STRAWBERRY ALARM CLOCK BEYOND VALLEY DOLLS RARE ORIG '67 RUSS MEYER PSYCH OST LP
$
46
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Description
WE CURRENTLY HAVE MORE THAN 40 LISTED ITEMS
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· VARIOUS ARTISTS FEATURING STRAWBERRY ALARM CLOCK AND THE SANDPIPERS – BEYOND THE VALLEY OF THE DOLLS – ORIGINAL SOUNDTRACK TO THE LEGENDARY 1967 RUSS MEYER’S SEXPLOITATION FLICK – ORIGINAL 1967 20TH CENTURY FOX STEREO LP TFS-4211
· A TRUE ‘60s WEST COAST KITSCHADELIC CLASSIC !!!
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK AND GOLD 20TH CENTURY FOX LABEL
· The record has ►SAM FELDMAN'S initials (SF) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· THICK, HEAVY VINYL PRESSING
· THE RECORD HAS A 'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
· As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Like the Russ Meyer/Roger Ebert exploito-tragicomic, satirical spoof from which it is derived, the soundtrack to Beyond the Valley of the Dolls is a cheesy, seductive, drugged-out orgy of a good time. It is a blast, too, even without the accompanying movie. Most of the songs are performed by the fictitious, all-girl trio the Carrie Nations, who are the main characters of the film. They sound something like how Janis Joplin might have had she settled in the seedy pop climate of early-'70s Los Angeles (what one reviewer has accurately described as sounding like Joplin's older and uglier sister) crossed with the early Zeppelin-esque pose of Heart, and they inject their songs with both tough-broad vigor and little-girl vulnerability. Just as the actresses (who comically ape their instruments in the movie) embody it, the music is full of interesting contradictions, particularly a hip knowingness played against the childlike irresponsibility of the generation. It is voluptuously perverse and promiscuous music, but also innocently teenage, full of batted eyelashes and wide-eyed curiosity. It is addictive and aphrodisiacal and even makes you feel a bit dirty when hearing it. The other main contributor (easy listening vocal trio the Sandpipers add the cursory theme song) is that ever-trendy veteran of the psychsploitation film phenomenon, Strawberry Alarm Clock, who also popped up as Jack Nicholson's band in the great Psych-Out a couple years earlier. The band plays themselves as a hip Hollywood combo during the film's first party scene, predictably opening their set with their huge hit, "Incense and Peppermints" (which doesn't appear on the soundtrack), but also chiming in with the lazy country-rock of "Girl from the City," with its interesting anti-back-to-the-land sentiment, and the surprisingly tough biker psych of "I'm Coming Home." The swinging, kitschadelic draw of the whole scenario notwithstanding, the songs themselves make the soundtrack, and, in some small way, the movie as well. As such, the stars of the soundtrack are actually its conceivers and songwriters, particularly Stu Phillips, who wrote a majority of the music for the film. Beautifully swaying Aquarian ballads ("Come with the Gentle People," "In the Long Run") mix with bluesy hippie anthems ("Look on Up at the Bottom") and hard-hitting heavy rock ("Sweet Talking Candy Man," "Find It") to create the perfect decadent atmosphere. Like the film, which has become one of the most beloved cult B-movies of an era full of them, the Beyond the Valley of the Dolls soundtrack deserves the highest critical rating on pop cultural value alone. That it happens to be loaded with swaggering, self-effacing rock music that is nothing but fun seals its fate.
(EXCERPT FROM AN ONLINE REVIEW BY STANTON SWIHART, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Mono copies of this album are NOT known to exist.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a small cutout hole in one of the corners
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Minor shelf wear noted on the seams (nothing significant)
- Cover has one corner slightly dinged (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
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