A LOOK AT THE PHOTOS.

These uniquely numbered UK original first issues ‘in worthwhile condition’ are quickly being locked into cherished (and investment) collections and consequently fast diminishing in terms of availability. THIS IS AN OUTSTANDING EXAMPLE IN EVERY WAY and I thoroughly recommend it to anybody who has a serious interest in having one to collect, play and enjoy.

MY GRADING OF THIS ALBUM based on Record Collector ‘Rare Record Price Guide 2014’ (**n.b. please note that I grade accurately backed up by a description. I neither over-exaggerate nor under-exaggerate. I see no point in grading an item with multiple ++++ marks, or under-grading it and then stating that it should be graded better - I consider these methods to be confusing. I use the Record Collector system with either TOWARDS PLUS or a FULL PLUS to indicate variations above a grade. I have dropped the ‘minus’ indicator in favour of the next full grade down because I find that many sellers use the ‘minus’ as a method of implying a higher grade than is strictly deserved and I do not want to want to be associated with that practise. I always include a full set of super-sized photographs to provide bidders with the best possible opportunity to make their own visual assessment of each album in conjunction with my detailed descriptions.

Cover – front surface: EXCELLENT – and probably deserves a plus on the grade if you consider it comparatively in terms of type, very little to find fault with just a little light superficial surface creasing mainly in the top right corner – please see photographs.

Cover – back surface: EXCELLENT – very similar to the front but even less creasing, perhaps slightly more yellowing towards the edges – please see photographs.

Cover – corners: EXCELLENT PLUS – just some mini bumps.

Cover – left & right seams: EXCELLENT PLUS – left seam almost as new, right seam has a small scuff where a small piece of laminate has rubbed off next to the fold over flap, towards the top as clearly shown in the close up photograph.

Cover – bottom seams: EXCELLENT PLUS – a few gentle dents which you can see in the photographs – nothing significant.

Cover – leading / entry edges: EXCELLENT TO PLUS – and much better than most you will see (they are more often than not frayed, torn and very dirty) these are used but remain in an outstandingly well preserved condition

Cover - centre spread: EXCELLENT PLUS – and the only reason I am not awarding the near mint grade is due to the tiny amount of laminate loss towards the top of the right hand side fold over flap which you can see in the close up photo and is almost negligible within the overall context of this otherwise remarkable gatefold. The only reason I have not included a full photograph of the centre spread is because I can only include 12 photos on the eBay system and I have used them to illustrate specific aspects – as this centre spread is almost as new it did not require full illustration. However, if you want detailed photographs of this or any other part of the album please send me a message via the eBay system and I will reply with photographs attached.

Cover – spine: EXCELLENT – again a conservative grade when compared to type but I always use a strict standard for grading and never grade by comparison with others. It has experienced light compression resulting in a shallow valley along the fold line, there are a few short splits in the laminate but no significant peel and, although it has some micro-spotting, it is notable for the lack of compacted dust often seen at the ‘open’ ends; it is in fact remarkably clean – all spine text is completely and clearly readable.

Cover – overall grade: EXCELLENT TO PLUS – please see the full selection of photographs which illustrate the written description.

Vinyl Visual record 1 side 1:  EXCELLENT TO PLUS – some light superficial surface scratches probably caused by bag movement and light contact - nothing tangible, nothing that interferes with play and there is no significant audio consequence.

Vinyl Visual record 1 side 2: EXCELLENT TO PLUS – some light superficial surface scratches probably caused by bag movement and light contact - nothing tangible, nothing that interferes with play and there is no significant audio consequence.

Vinyl Visual record 2 side 3: EXCELLENT TO PLUS – some light superficial surface scratches probably caused by bag movement and light contact - nothing tangible, nothing that interferes with play and there is no significant audio consequence.

Vinyl Visual record 2 side 4: EXCELLENT TO PLUS – some light superficial surface scratches probably caused by bag movement and light contact - nothing tangible, nothing that interferes with play and there is no significant audio consequence.

Vinyl Warp: nothing significant when eye tested on a moving turntable.

Vinyl Weight: record 1: 156 grammes & record 2: 151 grammes (two admirable APPLE heavyweights)

Vinyl Cleaning: By hand only, light touch soft brush, very little required.

Label Visual record 1 side 1: NEAR MINT – some light spindle trace lines.

Label Visual record 1 side 2: NEAR MINT – some light spindle trace lines.

Label Visual record 2 side 3: NEAR MINT – some light spindle trace lines.

Label Visual record 2 side 4: NEAR MINT – some light spindle trace lines.

N.B. Please note that I make no adjustment or allowance in grading for minor marks, slight shrinkage marks, stretch marks / lines on labels, misalignment or marginal print bleed caused in original pressing; these features are quite normal and in my opinion are individual characteristics – not defects.

Inner Sleeves: VERY GOOD PLUS – and again, as always, very strictly graded. A pair of original first issue black inner sleeves made from their interior textured soft black paper showing light signs of edge thinning but just two short seam splits carefully and ‘invisibly’ repaired as is the case for the two short tears at the centre window which I have shown prior to repair but I have since re-woven the fibres with a light adhesive, and just a few tiny tears and light fraying at the entry edges plus some general creasing – but even these grade a full very good plus which is a much better grade than most originals will achieve these days.

Photograph Inserts: EXCELLENT – even though these were used and pinned to the original owner’s bedroom wall from the first release date they have survived in a well preserved excellent condition. They have pin holes at the centres of the top and bottom borders, some of the corners have mini-bumps and there is a small scratch across Ringo’s hair, as you can see, but these minor blemishes apart this is a fine set of photographs.

Lyric / Photo-montage Poster: VERY GOOD PLUS – In terms of condition this is the albums weak point as it looks a little tired - but it is a first issue, first day original and it’s all there with no unwanted writing, marks or significant blemishes / damage. There is some minor seam separation on the folds, light discolouration and creasing caused by handling but nothing more than might be expected from a carefully, but constantly, used poster.

Play Grade: I consider all aspects of an albums condition and grading to be highly important and none more so than the quality of the audio delivery; superior audio performance is, above all, the main reasons for listening to vinyl. For this reason I have decided to extend my play grade to rate separately how ‘clearly’ and ‘cleanly’ the sound is received. With vinyl the listener can experience almost perfect ‘clarity’ and reality without the sound being perfectly ‘clean’ due to the fact that this is a medium where physical contact is unavoidable and the ‘finish’ in the original pressing process could vary during the course of a production run. Other factors can make very small differences: for example - lack of use, environment or type of equipment can cause variations in cleanliness. Therefore, where my cleanliness grade is lower, based on the conditions prevailing at the time I carried out my audio test, with careful use this is likely to improve.

For CLARITY the audio from this vinyl grades: EXCELLENT PLUS

For CLEANLINESS the audio from this vinyl grades: EXCELLENT

Audio Performance: THESE ARE TWO MAGNIFICENT VINYLS WHICH DELIVER OUTSTANDING AUDIO OF GREAT CLARITY AND QUALITY. I LISTEN TO ALL OF THE RECORDS I OFFER PRIOR TO LISTING THEM FOR SALE AND EVERY GRADE IS A CAREFULLY ASSESSED ‘CONVICTION’ GRADE. THESE VINYLS SHOW SOME LIGHT SUPERFICIAL SURFACE LINES AND MARKS BUT THERE IS CERTAINLY NOTHING WHICH IMPAIRS PLAY OR DELIVERY. THERE IS THE PRACTICAL MINIMUM OF LIGHT UNDERLYING SURFACE SOUND DURING THE QUIETER TRACKS AND NON RECORDED GROOVES, AND A FEW RANDOM TICKS AND POPS WHICH ARE CHARACTERISTIC OF VINYL, BUT NOTHING DISTRACTING OR UNPLEASANT – OVERALL THIS IS ABSOLUTELY BRILLIANT AUDIO FROM TWO FINE VINYLS. PLEASE BEAR IN MIND THAT THIS SECTION AND THE GRADING IS BASED ENTIRELY ON MY PERSONAL OPINION AND AUDIO PERCEPTION BELONGS TO THE INDIVIDUAL. WITH VINYL CLARITY THERE IS ALWAYS LIGHT TRANSITIONAL SURFACE SOUND WHICH IS INEVITABLE FROM THIS MEDIUM, EVEN WHEN NEW, AND OCCASIONALLY A LITTLE LIGHT CRACKLE WHICH IS OFTEN STATIC; OR EVEN A RANDOM SOFT TICK – BUT I HAVE LISTENED TO MANY VERSIONS OF THIS SUPERB CLASSIC ALBUM DURING THE PAST 45 YEARS AND THIS IS ALONGSIDE THE BEST OF THEM.

PLEASE TAKE A LOOK AT MY OTHER LISTINGS BY CLICKING ON THE ‘VIEW SELLERS OTHER ITEMS’ IN THE TOP RIGHT HAND CORNER BOX OF THIS LISTING - THANK YOU.

GENERAL NOTES

Thank you for visiting my listing. The section immediately above sets out information specific to the particular album / record offered in this listing. Below are some of my general comments about vinyl which you may want to browse through if you have time. Please feel free to email me with any related comments or observations; particularly if you have any reliable information which contradicts any of my descriptions as I am always interested in adding to my knowledge on this subject. When preparing my listings I use a combination of facts from reliable sources, more than forty years of personal experience and, occasionally, music industry anecdotes.

Just a visual inspection of used vinyls is almost always misleading so I play grade every vinyl I offer, before listing, on a LINN SONDEK LP12 deck fitted with a LINN K5 cartridge down-force set at 17.5 mN (1.75 g) and a top quality stylus which I renew at intervals according to manufacturers specification, through a manufacturers pre-set REGA BRIO amplifier with sound delivered through FOCAL CHORUS 706 loudspeakers - this is a brilliant and revealing combination enabling me to be informative with play grading.

Although it is extremely rare, there can be a difference between my descriptions, and opinions, and an individual buyer’s expectations so I have a clearly stated Returns Policy for added reassurance which is detailed at the bottom of all my listings. In the unlikely event that you want to use this facility please read the details carefully first, and then contact me to agree the procedure. There really will never be a reason to have any problem with an item you purchase from me. Before bidding please read my terms and conditions of sale below which are there to inform bidders and prevent any misunderstandings.

First Issues, First Pressings & Originals: Please note that when I refer to a First Issue I mean that the evidence suggests that the album offered is from the first batch that was issued for commercial release in the country of origin stated in the listing. Where I state First Press I mean that based on a reasonable interpretation of the matrices, mothers and stamper codes the vinyl comes from the first, or extended first, production run; these statements alone do not always mean that the vinyl is from the very first ’stamper’ ever made. However, where I state First Issue and First Press it is likely that the album offered includes one (or more) of the early vinyl(s) produced in the country of origin from the first matrix sets, first or early ‘mother(s)’ and first or early ‘stamper(s)’. Original means that the record bears the first label design for that particular pressing and, in the case of the cover, it is from the first cover manufacturer for that pressing; the label and / or cover may have very slight changes, if they were made within the first production run or, if the album was issued with an ‘in run’ label change or choice of cover designs or colours on first release, but in these cases I will try and explain the differences. This is not an exact science and anomalies will occur where I may make a mistake but I believe this will not happen very often - if it does then all of my buyers have the unequivocal reassurance of my Comprehensive Returns Policy.

My definition of a rare vinyl: Generally there is agreement that to qualify for the description rare there should not be too many of the type offered, available on the market at the time. With my listings that will be the main criterion however I will also occasionally claim rarity based on excellence of condition, or some other key feature, or an accompanying item such as an insert, which is not often found with similar vinyls.

UK first and early pressings: In many cases inexperienced sellers claim first pressing status without knowledge or evidence in the hope of achieving high prices – experienced buyers will know better and avoid those offers. Of course with the more popular huge selling albums, where the record companies were fairly sure of major sales from the outset, there were many first pressings. Also, in cases where demand was sustained or emerging the first press run was maintained over an extended release period; in other cases the first press run was specific. Generally the lower the numbers in the matrices and stamper codes on the vinyl ‘run off’ areas, on both sides of a record, the earlier the pressing therefore ‘A1’ & ‘B1’ are most often first or early pressings, but there are variants and exceptions to the rule. The most notable ones, for example where the ‘1’ matrix was only used for test, promo or industry pressings so the commercial releases started at ‘2’ or even higher, and there are a few more observations which are worth noting. There are low numbered matrices which belong to second and even third pressings (in these cases the record companies gave similar numbers to the first press of a re-issue) you can normally identify these by, examining the labels which are often different in texture and/or design, and by checking the weight of the record as the earlier pressings were normally heavier. Sometimes different symbols were used in the matrices; these may indicate an earlier pressing, a contract pressing or just simply a change of format. For example some records have A61 & B61 others A // 1 & B // 1 others A-1 & B-1 and so on. In these cases the mother and stamper references can help with establishing the proximity of an individual record to the original recording – each different record company had their own coding system, some using letters from words to indicate numbers, others just using numbers. Better known examples include GRAMOPHLTD & BUCKINGHAM – used by EMI and DECCA respectively. Occasionally there are high numbers on first pressings, but this is unusual. Other points to note are the manufacturer of the ‘cover’ or ‘outer sleeve’ and various characteristics or design variants. The ‘inner sleeve’ or ‘bag’ can also be an indicator. However it is not wise to rely on details beyond the matrices and labels as the covers and sleeves can easily be interchanged. ‘Made Up’, Swapped’ or ‘Doctored’ sets are not uncommon, particularly with high value albums which have inserts and special text, so the best advice is to try and make sure that everything matches the criteria thus eliminating most of the risk (a good look at the photographs on the listing, if they are of the actual item offered as they are on all of my listings, is always advisable – hopefully the sellers will also include the ‘zoom’ and ‘enlarge’ photograph facility which only costs pennies to include and it remains a mystery to me as to why many avoid this service?). As a general rule I suggest that you don’t pay hundred’s or thousands of pounds unless you are buying from a reliable source who provide you with comprehensive information and have a clearly stated ‘Returns Policy’ - or unless you’ve got money to throw away (and in that case there are any number of far more deserving charities)

Audio reproduction on vinyl: In my experience there is always an element of surface or background sound with audio reproduction on vinyl, even when new - very hard to imagine how there could not be when two solid surfaces come into contact with each other and are then amplified! In my opinion anybody who claims there is no surface sound, or ‘silence’, is hard of hearing, has not turned the amplifier on, or is using very poor quality audio equipment. Almost all used vinyl has at least light surface scratches which are always visible when viewed under a bright halogen light - which is what I use for inspection. So if you are uncomfortable with a bit of light crackling it’s probably best not to buy vinyl. In my opinion the light surface sound is more than compensated for by the clarity and ‘reality’ of the overall sound reproduction. I listen carefully to every album I list, before listing it for sale.

Please Note: All of this comment contained in this listing is subjective, it is based only on my opinion and your expectations may not necessarily correspond with my standards. If you receive an album from me and you have some differences please remember to use reasonable communication as a first option. I have a comprehensive non confrontational ‘Returns Policy’ which is clearly set out below and providing there is no abuse, or use the negative feedback system, I will always reimburse you in full for your direct costs if you return the album correctly.

TERMS AND CONDITIONS OF SALE

DESCRIPTIONS: Are given in good faith, but they are based on my opinion and standards.  Bidders should note that they offer at their own risk and must satisfy themselves that they have sufficient information about the item before they enter the bidding process.  Please ask questions before you become involved with the auction, NOT afterwards! Where I list sizes/dimensions they are either as stated on the item/label by the supplier/manufacturer or reasonably accurately hand tape measured; however, they are not necessarily precise, should be taken as approximate and not relied upon where absolute precision is required. This clause does not in any way affect your rights under the terms of my ‘Returns Policy’, it is stated to prevent unnecessary inconvenience to both parties.

INFORMATION: Whilst I take care to try and provide accurate information on the original listing it is possible that new information may become available to me afterwards. I therefore strongly recommend that all bidders read any revisions and the ongoing questions / answers section of the listing before bidding as they may contain updated information which could affect your valuation of the item(s). In the event that new information is published, after the time you have become the high bidder, which adversely affects your valuation of the item(s) and you wish to withdraw from the bidding process please email your request and I will use the cancel bid option with no ongoing liability to any of the parties involved in the auction.

PHOTOGRAPHS: All photographs contained within this listing show the actual item (s) offered – they are not catalogue, archive or library photographs.  Furthermore they are direct images and not re-touched or modified in any way. I try to make good and comprehensive use of images on the listing in order to give the prospective bidder the best opportunity to evaluate the item(s); however it is possible that in some circumstances the photographs can enhance the appearance of the item(s) due to compression so please take this into account before bidding and do not hesitate to ask for more images or information which I am happy to send by attachment to email. This is particularly recommended with overseas buyers where returns are often not a viable option.  

OVERSEAS BUYERS WELCOME: I am pleased to deal with buyers from anywhere in the world. My method of LP packaging reduces the risk to your valuable vinyls & covers in transit. Makes no sense to me to buy something important and then play a ‘high risk of damage game’ when having it shipped around the world – I hope you feel the same. I will only dispatch using a fully insured and Signed-for delivery service.

PACKING & POSTAGE:  Vinyl’s are removed from covers and placed in separate transit sleeves. All components are then placed side by side in a polythene inner for extra safety and water resistance and then secured between two corrugated card stiffeners. I use Heavy Duty Mailers Specifically Designed for Vinyl Albums, which provide excellent security and protection, in conjunction with my own Ultra Safe reinforced sealing and packaging method. Internally I use 2 of the highest grade ‘B’ flute corrugated card stiffeners to prevent bending, deformation or edge/corner creasing. Packing & postage prices are NOT negotiable on items dispatched individually or separately. However, if you are a similar time multiple buyer where all items purchased are being sent to the same address and they can be combined safely, you can ask for a discounted quotation before bidding. I will only dispatch using a fully insured and Signed-for delivery service.

Postal insurance is subject to Royal Mail Standard Terms & Conditions. Quotations for other insurance such as premiums to cover non-standard risks or consequential losses are available on request.

PAYMENT: For Buyers WITHIN the UK: PayPal, or Pound sterling cheques / money orders, with minimum 7 days to clear before despatch.

PAYMENT: For Buyers OUTSIDE of the UK: Payments by PayPal only please.

CANCELLATION: The Seller reserves the right to cancel any bid, entirely at his discretion and without giving prior notice, in the following circumstances:

They have reason to believe that the bidder has not complied with the terms of their offer as set out on the listing.

The bidder’s feedback is of such limited quantity that it cannot be regarded as reliable.

The bidder’s feedback is of dubious quality and/or gives the seller any indication or reason to doubt the credibility of the bid.

MY FEEDBACK POLICY: I leave feedback for buyers after they inform me that they have received the item(s) and have left me their feedback. As I have a clearly stated Returns Policy, which does not expose the buyer to any direct loss whatsoever, I see no reason for either side to indulge in negative feedback. Providing the buyer does not engage in threats, abuse or use of negative feedback I will resolve any problem in a fair and reasonable way. If you have a problem or complaint about any transaction you have made with me contact me on somemightsell_e@btinternet.com and we will find a solution that is acceptable to you.

SUPERSIZED PHOTOGRAPHS: I have super-sized the photographs above to provide prospective bidders with the best opportunity to make their valuation before entering the bidding process, please just click on the ‘Zoom or Enlarge’ and arrows to use this facility. Sometimes due to reflection these images can appear slightly distorted, ‘graining’ can appear and dust particles can be exaggerated by the light - in reality there are no defects of this kind.