STEPPENWOLF LIVE SEALED 1970 Dunhill DSD 50075 2LP NO BARCODE RARE PSYCH

$

130

Vinyl:  STILL FACTORY SEALED!   NO BARCODE!  LONG OUT OF PRINT!   NO CUT-OUTS ETC!  This is the audiophile acclaimed Pressing of the 1970 DSD50075 Release!   Extremely RARE to find a Sealed copy of this album without the Barcode.  A landmark album full of this Legendary Psych Proto Metal band at the height of their powers!  They play all of their crucial songs here, including some nice extended versions.

See Review Below!


Cover: SEALED! (see photos)  High Gloss cover.  Front and back of cover artwork and text are rich, clear and bright.  Seams and spine are solid, essentially flawless.  No writing.  Spine print is crystal clear.  The shrink has a 5 inch split at the opening end of the album, but for sure, this record has never left its sleeve in over 50 years... Plus:  the record appears straight; when I look down with one eye down all 4 edges there's no big, ominous bow to it that would suggest that it's warped.
I will gladly accept the return of Sealed records as long as they have not been opened (i.e. as long as they are still in the condition I sent them in).  Every record has a "fingerprint" of imperfections in the seal and/or the cover and I separately photograph and keep these details to prevent fraudulently returned items...yep, there are a few rotten apples out there!)  I will not accept a previously sealed record that has been opened, even if the complaint is that the record is warped.  This is why I look down the edge of all 4 sides of the record, to assess for potential bowing.  Look for that in the description of the covers of all my Sealed items. Thanks!  By the way, I've never (knock on wood!) had a buyer complain that they received a warped Sealed record.  :)
Goldmine Standards.   
U.S. Shipping:  FREE domestic shipping!  Includes tracking.  Combine any additional items and they're also shipped FREE!  If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout.  Your combined shipping discount will be computed automatically. 
All records are packaged securely with the vinyl sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.

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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

LIVE Review

by James Chrispell

The title says it all. Recorded at various concerts during early 1970, Steppenwolf LIVE includes all their hits and then some. Stretched out versions of "Born to Be Wild," "The Pusher" and a ten-minute "Monster" satisfied many a fan. Heavy indeed!John Kay was well known for his peacenik in-concert raps and we get a taste of that here.  The mix brings the heaviness forward giving the listener some of Goldy McJohn's tasty Leslie organ riffs and Nick St. Nicholas' heavy bass sound and the signature bite of Larry Byrom's guitar.