SONNY ROLLINS SAXOPHONE COLOSSUS PRESTIGE MONO JAZZ LP GOLD LABELS RVG EX COND
$
34
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Description
SONNY ROLLINS~SAXOPHONE COLOSSUS~PRESTIGE MONO JAZZ LP~GOLD LABELS~RVG~EX COND!
Product Description
Sonny Rollins – Saxophone Colossus
Prestige – PR 7326
VERY NICE COPY OF THIS 1960s MONO PRESTIGE PRESSING!
COVER IS IN VG++/EX CONDITION BUT HAS A PRICE WRITTEN IN MAGIC MARKER.
THERE IS ALSO A (PROMO?) HOLE IN THE UPPER LEFT CORNER.
BERGENFIELD ADDRESS ON THE BACK COVER.
VINYL IS EXCELLENT WITH ONLY VERY LIGHT WEAR.
THERE IS A PRICE WRITTEN ON BOTH LABELS.
Sonny Rollins recorded many memorable sessions during 1954-1958, but Saxophone Colossus is arguably his finest all-around set. Joined by pianist Tommy Flanagan, bassist Doug Watkins, and drummer Max Roach, Rollins debuts and performs the definitive version of "St. Thomas," tears into the chord changes of "Mack the Knife" (here called "Moritat"), introduces "Strode Rode," is lyrical on "You Don't Know What Love Is," and constructs a solo on "Blue Seven" that practically defines his style. Essential music that, as with all of Rollins' Prestige recordings, has also been reissued as part of a huge "complete" box set; listeners with a tight budget are advised to pick up this single disc and be amazed.
Tracklist
A1 St. Thomas 6:45
A2 You Don't Know What Love Is 5:01
A3 Strode Rode 5:00
B1 Moritat 10:00
B2 Blue 7 8:00
Credits
Bass – Doug Watkins
Design, Photography By – Don Schlitten
Drums – Max Roach
Liner Notes – Martin Williams (6)
Piano – Tommy Flanagan
Recorded By – Rudy Van Gelder
Supervised By [Supervision] – Bob Weinstock
Tenor Saxophone – Sonny Rollins
Notes
Recorded June 22, 1956.
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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