Seong-Jin Cho - Handel Project: Handel-Suites & Brahms-Variations - Double LP
£
31
$
41
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Description
GRADING Our Grading System
The table below is an overview of how our grading system works. The first grade is for the sleeve and second grade is for the media/disc, e.g. VG+/EX means that the item's sleeve is in Very Good Plus condition and the media/disc is in Excellent condition.
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Condition Sleeve Media MINT(10/10) Mint, perfect Mint, perfect EX+
(9/10) Excellent plus, near mint Excellent plus, near perfect EX
(8/10) Excellent, well looked after, clean, only slight signs of use Excellent, well looked after, clean, only slight signs of use EX-
(7/10) Excellent minus, light wear and signs of use Excellent minus, light wear and signs of use VG+
(6/10) Very good plus, some moderate wear Very good plus, some scuffs, no deep marks VG
(5/10) Very good, well used and worn Very good, well used and marked VG-
(4/10) Very good minus, very worn Very good minus, very worn and marked GOOD
(3/10) Good, some major wear Good, some major wear and scuffing FAIR
(2/10) Fair, major wear Fair, major wear and scuffing POOR
(1/10) Poor, severe wear Poor, severe wear and scuffing DELIVERY Combined Postage
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Artist: Seong-Jin Cho - Title: Handel Project: Handel-Suites & Brahms-Variations - Format: Double LP Vinyl - Country: - Label: Decca - Catalogue Number: 4863509 - Year: 2023 - Description: The Sensational South Korean Pianist Seong-Jin Cho, the Best-Selling Winner of the International Chopin Competition, Shares His Love For An Often Neglected Corner of the Keyboard Repertoire: Handel's Keyboard Suites. Each Suite Is Brilliantly Characterful and Brimming With Life, and Cho Has Selected His Three Absolute Favorites To Play In Full. Another Lover of Handel's Keyboard Suites Was Johannes Brahms ? So Cho Pairs the Suites With the Later Composer's Spectacular "handel Variations" Op. 24. Cho Finds That Baroque Music Gives the Performer A Good Deal of Leeway. "you Can Use A Certain Amount of Pedal and Play These Works In A Very Romantic Way." As A Result the Korean Pianist Has Sought As Far As Possible To Avoid Using the Sustaining Pedal "in Order To Ensure Greater Clarity". On the Other Hand, He Has Altered Some of the Dynamics In Order To Exploit the Possibilities of A Modern Piano."i Really Worked On My Technique A Lot As I Wanted To Bring Out All of the Voices. I Tried To Maintain Different Colours In Them All. and I Imagined A Concerto Grosso. the Lefthand Voice, For Example, Could Sound Like A Bassoon. Or A Voice In the Right Hand Could Sound Like A Violin." (Seong-Jin Cho)price rating