Shyheim A.K.A. The Rugged Child Shyheim A.K.A. The Rugged Child US LP 1994 RAP. OriginalCopy in Excellent Condition  Mixed By – RNS

• Producer – Prince Rhakeem RZA & RNS 

• Produced For – R.N.S. Productions
• Produced For – Wu-Tang Productions

Shyheim A.K.A. The Rugged Child ?– Shyheim A.K.A. The Rugged Child

Label: Virgin ?– 7243 8 39385 1 3 Format: Vinyl, LP, Album
Country: US Released: 1994 Genre: Hip Hop Style:  

Tracklist

A1 Here Come The Hits Written-By – A. Quinn*, I. Booker* 3:40 A2 On And On Backing Vocals, Chorus – Kia JeffriesChorus [Lead] – June Lover*, Milk D*, RNSWritten-By – A. Quinn*, J. Wilson*, S. Franklin* 3:48 A3 Pass It Off Featuring – K-Dee - The Low Down Recka*, K-Tez, Rubba Banzd*Written-By – A. Quinn*, I. Booker*, J. Barry*, K. Torres*, S. Franklin*, S. Wonder*, Y. Wright* 4:00 A4 Never Say Never (Interlude) Written-By – A. Quinn* 0:28 A5 One's 4 Da Money Written-By – A. Quinn*, R. Diggs*, S. Franklin* 3:33 A6 Here I Am Written-By – A. Noland*, A. Quinn*, L. Bonner*, M. Jones*, R. Middlebrooks*, S. Franklin*, W. Morrison* 2:53 A7 Move It Over Here Written-By – A. Quinn*, I. Booker*, Lord Finesse, S. Franklin* 4:11 B1 Buckwylyn Written-By – A. Quinn*, I. Booker*, S. Franklin* 3:57 B2 You The Man Written-By – A. Quinn*, I. Booker*, S. Franklin* 3:35 B3 Napsack Written-By – A. Quinn*, B. Bacharach/H. David*, S. Franklin* 3:51 B4 The Rugged Onez Featuring – June Lover*, Prophet Of True Wisdom*, Quasi Of True Wisdom*Written By – J. Holley, L. ConnorWritten-By – A. Quinn*, J. Wilson*, S. Franklin* 4:52 B5 Little Rascals Written-By – R. Diggs* 2:07 B6 4 The Headpiece (Interlude) Written By – D. LaneWritten-By – A. Quinn*, I. Booker*, J. Barry*, S. Franklin* 2:02 B7 Party's Goin' On Written-By – A. Quinn*, S. Franklin* 3:43 B8 Shouts On The Outs (Interlude) Written-By – A. Quinn*, S. Franklin* 1:26

Companies, etc.

• Recorded At – Firehouse Studio, NYC
• Recorded At – Battery Studios, New York
• Recorded At – Chung King Studios
• Mixed At – Battery Studios, New York
• Produced For – R.N.S. Productions
• Produced For – Wu-Tang Productions
• Phonographic Copyright (p) – Virgin Records America, Inc.
• Copyright (c) – Virgin Records America, Inc.
• Pressed By – Specialty Records Corporation
• Manufactured By – Capitol Records, Inc.
• Record Company – Capitol-EMI Music, Inc.

Credits

• A&R [Direction] – Rodney Shealey
• Art Direction – Len Peltier
• Bass [Bass Lines] – Tim Latham (tracks: A3, A4, A7, B6, B8)
• Design – P.R. Brown
• Engineer – Tim Latham
• Engineer [Mix] – Adam Kudzin, Gerard Julien, Joe Thomas (8)
• Executive-Producer – Gemma Corfield, RNS, Thomas Wilson (4)
• Legal [All Samples Cleared By] – Diamond Time Ltd.*
• Management – Guy Routte, Thomas Wilson (4)
• Mixed By – RNS, Tim Latham
• Photography By – Susan Schacter
• Producer – Prince Rhakeem* (tracks: B5), RNS (tracks: A1 to B4, B6 to B8)
• Scratches – Phat Ron

Notes

All songs ? & © 1994 Virgin Records America, Inc. except track A1 ? 1993 Virgin Records America, Inc.

Manufactured by Capitol Records, Inc., a subsidiary of Capitol-EMI Music, Inc.

Barcode and Other Identifiers

• Barcode (Scanned): 724383938513
• Barcode (Text): 7 2438 39385 1 3
• Matrix / Runout (Run-out area side A [hand-etched]): 39385 1A
• Matrix / Runout (Run-out area side B [hand-etched]): 39385 1B
• Matrix / Runout (Run-out area sides A and B [machine-stamped]): SRC (Large S with the R and C in the loops)
• Rights Society: ASCAP
• Rights Society: BMI

 Condition is "Used".

 

 Dispatched with Royal Mail 2nd Class.

 

MEDIA CONDITION: EXCELLENT 

SLEEVE COVER CONDITION: EXCELLENT

GENERAL ITEM CONDITION: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing. In general, if not for a couple things wrong with it, this would be Near Mint.

 

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I always include photos of the actual item for sale. They areoriginal issues unless stated, andare from my personal collection. These have been in storage since 2010 and notplayed for that period only played recently for grading purposes.
Please note that most used vinyl records have a little surface noiseor crackle regardless of age/condition.
In the unlikely event that there is a problem for any reason you areunsatisfied with the record you receive, 
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RecordCollector Magazine's/ Goldmine Standard Grading Guide: 

 

"MINT: The record itself is in brand newcondition with no surface marks or deterioration in sound quality. The coverand any extra items such as the lyric sheet, booklet or poster are in perfectcondition. Records advertised as Sealed or Unplayed should be Mint.

 

Near Mint (NM or M-) :

A nearly perfectrecord. Many dealers won't give a grade higher than this implying (perhapscorrectly) that no record is ever truly perfect. The record should showno obvious signs of wear. A 45 RPM or EP sleeve should have no more thanthe most minor defects, such as almost invisible ring wear or other signs ofslight handling. An LP cover should have no creases, folds, seam splits orother noticeable similar defects. No cut-out holes, either and of course, thesame should be true of any other inserts, such as posters, lyric sleeves andthe like. An LP in near mint condition looks as if you just got it home from anew record store and removed the shrink wrap. Near Mint is the highest pricelisted in all Goldmine price guides. Anything that exceeds this grade, in theopinion of both buyer and seller, is worth significantly more than the highestGoldmine book value.

 

 

EXCELLENT: The record shows some signs of having been played, but there isvery little lessening in sound quality. The cover and packaging might haveslight wear and / or creasing. In general, ifnot for a couple things wrong with it, this would be Near Mint.

 

Very Good Plus(VG+):

Generally worth 50% of the NearMint value. A Very Good Plus record will show some signs that it was played andotherwise handled by a previous owner who took good care of it. Record surfacesmay show some signs of wear and may have slight scuffs or very light scratchesthat don't affect one's listening experiences. Slight warps that do not affectthe sound are "OK". The label may have some ring wear ordiscoloration, but it should be barely noticeable. The center hole will nothave been misshapen by repeated play. Picture sleeves and LP inner sleeves willhave some slight wear, lightly turned up corners, or a slight seam split. An LPcover may have slight signs of wear also and may be marred by a cut-out hole,indentation or corner indicating it was taken out of print and sold at adiscount.

 

VERY GOOD: Therecord has obviously been played many times, but displays no majordeterioration in sound quality, despite noticeable surface marks and theoccasional light scratch. Normal wear and tear on the cover or extra items,without any major defects.

 

Good Plus(G+):

Generally worth10-15% of the Near Mint value. Good does not mean Bad! A record in Good or GoodPlus condition can be put onto a turntable and will play through withoutskipping. But it will have significant surface noise and scratches and visiblegroove wear (on a styrene record, the groove will be starting to turn white). Acover or sleeve will have seam splits, especially at the bottom or on thespine. Tape, writing, ring wear or other defects will start to overwhelm theobject.

 

GOOD: Therecord has been played so much that the sound quality has noticeablydeteriorated, perhaps with some distortion and mild scratches. The cover andcontents suffer from folding, scuffing of edges, spine splits, discolouration,etc.

 

FAIR: Therecord is still just playable but has not been cared for properly and displaysconsiderable surface noise; it may even jump. The cover and contents will betorn, stained and / or defaced.

 

POOR: Therecord will not play properly due to scratches, bad surface noise, etc. Thecover and contents will be badly damaged or partly missing.

 

BAD: Therecord is unplayable or might even be broken, and is only of use as acollection filler."