TEN YEARS AFTER w/ALVIN LEE CRICKLEWOOD GREEN RARE ORIG'70 DERAM LP w/POSTER N/M
$
92
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Description
WE CURRENTLY HAVE MORE THAN 200 LISTED ITEMS
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· TEN YEARS AFTER - CRICKLEWOOD GREEN - ORIGINAL 1970 DERAM RECORDS STEREO LP DES-18038
· ORIGINAL U.S. PRESSING
· ORIGINAL BROWN AND WHITE DERAM LABEL WITH THE “BROWN TOP” LOGO
· The record has ►SAM FELDMAN'S initials (SF) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· INCLUDES ORIGINAL BLACK & WHITE POSTER OF THE LATE, GREAT ALVIN LEE IN PERFORMANCE IN BEAUTIFUL CONDITION
· EAST COAST (HOLBROOKE, LONG ISLAND) PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL "TEXTURED" (CRUDE FINISH) COVER.
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· THE RECORD HAS A 'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Cricklewood Green provides the best example of Ten Years After's recorded sound. On this album, the band and engineer Andy Johns mix studio tricks and sound effects, blues-based song structures, a driving rhythm section, and Alvin Lee's signature lightning-fast guitar licks into a unified album that flows nicely from start to finish. Cricklewood Green opens with a pair of bluesy rockers, with "Working on the Road" propelled by a guitar and organ riff that holds the listener's attention through the use of tape manipulation as the song develops. "50,000 Miles Beneath My Brain" and "Love Like a Man" are classics of TYA's jam genre, with lyrically meaningless verses setting up extended guitar workouts that build in intensity, rhythmically and sonically. The latter was an FM-radio staple in the early '70s. "Year 3000 Blues" is a country romp sprinkled with Lee's silly sci-fi lyrics, while "Me and My Baby" concisely showcases the band's jazz licks better than any other TYA studio track, and features a tasty piano solo by Chick Churchill. It has a feel similar to the extended pieces on side one of the live album Undead. "Circles" is a hippie-ish acoustic guitar piece, while "As the Sun Still Burns Away" closes the album by building on another classic guitar-organ riff and more sci-fi sound effects.
(EXCERPT FROM AN ONLINE REVIEW BY JIM NEWSOM, ALL MUSIC GUIDE /ALLMUSIC.COM/)
Ten Years After was one of the greatest white electric blues/boogie bands. Combining diverse elements of hard rock, electric blues, rock & roll and R&B, they created a sound entirely their own. And, lest we forget Alvin Lee, who remains one of the finest guitar players around - an electric guitar-slinger in the same vein as Jimmy Page, Jeff Beck or Eric Clapton. This is one of the Band's finest works, coming in the wake of their legendary, incendiary performance at the Woodstock festival, where the band almost tore the house down, and threatened to outshine Jimi Hendrix, Jefferson Airplane or The Who. The album includes the single biggest TYA hit, the mega-hit "Love like a man", one of the most instantly recognizable R&R guitar riffs.
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in the original stock inner sleeve.
(c) The album comes with its original poster INCLUDED.
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on both sides, apparently from aging. Yellowing is also noted on the INSIDE gatefold.
- Cover has some writing on its back side (name of the previous owner written in blue ballpoint pen, about 1/4 x 3 inches in size)
- Minor shelf wear noted on the seams (nothing significant)
- Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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