SMALL FACES OGDEN'S NUT GONE SEALED ORIG LP ROUND COVER

$

244

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·       SMALL FACES – OGDEN’S NUT-GONE FLAKE – ORIGINAL 1967 IMMEDIATE RECORDS STEREO LP Z12-52008

·       ORIGINAL U.S. PRESSING

·       RARE ORIGINAL, ROUND COVER MADE OF THIN CARDBOARD, WHICH UNFOLDS HORIZONTALLY, AND THEN VERTICALLY (FOUR WAYS)

*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***

·       PLEASE NOTE: BECAUSE OF ITS UNUSUAL CONSTRUCTION, THIS ALBUM WAS NOT SEALED IN A USUAL WAY (BY SHRINKWRAPPING); INSTEAD, IT WAS PLACED IN A LOOSE-FITTING PLASTIC BAGGY WITH A SMALL METALIC “BUCKLE” WHICH COULD BE BUCKLED AND UNBUCKLED AT WILL. FROM WHAT WE COULD DETERMINE, THE INTEGRITY OF THE SEAL (BUCKLE) IS INTACT; WE BELIEVE – AND HAVE RECEIVED ASSURANCES FROM THE PREVIOUS OWNER – THAT THE ALBUM HAS NEVER BEEN OPENED.

·       BELIEVED TO BE PRESSED ON THE ORIGINAL PINK IMMEDIATE LABEL SUCH AS THE ONE SHOWN BELOW, FROM OUR PREVIOUS AUCTION (NOT THE 70’S REISSUE ON MAROON ABKCO LABEL)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL 'GIMMICK' (ROUND) COVER.

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW) (Note: the image shown is from our previous auction; it appears here for reference only; the actual item is in EVEN BETTER condition than the one shown, but is not completely identical in every minute detail ).

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There was no shortage of good psychedelic albums emerging from England in 1967-1968, but Ogden's Nut Gone Flake is special even within their ranks. The Small Faces had already shown a surprising adaptability to psychedelia with the single "Itchycoo Park" and much of their other 1967 output, but Ogden's Nut Gone Flake pretty much ripped the envelope. British bands had an unusual approach to psychedelia from the get-go, often preferring to assume different musical "personae" on their albums, either feigning actual "roles" in the context of a variety show (as on the Beatles' Sergeant Pepper's Lonely Hearts Club Band album), or simply as storytellers in the manner of the Pretty Things on S.F. Sorrow, or actor/performers as on the Who's Tommy. The Small Faces tried a little bit of all of these approaches on Ogden's Nut Gone Flake, but they never softened their sound. Side one's material, in particular, would not have been out of place on any other Small Faces release — "Afterglow (Of Your Love)" and "Rene" both have a pounding beat from Kenny Jones, and Ian McLagan's surging organ drives the former while his economical piano accompaniment embellishes the latter; and Steve Marriott's crunching guitar highlights "Song of a Baker." Marriott singing has him assuming two distinct "roles," neither unfamiliar — the Cockney upstart on "Rene" and "Lazy Sunday," and the diminutive soul-shouter on "Afterglow (of Your Love)" and "Song of a Baker." Some of side two's production is more elaborate, with overdubbed harps and light orchestration here and there, and an array of more ambitious songs, all linked by a narration by comic dialect expert Stanley Unwin, about a character called "Happiness Stan." The core of the sound, however, is found in the pounding "Rollin' Over," which became a highlight of the group's stage act during its final days — the song seems lean and mean with a mix in which Ronnie Lane's bass is louder than the overdubbed horns. Even "Mad John," which derives from folk influences, has a refreshingly muscular sound on its acoustic instruments. Overall, this was the ballsiest-sounding piece of full-length psychedelia to come out of England, and it rode the number one spot on the U.K. charts for six weeks in 1968, though not without some controversy surrounding advertisements by Immediate Records that parodied the Lord's Prayer. Still, Ogdens was the group's crowning achievement — it had even been Marriott's hope to do a stage presentation of Ogden's Nut Gone Flake, though a television special might've been more in order. As with most Immediate Records releases, it has gone through multiple reissue cycles on vinyl and CD; the original LP came in a circular sleeve in keeping with the design of the cover, and was reissued in a more convention jacket during the 1970s and early '80s. Most of the CD versions until the 1990s were, in keeping with the poor state of the Immediate Records tape library, substandard in sound.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)

Finding a still sealed original copy?!?! Forget it – not even a HOPE!!! This may be the last one you will ever see.

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For additional historical or discography information on this album, including track listing ►click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID)

(b)            The record is STILL in its original inner, perforated plastic baggy (WE CAN SEE IT THROUGH THE ROUND EDGE OF THE COVER)

(c)             The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)            US Mono copies of this album are NOT known to exist.

(e)             Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, PSYCHEDELIC “ROUND” COVER):

COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP (LOOSE-FITTING BAGGY WITH A SMALL METALLIC ‘BUCKLE’)

NO IMPERFECTIONS ON THE COVER:

-         No split seams

-         No ring wear

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-         No wrinkles or creases

-         No yellowing from aging

-         No writing

-         No stamps

-         No tearing: no chips, dents or nicks on the seams

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No glue traces or wax residue.

-         No bar codes

-         No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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