THE BEATLES "JOHN LENNON ROCK N' ROLL" JAPANESE AUDIOPHILE-APPLE-LP # EAS-80175
  $   59

 


$ 59 Sold For
Mar 8, 2014 Sold Date
Feb 7, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

THE BEATLES

JOHN LENNON

 

"ROCK N' ROLL"

 

 

 

 

 

JAPANESE TOSHIBA AUDIOPHILE PRESSING

APPLE RECORDS LP#EAS-80175

COMES WITH ALL THE INCERTS

 

LP-MINT

COVER-MINT

 

 

All tracks written by John Lennon and Paul McCartney (Lennon–McCartney), except where noted.

All songs written and composed by Lennon–McCartney except where noted. 

All tracks produced and arranged by John Lennon, except † produced by Phil Spector, and arranged by Spector and Lennon.

Side One
  1. "Be-Bop-A-Lula" (Tex Davis, Gene Vincent) – 2:39
  2. "Stand by Me" (Jerry Leiber, Mike Stoller, Ben E. King) – 3:26
  3. "Medley: Rip It Up/Ready Teddy" (Robert 'Bumps' Blackwell, John Marascalco) – 1:33
  4. "You Can't Catch Me" † (Chuck Berry) – 4:51
  5. "Ain't That a Shame" (Fats Domino, Dave Bartholomew) – 2:38
  6. "Do You Wanna Dance?" (Bobby Freeman) – 3:15
  7. "Sweet Little Sixteen" † (Chuck Berry) – 3:01
Side Two
  1. "Slippin' and Slidin'" (Eddie Bocage, Albert Collins, Richard Wayne Penniman, James H. Smith) – 2:16
  2. "Peggy Sue" (Jerry Allison, Norman Petty, Buddy Holly) – 2:06
  3. "Medley: Bring It On Home to Me/Send Me Some Lovin'" (Sam Cooke, John Marascalco, Leo Price) – 3:41
  4. "Bony Moronie" † (Larry Williams) – 3:47
  5. "Ya Ya" (Lee Dorsey, Clarence Lewis, Morgan Robinson) – 2:17
  6. "Just Because" † (Lloyd Price) – 4:25

 

 

 

 

 

 

 

 

 

HIGH END JAPANESE TOSHIBA RECORDING

AUDIOPHILE

APPLE RECORDS LP # EAS-80175

COMES WITH ALL THE INCERTS

LP-MINT

COVER-MINT

 

 

                  

 

 

 

 

ORIGIANL RELEASE DATE-1970

 

Japanese vinyl releases are premium quality pressings, much sought after by audiophiles and collectors alike. In the 1960s Toshiba pioneered top quality red vinyl pressings using their trademark ‘Ever-Clean’ process this utilised a special ingredient intended to prevent the build-up of static electricity on the vinyl. Japanese pressings are synonymous with quality - the vinyl shines like no other vinyl - everything about their releases feels special. When US audiophile label Mobile Fidelity Sound Lab first released their series of high quality pressings the records were manufactured in Japan. The sonic quality of Japanese pressings is considered to be among the best in the world and, in addition, they are beautifully presented, their covers usually printed on better quality heavy stock paper and often including a bonus lyric insert with dual language Japanese & English text. Nearly all Japanese LPs were issued with an ‘obi’ - literally translated this means ‘sash’ and is derived from the obi (sash) worn around the traditional kimono dress. This delicate paper strip, usually wrapped around the left side of the album cover, often contains marketing information and album content details, all printed in Japanese kanji and ~kana script. Obi designs can be as varied as the LPs they adorn, and some series of obi designs can be as collectable as the artists’ albums they decorate. ‘Hankake’ (3/4 length obis) are nearly impossible to find, and the ‘Rock Age’ series of obis are especially rare and valuable. Obis make a unique, attractive addition to the overall package and are becoming increasingly rare, especially on LPs from the 1960s and 70s. Their delicate and disposable nature meant that very early obis were routinely discarded, so that now they can often be worth several times more than the record they accompany. In addition to Japanese pressings of regular albums there are numerous Japanese-only releases. Labels and artists often issued exclusive records timed to coincide with their Far East tour, or they re-released back catalogue albums with a re-designed obi, displaying revised graphics and other consumer information. Regardless of your musical taste, Japanese records make a stunning addition to any collection. Audibly and visually they present the collector with a feast of delights. Genuine mint condition records, complete with inserts and obi, are becoming rarer every day. Whatever the digital age throws at you there is still a valid opinion that says vinyl sounds best; with Japanese records you get top quality pressings, a tactile picture sleeve that looks stunning and you can sing along from the lyric insert. This is the real alternative to a download!

 

PRISTINE CONDITION

PLEASE READ WHOLE ADD

THESE JAPANESE RECORDINGS ARE BECOMING RARE AS THE YRS. GO ON

RARE JAPANESE AUDIOPHILE RECORDING

APPLE RECORDS

LP # EAS-80560

 

HIGH END AUDIOPHILE RECORDING

MFG. TOSHIBA-EMI-LTD JAPAN

LP AND COVER MINT CONDITION

  PRISTINE CONDITION 

c1969

APPLE RECORDS

 PLAYED ONCE

 RARE JAPAN PRESSING

COMES WITH ORIGINAL INNER SLEEVE  

APPLE RECORDS

Japanese vinyl releases are premium quality pressings much sought after by
audiophiles and collectors alike. In the 1960s Toshiba pioneered top quality
red vinyl pressings using their trademark ‘Ever-Clean’ process this utilised
a special ingredient intended to prevent the build-up of static electricity on
the vinyl. Japanese pressings are synonymous with quality - the vinyl shines
like no other vinyl - everything about their releases feels special. When US
audiophile label Mobile Fidelity Sound Lab first released their series of high
quality pressings the records were manufactured in Japan. The sonic quality of
Japanese pressings is considered to be among the best in the world and in
addition they are beautifully presented their covers usually printed on better
quality heavy stock paper and often including a bonus lyric insert with dual
language Japanese & English text.

Nearly all Japanese LPs were issued with an ‘obi’ - literally translated this
means ‘sash’ and is derived from the obi (sash) worn around the traditional
kimono dress. This delicate paper strip usually wrapped around the left side of
the album cover often contains marketing information and album content details
all printed in Japanese kanji and ~kana script. Obi designs can be as varied as
the LPs they adorn and some series of obi designs can be as collectable as the
artists’ albums they decorate. ‘Hankake’ (3/4 length obis) are nearly impossible
to find and the ‘Rock Age’ series of obis are especially rare and valuable. Obis
make a unique attractive addition to the overall package and are becoming
increasingly rare especially on LPs from the 1960s and 70s. Their delicate and
disposable nature meant that very early obis were routinely discarded so that now
they can often be worth several times more than the record they accompany.

In addition to Japanese pressings of regular albums there are numerous
Japanese-only releases. Labels and artists often issued exclusive records timed
to coincide with their Far East tour or they re-released back catalogue albums
with a re-designed obi displaying revised graphics and other consumer information.

Regardless of your musical taste Japanese records make a stunning addition to
any collection. Audibly and visually they present the collector with a feast of
delights. Genuine mint condition records complete with inserts and obi are
becoming rarer every day. Whatever the digital age throws at you there is still
a valid opinion that says vinyl sounds best; with Japanese records you get top
quality pressings a tactile picture sleeve that looks stunning and you can sing
along from the lyric insert. This is the real alternative to a download!

ORIGINAL RELEASE DATE:1969

 

THESE LPS WILL START TO BECOME RARE AND COST ALOT OF MONEY.DON'T PASS THESE UP

 

SEE PICTURES FOR ALL THE DETAILS

        WE SHIP IN NEW BOXES WITH BUBBLE WRAP!!

 

SEE PICTURES

PLEASE CHECK OUT MY STORE AS I AM SELLING 35 YRS OF COLLECTING AND I HAVE COLLECTED SOME COOL STUFF

THANK-YOU

JOHN

 




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