STAN GETZ [Quartets] PRESTIGE [mono] DG/RVG/50th/FLAT

$ 89

$ 89 Sold For

Jun 6, 2011 Sold Date

May 30, 2011 Start Date

$ 10 Start price

12 Number Of Bids

USA Country Of Seller

eBay Auctioned at

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Description

*** *** INNERSLEEVE HAS JUST ACQUIRED ANOTHER AMAZING JAZZ COLLECTION! *** *** PLEASE CHECK BACK OFTEN, AS MANY NEW LISTINGS WILL BE GOING UP *** ***

PRESTIGE Records PRLP 7002
DEEP GROOVE * MONO * W. 50th N.Y.C.
[RVG] stamps in dead wax!
FLAT EDGE

*

VINYL is VG+ some very light hairlines/marks tons of gloss! fine copy!

COVER is VG+ light edge/surface wear, age spots

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After gaining initial fame with Woody Herman's band, Stan Getz went solo in the late '40s, hitting his zenith during the bossa nova craze of the early '60s. Before scoring with "Girl From Ipanema," though, Getz established himself with a slew of fine dates for Prestige and Verve, including this one from 1950. At the time, Getz's cool, Lester Young-inspired sound was becoming more distinct and harmonically varied, featuring the beautifully mellifluous tone he would soon turn into his trademark. Getz's airy approach is optimally heard onQuartets' many ballad standards, including stellar versions of "My Old Flame" and "What's New." He even pens the standout ballad of the set, "Mar-cia," while demonstrating his varied writing skills with the original swinger "Crazy Chords." Other highlights include medium cookers like "There's a Small Hotel" and "Too Marvelous for Words" and the Latin-tinged "Lady in Red" (a sort of minor classic and admittedly one of Getz's favorites). Getz is ably supported by top players throughout, including pianist Al Haig, bassist Percy Heath, and drummer Roy Haynes. Although the sound is not crystal clear (this is, after all, the early days of the LP), Quartets is still a very enjoyable set.