SIR DOUGLAS QUINTET ROUGH EDGES RARE ORIG 1973 MERCURY WHITE LABEL PROMO LP MINT

$

71

    
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·       SIR DOUGLAS QUINTET - ROUGH EDGES - ORIGINAL 1973 MERCURY RECORDS STEREO LP SRM-1-655

·       ORIGINAL U.S. PRESSING

·       *** WHITE LABEL PROMO ***

·       ORIGINAL MERCURY LABEL, WHITE PROMOTIONAL VERSION

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1…'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       This album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Mercury assembled Rough Edges in 1973, after Doug Sahm had put the Sir Douglas Quintet on hiatus and headed over to Atlantic Records for a solo contract. The label cobbled it together from various odds and ends the Quintet left behind -- mainly B-sides, but also some non-LP singles and a few cuts that didn't make it to vinyl prior to this LP. Of course, if you simply listened to the album without knowing its back story, it's likely that you wouldn't realize that it was a compilation of leftovers, since it sounds for all the world like a proper Sir Doug album, as ragged and glorious as Mendocino or Together After Five. This speaks to the nature of both Sahm's music and his albums: all his music is instantly recognizable as uniquely his, whether it's recorded under the Quintet's name or his own, a blend of rock, blues, country, and Tejano that has a seemingly endless series of variations while all sounding kind of similar, while his albums are often cheerfully unfocused affairs, varying in recording quality and performance, where slight songs are given crackling, exciting performances and great songs tossed off the cuff. To those doubters, this can be infuriating, but once you've been turned on to Sahm, this is precisely one of the things to love about his music, both with and without the Sir Douglas Quintet, and it goes a long way to explaining why Rough Edges, despite its ragtag nature, is as satisfying as any of his albums and arguably ranks among his best. If anything, the odds'n'sods origins benefit the album, since it puts the focus on the individual songs instead of being a collection of highlights from a session. And on a song-for-song basis, there are as many classics on Rough Edges as there are on any other Sir Douglas Quintet album: the circling, slyly autobiographical "Sir Doug's Recording Trip," which traces the arc of Sahm's career; the relentless, nearly maniacal edge of "You're Doing It Too Hard"; the wonderful "Mendocino" rewrite of "Dynamite Woman," nearly as good as the original and one of the great Tex-Mex rock & roll songs; the slow blues on "Soulful Woman" and a terrific Texas shuffle with "Linda Lou"; the lazily brilliant lyricism of "Too Many Docile Minds," complemented by the anthemic sketch "Spearfish By Night"; the excursions into country with "Southside Girls" and the two-step Cajun-styled "Colinda"; and finally, the rollicking travelogue "Hello Amsterdam," as vivid as any Chuck Berry tale. That's the entire album, and while all these strands don't necessarily coalesce into a grand picture, there's not a song that should be left behind, and taken together, it adds up to a great rock record by any measure, which is certainly a testament to how great the Sir Douglas Quintet were at their peak.

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 15:1.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-        Cover has a visible "wrinkle"(crease)  in one of the corners.  (VISIBLE ON FRONT SIDE ONLY)

-         Minor shelf wear noted on the seams (nothing significant)

-         Minor yellowing noted on the INSIDE gatefold

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 14 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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