SLIPKNOT - Iowa (reissue) - Vinyl (gatefold translucent green vinyl 2xLP)
  £   40
  $   53

 


£ 40 Sold For
Oct 26, 2025 Sold Date
Sep 29, 2025 Start Date
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  Great Britain Country Of Seller
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SLIPKNOT

Iowa (reissue)

Roadrunner

gatefold translucent green vinyl 2xLP Cat: 007567 8645716
Rel: 16 May 22
Metal Side 1 - Track 1. (515) Side 1 - Track 2. People = Shit Side 1 - Track 3. Disasterpiece Side 1 - Track 4. My Plague Side 1 - Track 5. Everything Ends Side 2 - Track 1. The Heretic Anthem Side 2 - Track 2. Gently Side 2 - Track 3. Left Behind Side 2 - Track 4. The Shape Side 3 - Track 1. I Am Hated Side 3 - Track 2. Skin Ticket Side 3 - Track 3. New Abortion Side 3 - Track 4. Metabolic Side 4. Iowa

At the turn of the 21st century, Slipknot opted to take the newfound fame and success rewarded by their self-titled debut, and run it into the ground in, what has to be, one of the most intriguing examples of chaos and inner band turmoil lending to an integral work.

Named after their home state, 'Iowa', still remains an utterly frightening project, driven by addiction, depression, and encompassing negativity. Refusing to pursue a more accessible route regardless of the ensuing momentum around them, the collective would lash out with an extremely severe batch of material that remains challenging even by today's standards.

While the now iconic leads singles, 'My Plague' and 'Left Behind' remain embedded in the metal spectrum, deeper cuts such as the caustic 'People = Shit', nihilism rally of 'The Heretic Anthem' or the decrepit defeatism of 'Skin Ticket' offer the bleakest look into the band's psyche at their most temperamental of conditions.

The fact that frontman Corey Taylor has confessed that the 14-minute closing title-track was recorded while highly inebriated and cutting himself with a broken liquor bottle, should be all the background one could need when approaching this complex, unforgiving beast of an album.

Reissued after far too long an absence, this beautiful new rendering finally allows for a timeless endeavour to be rediscovered in all of its violent glory; rarely bridging the vast dichotomy between mainstream and extreme metal.


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