THE AYNSLEY DUNBAR RETALIATION DOCTOR DUNBAR’S PRESCRIPTION LP RARE NRMT
  $   36

 


$ 36 Sold For
Nov 3, 2014 Sold Date
Oct 27, 2014 Start Date
$   15 Start price
4   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Here is a NEAR MINT MINUS! copy of a RARE! LP by THE AYNSLEY DUNBAR RETALIATION titled DOCTOR DUNBAR’S PRESCRIPTION. It is an original US pressing on the BLUE THUMB label, catalog #BTS 6 in STEREO sound and released in 1969. The vinyl is in NEAR MINT MINUS! condition, shiny and black, and should have excellent playback. The cover is in NEAR MINT MINUS! condition with a small bottom right corner bump, cut out hole top left, light edge and corner wear. It is a beautiful NEAR MINT MINUS! LP for you to own. It is an opportunity to purchase this RARE! AYNSLEY DUNBAR RETALIATION LP. It’s a true gem for the PROG-ROCK / BLUES-ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Ritchie Unterberger

The Aynsley Dunbar Retaliation's second album was much the same as their first, offering competent late-'60s British blues, given a slightly darker cast than was usual for the style via Victor Brox's somber vocals. Like their debut, it was dominated by original material, and as on its predecessor, the compositions were rather routine blues-rock numbers, though they benefited from arrangements by highly skilled players. The best of these tracks were the ones that utilized Brox's gloomy, almost gothic organ, if only because it made them stand out more among the company of the many similar bands recording in the prime of the British blues boom. Otherwise the main fare was straightforward blues-rock that was well played, but rather average and forgettable, the most distinguished ingredient being Dunbar's hard-hitting, swinging drums. If only because it has some original songs that were better than anything on the first album ("Fugitive," "Till Your Lovin' Makes Me Blue," and "Tuesday's Blues," the last of which has some songwriting and guitar work quite similar to Peter Green's late-'60s style in those departments), it's a slightly better listen, though not up to the standards of somewhat similar groups like Fleetwood Mac and John Mayall & the Bluesbreakers.


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