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WE START WITH SOME LIVE THE BAND ROCK OF AGES  180 GRAM LIMITED OUT OF PRINT 33 & 1/3 DOUBLE LP SET CAPITOL RECORDS ISSUE TAS Super LP List! Special Merit: Informal

PLUS THE 1ST EDITION EVER OF MUSIC FROM THE BIG PINK -  IN THE COLLECTORS THE 45 RPM DOUBLE LP BOX SET THAT IS APART OF THE 50TH ANNIVERSARY EDITION WITH IT'S VERIFYING MARKETING STICKER STILL ATTACHED TO THE PLASTIC WRAP FOR COLLECTORS TO COMPLETE THIS COLLECTION. MUSIC FROM THE BIG PINK -  Rolling Stone 500 Greatest Albums of All Time - Rated 34/500!  

 LASTLY ALSO THE 1ST EDITION EVER IN THIS PAKAGE The Band Stage Fright 50th Anniversary Super Deluxe 180 GRAM LP, 7" Vinyl Single, 2CD & Blu-Ray Audio Box Set.

LASTLY The Band Cahoots (50th Anniversary) Half-Speed Mastered DMM 180 GRAM GATEFOLD JACKET LP

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CAPITOL RECORDS ISSUE TAS Super LP List! Special Merit: Informal

180g Vinyl Reissue!

Rock of Ages is a live album by The Band, released in 1972. It peaked at #6 on the Billboard 200 chart, and was certified a gold record by the RIAA. The double-album Rock of Ages occupies a curious yet important place in Band history. Recorded at a spectacular New Years Eve 1971 gig, the show and album were intended to be a farewell of sorts before the Band took an extended break in 1972, but it turned out to be a last hurrah in many different ways, closing the chapter on the first stage of their career, when they were among the biggest and most important rock & roll bands. The last four tracks feature Bob Dylan. Now available on 180 gram

Every popular musical genre is included not as part of a numbered catalog but rather imbued in the musical DNA of the performers and the original tunes. They are all here: the earthy 'King Harvest,' Robertson's performance anxiety exposé 'Stage Fright', the mysterious 'Caledonia Mission,' 'The Night They Drove Old Dixie Down' commenced with a short, gorgeous horn intro, and of course the greatest 'Chest Fever' on record. Pay attention to Touissant's horn arrangement for 'The Night They Drove Old Dixie Down' and you'll hear genius... As great as is the instrumental playing, the intense singing is even more astonishing. You have to listen in to catch it all because the busy mix of instruments can sometimes bury the harmonies and vocal textures but they are sensational." - Michael Fremer, analogplanet, Music 10/11, Sound 8/11

Features:

180g Vinyl

Original Packaging

Gatefold Jacket

Selections:

1. Introduction / Rock of Ages / The Band

2. Don't Do it

3. King Harvest (Has Surely Come)

4. Caledonia Mission

5. Get Up Jake

6. The W.S. Walcott Medicine Show

7. Stage Fright

8. The Night They Drove Old Dixie Down

9. Across the Great Divide

10. This Wheel's On Fire

11. Rag Mama Rag

12. The Weight

13. The Shape I'm In

14. The Unfaithful Servant

15. Life Is A Carnival

16. The Genetic Method

17. Chest Fever

18. (I Don't Want To) Hang Up My Rock and Roll Shoes

NEXT THE THREE 50TH ANNIVERSARY RELEASES

PLUS SONGS FROM THE BIG PINK Iconic Album 50TH ANNIVERSARY EDITION BOX SET

For the album's new vinyl editions, Chris Bellman cut the vinyl lacquers for the album's new stereo mix at 45 RPM at Bernie Grundman Mastering, expanding the album's vinyl footprint from one LP to two. The black vinyl LPs were pressed at GZ Vinyl / Precision.

Expanded 50th Anniversary Super Deluxe Edition release!  

CD/Blu-ray/2LP/7-inch vinyl box set with a hardbound book

Ranked No. 34 on Rolling Stone's list of the 500 greatest albums of all time!

On July 1, 1968, The Band's landmark debut album, Music from Big Pink, seemed to spring from nowhere and everywhere. Drawing from the American roots music panoply of country, blues, R&B, gospel, soul, rockabilly, the honking tenor sax tradition, hymns, funeral dirges, brass band music, folk, and rock ‘n' roll, The Band forged a timeless new style that forever changed the course of popular music. Fifty years later, the mythology surrounding Music from Big Pink lives on through the evocative storytelling of its songs including "The Weight," "This Wheel's On Fire," "Tears of Rage," and "To Kingdom Come," its enigmatic cover art painted by Bob Dylan, the salmon-colored upstate New York house — "Big Pink" — where The Band wrote the songs, and in myriad descendant legends carried forth since the album's stunning arrival.

All the Anniversary Edition configurations feature a new stereo mix for the album, produced by Bob Clearmountain from the original 4-track analog masters, achieving a striking clarity and incorporating some previously unreleased chatter from the studio sessions. The 50th Anniversary Edition's CD, digital, and box set configurations also include five outtakes and alternate recordings from the ‘Big Pink' sessions and a previously unreleased a cappella version of "I Shall Be Released."

Exclusively for the box set, Clearmountain has also produced a new 5.1 surround mix for the album and the bonus tracks, presented on Blu-ray with the new stereo mix in high resolution audio (96kHz/24bit). 

All the new audio mixes have been mastered by Bob Ludwig at Gateway Mastering. 

The box set also includes an exclusive reproduction of The Band's 1968 7-inch vinyl single for "The Weight" / "I Shall Be Released" in their new stereo mixes and a hardbound book with a new essay by noted music journalist David Fricke and classic photos by Elliott Landy. For the album's new vinyl editions, Chris Bellman cut the vinyl lacquers for the album's new stereo mix at 45 RPM at Bernie Grundman Mastering, expanding the album's vinyl footprint from one LP to two. The black vinyl LPs were pressed at GZ Vinyl / Precision.

CD

                2018 stereo mix

                Tears Of Rage

                To Kingdom Come

                In A Station

                Caledonia Mission

                The Weight

                We Can Talk

                Long Black Veil

                Chest Fever

                Lonesome Suzie

                This Wheel’s On Fire

                I Shall Be Released

Bonus Tracks:

                Yazoo Street Scandal (Outtake)

                Tears Of Rage (Alternate Take)

                Long Distance Operator (Outtake)

                Lonesome Suzie (Alternate Take)

                Key To The Highway (Outtake)

                I Shall Be Released (A Cappella)

BLU-RAY

                Tracklist above in new 5.1 surround mix + 96kHz/24bit high resolution stereo (exclusive to the box set)

2 LP 45 RPM DOUBLE LP SET

                SIDE ONE

                Tears Of Rage

                To Kingdom Come

SIDE TWO

                In A Station

                Caledonia Mission

                The Weight

SIDE THREE

                We Can Talk

                Long Black Veil

                Chest Fever

SIDE FOUR

                Lonesome Suzie

                This Wheel’s On Fire

                The Weight

7 Inch Single

                The Weight b/w I Shall Be Released

 The Band Stage Fright 50th Anniversary Super Deluxe 180g LP, 7" Vinyl Single, 2CD & Blu-Ray Audio Box Set.

50th Anniversary Super Deluxe Box Set!

2CD, Blu-Ray Audio, 180g Vinyl LP & 7" Vinyl Single!

Newly Remixed & Remastered in Hi-Resolution Surround Sound!

Unreleased Original Sequence by Robbie Robertson!

On February 12, 2021, Capitol/UMe will celebrate the 50th anniversary of The Band's classic third album, Stage Fright, with a suite of newly remixed, remastered and expanded 50th Anniversary Edition packages, including a multi-format Super Deluxe 2CD/Blu-Ray Audio/1LP/7-inch vinyl box set with photo booklet and 180-gram black vinyl.

All the Anniversary Edition releases were overseen by principal songwriter Robbie Robertson and boast a new stereo mix by Bob Clearmountain from the original multi-track masters. For the first time, the album is being presented in the originally planned song order. The box set, CD and digital configurations feature a bevy of unreleased recordings, including Live at the Royal Albert Hall, June 1971, a thrilling full concert captured in the midst of their European tour as the band was at the top of its game; alternate versions of "Strawberry Wine" and "Sleeping;" and seven unearthed field recordings, Calgary Hotel Recordings, 1970, a fun and loose, impromptu late night hotel jam session between Robertson, Danko and Manuel of several Stage Fright songs recorded while the album was in the mixing stage.

Exclusively for the box set, Clearmountain has also created a new 5.1 surround mix and a hi-res stereo mix of the album, bonus tracks and the live show, presented on Blu-ray. All the new audio mixes have been mastered by Bob Ludwig at Gateway Mastering. The set also includes an exclusive reproduction of the Spanish pressing of The Band's 1971 7-inch vinyl single for "Time To Kill" b/w "The Shape I'm In" in their new stereo mixes and a photo booklet with new notes by Robbie Robertson and touring photographer John Scheele, who recorded the Calgary Hotel Recordings; plus a reprinting of the original Los Angeles Times album review by famed critic Robert Hilburn; three classic photo lithographs; and a wealth of photographs from Scheele and several other photographers.

As with the acclaimed 50th anniversary collections for Music From Big Pink and the self-titled record, Clearmountain and Robertson's approach to remixing the beloved album was done with the utmost care and respect for the music and what The Band represents. "Doing new mixes on these songs with Bob Clearmountain has been a gift and special opportunity," Robertson writes in the new liner notes. "Glyn Johns and Todd [Rundgren] did a terrific job on the original mixes in England while The Band was on the Festival Express train tour across Canada with Janis Joplin and the Grateful Dead. We had always been part of the mixing process before, which left something on this album feeling a little unfinished. Clearmountain has taken this music and given it the sonic lift it deserves. The album has become a whole new listening experience with the original song order and the depth of these mixes." The result is a new mix that allows listeners to hear these timeless songs clearer than ever before. "There may be some purists that prefer 'the way it was,' and of course that's always readily available," adds Robertson. "I'm enjoying this new version, this story, this musical journey. It feels like a fulfillment and I know my brothers in The Band would definitely agree."

In the spring of 1971, The Band set off to Europe where they hadn't played since their tumultuous tour with Bob Dylan in 1966, where they were booed every night as the folk rock purists felt betrayed by Dylan who had gone electric, backed by The Hawks who would soon after become The Band. Not having played there in five years, the guys were understandably weary and didn't know what to expect, but instead of boos they received a rapturous response at their first concert in Hamburg, Germany and would go on to play for one enthusiastic crowd after another. "Each member of The Band was on a musical high. Everybody playing and singing at the top of their game. Each night, from Amsterdam to Paris to Copenhagen, the spirit kept rising," remarks Robertson.

When it came to the band's concert at London's Royal Albert Hall, they wanted to document it so EMI taped it on a 4-track machine. For the first time ever, this concert recording is being released as Live At The Royal Albert Hall, 1971, an exhilarating 20-song set that captures the band firing on all cylinders and delivering rousing performances of songs from their then-recently released third album alongside their most popular tracks from Music From Big Pink and "The Brown Album" such as "The Weight," "King Harvest (Has Surely Come)," "Up On Cripple Creek," "The Night They Drove Old Dixie Down," "Across The Great Divide," "Chest Fever," and inspired covers of Dylan's "I Shall Be Released" and the Stevie Wonder-penned, Four Tops hit, "Loving You Is Sweeter Than Ever."

With the help of Clearmountain, these recordings have been restored nearly five decades later, allowing listeners to experience what Robertson calls, "One of the greatest live concerts The Band ever played." Whereas this electrifying concert showcases The Band playing as good as they ever did, The Calgary Hotel Recordings, 1970 offer a glimpse into a different kind of performance, the kind of fun, spur-of-the-moment jam sessions that were bound to happen whenever the guys were together in a hotel room or backstage on tour.

As Robertson started to run through some of The Band's new songs recently recorded for Stage Fright, photographer John Scheele, who was traveling with the group on the Festival Express, hit record on his portable cassette recorder and captured the spontaneous performance late at night on July 3, 1970 in Calgary, the last stop of the legendary tour. The field recordings, which feature Robertson on guitar and vocals with Danko harmonizing and playing rhythm and Manuel joining in on vocals and harmonica, are a fascinating document that lets fans hear the friends letting loose and having a good time together doing what they loved to do.

Fifty years on, lifelong fans and those just discovering The Band can experience the album in a whole new way, sounding better than ever, or for the first time.

All told, this may be the best released representation of the Band as road warriors: they're vigorous and vital, giving even the softer tunes a bit of an edge.

-William Ruhlmann, AllMusic

If their first two LPs inspired the Beatles and Stones to return to basics, Stage Fright connotes an entirely different sphere of influence: it's a nonpareil boogie album, whose in-the-pocket playing establishes the Band as the equal of groovemaster peers like Booker T. and the Meters and sets a predicate for followers like Little Feat and NRBQ. The Band's signature was always the telepathic interplay between bassist Rick Danko, guitarist Robbie Robertson, drummer Levon Helm, pianist Richard Manuel and multi-instrumentalist-shaman Garth Hudson. This is Stage Fright's great selling point. The group never sounded more effervescent or imaginative than on tracks like the strutting 'Strawberry Wine' or the layabout-anthem 'Time to Kill,' a rollicking tribute to a week off the road that serves as a subtext to the punishing touring schedule that would eventually become the Band's undoing. What Stage Fright lacks in history lessons it makes up for in palpable joy. They would never seem so happy again... Fifty years on Stage Fright is an oasis, an exhalation, a genial respite from the ongoing crucible of the Band's accumulating days. The final moment when the music came easy, before the weight became unmanageable.

-Pitchfork

The new mix, it's safe to say, is an utter triumph. The album doesn't sound a little bit better than the original - it sounds like a completely different recording. Indeed, if you didn't know otherwise, you'd think the remixed Stage Fright was a brand-new, audiophile-quality release. Now, you can clearly hear everything - technically and emotionally - these stellar musicians put into the music. Regardless of your choice of format, I would strongly recommend springing for the Deluxe Edition. The voice-and-piano rendition of 'Sleeping' alone is worth the price of admission. But there's also an entire Royal Albert Hall concert that ranks with one of The Band's best - and that's saying a lot. On that occasion, the group was in peak form, unencumbered by additional horn sections or guest artists. If you didn't already know it from Rock of Ages and The Last Waltz, this concert hammers home how formidable The Band was as a live act. Between its enduring songs, unmatched musicianship, newly-sequenced tracks, valuable bonus material, and vastly-improved sound, the 50th anniversary edition of Stage Fright is one of the most rewarding rock reissues ever released. Along with the likewise successful reissues of The Band's first two albums, the new Stage Fright is a testament to one of rock's greatest groups. Only the certified-classic status of The Band's first two albums relegates Stage Fright to bronze medal status. Don't let that deter you. Most bands would kill to have put out an album anywhere near this good. Highly recommended.

-Alan Taffel, The Absolute Sound, July/August 2021

Features

50th Anniversary Edition

Super Deluxe Box Set

Unreleased original sequence by Robbie Robertson

Newly remixed & remastered in hi-resolution surround sound

Blu-Ray Audio (5.1 Surround/Hi-Res Stereo Mix, Bonus Tracks, Previously Unreleased Royal Albert Hall Performance Audio, 96 kHz / 24 bit)

2CD (New Stereo Mix, Bonus Tracks, Unreleased Demo Tracks, Royal Albert Hall Performance)

180g Vinyl LP (New Stereo Mix Of Album)

7" Vinyl Single: "Time To Kill" / "The Shape I'm In" (Reproduction Of Original, Spanish Pressing)

Photo Booklet

3 Classic Photo Lithographs

All new liner notes by Robbie Robertson & John Scheele

Reprinting Of Original 1970 LA Times Review

Box with lift-off lid

Made in Germany

Selections

CD1 - Stage Fright

The W.S. Walcott Medicine Show

The Shape I'm In

Daniel And The Sacred Harp

Stage Fright

The Rumor

Time To Kill

Just Another Whistle Stop

All La Glory

Strawberry Wine

Sleeping

Strawberry Wine (Alternate Mix - Bonus Track)

Sleeping (Alternate Mix - Bonus Track)

Get Up Jake (#1) (Calgary Hotel Room Recording, 1970 - Bonus Track)

Get Up Jake (#2) (Calgary Hotel Room Recording, 1970 - Bonus Track)

The W.S. Walcott Medicine Show (Calgary Hotel Room Recording, 1970 - Bonus Track)

Rockin' Pneumonia And The Boogie Woogie Flu (Calgary Hotel Room Recording, 1970 - Bonus Track)

Calgary Blues (Calgary Hotel Room Recording, 1970 - Bonus Track)

Before You Accuse Me (Calgary Hotel Room Recording, 1970 - Bonus Track)

Mojo Hannah (Calgary Hotel Room Recording, 1970 - Bonus Track)

CD2 - Live At The Royal Albert Hall, June 1971

The Shape I'm In

Time To Kill

The Weight

King Harvest (Has Surely Come)

Strawberry Wine

Rockin' Chair

Look Out Cleveland

I Shall Be Released

Stage Fright

Up On Cripple Creek

The W.S. Walcott Medicine Show

We Can Talk

Loving You Is Sweeter Than Ever

The Night They Drove Old Dixie Down

Across The Great Divide

The Unfaithful Servant

Don't Do It

The Genetic Method

Chest Fever

Rag Mama Rag

Blu-Ray (Stereo and 5.1 Surround - High Resolution Audio: 96 kHz / 24 bit)

STAGE FRIGHT

The W.S. Walcott Medicine Show

The Shape I'm In

Daniel And The Sacred Harp

Stage Fright

The Rumor

Time To Kill

Just Another Whistle Stop

All La Glory

Strawberry Wine

Sleeping

Strawberry Wine (Alternate Mix - Bonus Track)

Sleeping (Alternate Mix - Bonus Track)

LIVE AT THE ROYAL ALBERT HALL, JUNE 1971

The Shape I'm In

Time To Kill

The Weight

King Harvest (Has Surely Come)

Strawberry Wine

Rockin' Chair

Look Out Cleveland

I Shall Be Released

Stage Fright

Up On Cripple Creek

The W.S. Walcott Medicine Show

We Can Talk

Loving You Is Sweeter Than Ever

The Night They Drove Old Dixie Down

Across The Great Divide

The Unfaithful Servant

Don't Do It

The Genetic Method

Chest Fever

Rag Mama Rag

LP - Stage Fright

SIDE ONE:

The W.S. Walcott Medicine Show

The Shape I'm In

Daniel And The Sacred Harp

Stage Fright

The Rumor

SIDE TWO:

Time To Kill

Just Another Whistle Stop

All La Glory

Strawberry Wine

Sleeping

7" - "Time To Kill" b/w "The Shape I'm In" (Original 1970 7" Capitol Single, Spanish Pressing)

SIDE A:

Time To Kill

SIDE B:

The Shape I'm In

LASTLY The Band Cahoots (50th Anniversary) Half-Speed Mastered DMM 180 GRAM GATEFOLD JACKET LP

50th Anniversary Half-Speed Mastered DMM 180g Vinyl LP!

Newly Remixed & Remastered From The Original Masters By Bob Clearmountain!

Analog Planet's Top LPs of 2022: The Best Archival Releases - Rated 10/10!

The Band celebrates the 50th Anniversary of their fourth studio album, Cahoots, with new 50th anniversary editions of the classic album, overseen by principal songwriter Robbie Robertson and sporting an all-new stereo remix and remaster by Bob Clearmountain from the original multi-track masters. Now available on 180-gram, half-speed mastered vinyl.

When The Band pulled into the unfinished Bearsville Sounds Studios in Bearsville, New York in early 1971 to record Cahoots, their fourth studio album, they were still basking in the success of their first three history-making records.

The Band's landmark debut album, July 1968's Music From Big Pink, drew inspiration from the American roots music melting pot of country, blues, R&B, gospel, soul, rockabilly, the honking tenor sax tradition, hymns, funeral dirges, brass band music, folk and good ol' rock 'n' roll to foment a timeless new style that forever changed the course of popular music.

When they released their seminal eponymous second album, The Band, the following year in September 1969 - or "The Brown Album," as it would lovingly be called - not much more was known about the reclusive group. Even so, August 1970's Stage Fright, recorded over 12 days on the stage of the Woodstock Playhouse in upstate New York, cemented the fulfilled promise of those initial back-to-back albums that solidified The Band as one of the most exciting and revolutionary groups of the late 1960s, who were able to carry their avowed excellence directly into the 1970s without interruption.

Indeed, The Band, made up of four Canadians and one American, was still purposefully shrouded in mystery at the turn of the decade, allowing for listeners and the music press to let their imaginations run afield about who these men were and what this music was that sounded unlike anything else happening as the psychedelic '60s officially wound down.

Dressed like 19th-century fire-and-brimstone preachers and singing rustic, sepia-toned songs about America and the deep south, The Band - Garth Hudson (keyboards, accordion, horns), Levon Helm (drums, vocals, mandolin, guitar), Richard Manuel (keyboards, vocals, drums), Rick Danko (bass, vocals) and Robbie Robertson (guitar, piano, vocals) - was still somewhat enigmatic as the '70s began to unfold and unravel around them, but there's no denying how The Band was able to forge such an ineradicable impact on the music scene at large heretofore unmatched by any group that came before them, or since.

The new version of Cahoots is a night-and-day listening experience. For the first time, we are really hearing this album professionally completed. (It was basically released in an unfinished, more-or-less demo state back in the day.) Kudos to Robbie Robertson and co-producer Bob Clearmountain for the vision to complete Cahoots, making it now stand tall as a truly great Band album. The 180g vinyl pressing quality is top-notch here too.

-Mark Smotroff, Analog Planet's Top LPs of 2022: The Best Archival Releases

Features

50th Anniversary Edition

180g Vinyl LP

Half-Speed Mastered

Direct Metal Mastering (DMM)

Remixed & Remastered by Bob Clearmountain from the Original Multi-Track Tapes

Release Overseen by Principal Songwriter, Robbie Robertson

Gatefold jacket

Made in Canada

Selections

Side I:

Life Is A Carnival

When I Paint My Masterpiece

Last Of The Blacksmiths

Where Do We Go From Here?

4% Pantomime

Side II:

Shoot Out In Chinatown

The Moon Struck One

Thinkin' Out Loud

Smoke Signal

Volcano

The River Hymn

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